Monday, April 30, 2007

K.O.D. - Grievous Angel

This week, to get us all primed and ready for the biggest night that boxing has seen in years, our Knockout of the Week series will be the Knockout of the Day, as we will showcase daily a classic Oscar De La Hoya or Floyd Mayweather Jr. stoppage of the past in search of some clues as to what we might see in the ring this Saturday night.

We begin with Floyd's second-round TKO of Angel Manfredy in 1998. Manfredy was riding high at that point, with stoppages of Jorge Paez and Arturo Gatti in the previous year. But he was no match for the preternatural Mayweather speed. This bout illustrates well how that speed makes it a very tricky business to try and approach Floyd aggressively. It's generally taken for granted that you must pressure him, because if you let him set the pace, he will pick his spots all night, in and out, in and out, and because of that speed and his phenomenal defensive instincts, you'll never, ever hit him with a meaningful punch. On the other hand, if you do pressure him and take the initiative, you have to deal with the fact that - 1. he is the best counter-puncher of his generation, and 2. like maybe no one since Ali, he fights brilliantly and powerfully stepping backwards.

Of course, Angel Manfredy is no Oscar De La Hoya. There is almost no chance whatsoever that Floyd stops Oscar in two - he just will not have that kind of power at 154, not to mention the fact that Oscar has proven his beard against much bigger bangers than Mayweather. Floyd gets his stoppages from accumulated punishment, usually in rounds seven to ten. He doesn't have a KO on his record since Justin Juuko in 1999 (although he actually would have murdered Gatti if they hadn't called that one). But the fact remains that if Oscar is going to follow the c.w. on Floyd and stalk him relentlessly, he's going to have to eat a lot of clean shots, often in breakneck combinations. The question is, how long can he take two (or three, or five) to land one, and can he, somewhere along the line, make that one THE one?

Doc Alert: Something to Cheer About


The racial politics of high school basketball in 1950s Indiana sidestepped in the Oscar-nominated Hoosiers, appear front and center in Betsy Blankenbaker’s Something to Cheer About. Released in theaters last Friday (five years after its DVD debut), the documentary celebrates the on-court preeminence of Coach Ray Crowe’s all-black Crispus Attucks basketball team from 1951-1957 and the team’s community value as an academic and athletic success model for blacks and whites alike in Indianapolis.

In the 1954 state tournament, Attucks was upset in the semis by all-white Milan High (represented in Hoosiers as Hickory High) which used the cat-and-mouse delay game to successfully unhinge Attucks’s high-scoring attack. But Attucks’s nearly turnover-free fast break proved unstoppable during back-to-back, Oscar-Robertson-led state title runs in 1955 and 1956. The film reveals another layer of Attucks’s up-tempo approach: Coach Crowe pushed his team to rapidly build a big lead in the game’s early moments to weather the anti-Attucks bias of the referees down the stretch.

Something to Cheer About is showing at NYC’s Quad Cinema until Thursday. Do not hesitate: this short run will very likely be your one and only chance to see it on the big screen.
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Jeffrey Lane grew up playing basketball in New York City. As a high schooler in the mid-nineties, Lane captained a mostly white team playing against nearly all-black competition and realized then that basketball is an awesome forum for understanding race in America. Today Lane writes on the construction of race in sports and just published his first book, Under the Boards: The Cultural Revolution in Basketball.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 6 right here in NYC.

No Mas TV Guide - 4/30

The Kid From Brooklyn
AMC, 2 p.m.
No, this is not a film-length forum for that mamaluc who spouts his racist, xenophobic crap on YouTube - this is a 1946 movie starring Danny Kaye about a goofy milkman who accidentally knocks out a world-champion fighter, and then gets dragged into the fight game himself.

The Long Run
HBO2, 7 p.m.
I've had a few people write to me to suggest this for our Best Sports Movies You've Never Seen series, but I haven't gotten around to watching it. It's about an aging white track coach who discovers a black woman prodigy in South Africa.

Entourage
HBO2, 9 p.m.

This show is so freakin metrosezchuan that it makes me uncomfortable, but hey, I watch it, which I guess means that I'm as shallow as the next ponce with a head full of product. If you missed it last night, and you want to feel macho about watching this garbage, know that Chuck Liddell plays a starring role in the latest episode and on the whole he's pretty awesome. (I'm primarily including this as a heads-up for Franchise, cause I know that ballbreaker doesn't watch Entourage.)

WWE Raw
USA, 9 p.m.

The fallout from last night's Backlash PPV where the 61-year-old Vince McMahon captured the ECW Heavyweight title. Somewhere Paul Heyman, one of ECW founding fathers, is cringing.

Back in the Day
Speed, 9:30 p.m.

Dale Earnhardt Jr. hosts this show about classic races - this one goes back to the 1975 Carolina 500, won by good ole boy Cale Yarborough, the only NASCAR driver currently enshrined in the No Mas Hall of Fame.

Jimmy Kimmel Live
ABC, 12:05 a.m.

A double shot of sports love on a Kimmel repeat tonight - Clyde the Glyde (talking about Dancing with the Stars) and Vince Young (talking about Madden NFL '08).

La Haine
FlixE, 2:30 a.m.

Known in English as "Hate," this is an important, and great, French film from the mid-90's about racial discord in the banlieues de Paris. The French equivalent of Boyz n the Hood, only better. Not a sports-oriented movie by any means, but one of the three main characters is a fighter and there are some scenes of him training, proving that even across the pond, the boxing still got cred in the hood.

Sunday, April 29, 2007

Philly can't get no peace

The Bulls polished off a four-game sweep of the Heat earlier today, which, as you may have read, is the first time that a defending NBA champ has been swept in the first round of the playoffs since 1957.

Of course, they had to bring that up, and of course, it has something to do with the Illadelph.

There were only two rounds of playoffs before the finals in 1957 - the Eastern and Western division semis and finals. That year, the defending champion Philadelphia Warriors were swept in the Eastern division semis by the Syracuse Nationals, two games to none. The Nationals were led by their future Hall-of-Famer Dolph Schayes, while the Warriors boasted pretty much the same line-up that had won the title the previous year, including two future basketball Hall members, Paul Arizin (pictured above right) and Neil Johnston.

The Nationals then went on to be swept by the Celtics in the Eastern division finals, and then Boston won it all in a down-to-the-wire seven game series with the St. Louis Hawks, who were led by the immortal Bob Pettit. This was the first championship in Celtics' history, and not coincidentally, it was also the rookie season of a certain center out of San Francisco. Surprisingly, not only was Bill Russell denied the MVP award that year (it went to teammate Bob Cousy) he didn't even win the ROY honors, which went to another of his teammates, the great Tom Heinsohn (Russell would win his first of five MVP's the following season).

Beginning with that iron-clad core lineup of Russell, Cousy, Heinsohn and Bill Sharman, Boston would go on to appear in the next 12 NBA Finals, winning ten of them. During that period, they would beat Philly teams in the playoffs a total of seven times. Just in case you were wondering why all those years I felt like Red Sox fans could shove the Curse of the Bambino right up their drunken Irish asses.

Death in the Afternoon

"What had happened was that the horn wound, the first real goring, had taken all his valor. He never got it back. He had too much imagination."


In Hemingway's great bullfighting history and meditation, Death in the Afternoon, he asserts that one can never know the true value of a matador until he has been seriously gored for the first time. The reason being that every matador worth his salt eventually will be gored - it's part of the job description - and that the courage requisite to ply the matadoring trade is often in great abundance prior to that first horn-wound, and utterly fleeting after it. A truly great matador, Hemingway argues, returns from his first goring better than before, because the stakes have been raised, and that's just how he likes it. But this, of course, is a rare breed of man.

Last night in Connecticut, Acelino "Popo" Freitas quit on his stool in his lightweight unification bout with Juan Diaz, refusing to answer the bell for the ninth round. It's the second high-profile title bout that Freitas has opted out of early, the first coming in 2004 against Diego Corrales. Though Popo was heavily scorned in the boxing world for quitting in the Corrales fight, I myself thought he fought courageously in that bout and had no problem with his decision. He got up off the canvas twice under heavy fire, the second time so battered that he could barely stand. When he essentially TKO'ed himself after the third knockdown, I thought to myself, "good riddance." He'd endured savage punishment, and nothing was left but for him to be severely hurt.

But I thought of Hemingway last night when I heard Max Kellerman's assessment of Popo's performance against the "Baby Bull" Diaz. Seeing that Freitas was not getting off his stool to begin the ninth round, Kellerman said something along the lines of, "he's been there before, and once you go to that place, it's hard to come back."

The career of Freitas has not been dissimilar to that of Roy Jones - a uniquely talented fighter known for thrilling knockouts and utter domination in the ring. Popo mixed it up a lot more than Roy ever did, but still, he owned his opponents in Roy-like fashion for years, once stringing together 29 straight KO's. Then, much like Roy, his first real goring irrevocably changed his mettle. Freitas has not been the same since the Corrales debacle, his first loss, and last night we saw what I think was his own acknowledgement of that fact. Diaz was beating him soundly, but Popo was still very much in that fight, down maybe two or three points on the scorecards with four rounds to go. And yet, just as in the Corrales fight, he was running out of gas and his opponent seemed intractable. In the end, he feared the horns more than the ignominy of another cowardly exit.

Bizarrely, not long after he quit on his stool, Acelino's handlers lifted him onto their shoulders and paraded him around, a beatific, beaten smile on his face. Later we saw him in passionate embrace with his painfully beautiful Brazilian wife. They left the ring together arm in arm, the beauty queen and her 31-year-old vanquished husband, 31 going on 60. Cheating death has always been a young man's racket anyway. I think it's safe to say that Popo Freitas has fought his last bull, baby or otherwise.

The Best Sports Movies You've Never Seen






Twenty-Four Seven (1997)
Director: Bob Hoskins

Starring: Bob Hoskins, Bruce Jones

BBC, 96 minutes








Twenty-Four Seven, the low-budget debut from director Shane Meadows about amateur boxing, was shot in black and white in an industrial town in England - but let’s see if we can get through this without using the word “gritty”, shall we?

On paper the film might appear to have all the elements of a boxing ‘Billy Elliot’ - a tale of working-class lads escaping from the drudgery of their lives via a new-found discipline. But be warned - this is no ballet-loving granny-pleaser: this film is more likely to take you out the back and kick your teeth in.

‘Twenty Four Seven’ is the story of Alan Darcy’s (Bob Hoskins) attempt to open a boxing club in a dead-end town to give local kids something to do, away from a life of unemployment and petty crime. Darcy recalls the boxing club he visited as a boy and decides that he wants to provide the same for the youth of today. But before he can get them in the ring, he needs to get them to stop fighting between themselves. The boys are a bunch of misfits - they include a junkie, a mildly-psychotic fighter and the chubby son of the club's dodgy financier. The turning point comes when Darcy arranges a trip to the Welsh countryside - this release for the boys from their housing estate environment inspires and motivates them to get into shape for a tournament against a local club.

The boxing scenes are brief and there is no magical transformation from bad lads to boxing greats - what this film shows more is the tenacity and guts of the boys who have at last found something to believe in. Beautifully shot, this is a great piece of British cinema which is genuinely funny and engaging, underpinned with those classic themes of self-respect and male bonding. The film never slips into sentimentality, nor is there a straightforward happy ending.

Darcy is a big-hearted, compassionate dreamer, whose philosophy of “Giving it, taking it, living it, making the best of what you've got... twenty four hours a day, seven days a week” gives the film its title. Bob Hoskins is tremendous as Darcy - if you only know him from ‘Mona Lisa’, then you MUST also see ‘The Long Good Friday’, which some would class as the greatest gangster movie ever.

A boxing film is nothing without a great soundtrack (‘Rocky’, ‘When We Were Kings’) - there’s all those tough training sessions that need some inspirational soul and this has it in spades; brilliant, heavy tunes from Tim Buckley, Van Morrison and The Charlatans.

I can’t commend this highly enough to No Mas readers - make an effort with what will be fairly impenetrable accents for those of you stateside and I guarantee that this brilliant bittersweet film will soon rank in your favourites. Just don’t call it gritty.

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After graduating from Oxford University, Jamie Fraser has worked as an intellectual property lawyer in London for the last 7 years. These details, among others, disqualify him from having his biopic shot in black and white.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 6 right here in NYC.

Saturday, April 28, 2007

I ain't got no quarrel...

Forty years ago today, just over a month after his defeat of Zora Folley at Madison Square Garden, Muhammad Ali appeared at his scheduled induction ceremony to the army at the Houston Selective Service Induction Center. He successfully passed the physical, meeting all requirements for induction. But then three times he refused to take the symbolic step forward when his name was called to take the induction oath, refusing to serve in the U.S. Army and thus becoming liable for a $10,000 fine and a potential five-year prison sentence.

U.S. attorney Morton Susman immediately initiated criminal proceedings against Ali, and in a move that ultimately would prove more significant for the champ, the New York State Athletic Commission announced that same day that Ali had been stripped of both his heavyweight crown and his boxing license. The sport's greatest title was up for grabs, and perhaps the greatest heavyweight fighter of the 20th century was out of a job. He did not have no quarrel with them Viet Cong, but he had himself a hell of a beef with ole Uncle Sam, one that would cost him three and a half years of the prime of his fighting life.

Friday, April 27, 2007

Luna vs. Chavez

Going into the premiere last night, I felt I had a lot of good reasons to be skeptical about "Chavez", the feature doc directed by actor Diego Luna, the third side of the Y tu mamá también triangle. If my chief objection was rooted in envy, the crowd at the Clearview on twenty-third and ninth only added fuel to the player hating fire. As my movie-going compadre Bud Schmeling put it, “There was the whiff of Andalusian beauty in the air.” Okay probably the majority of the raven-haired throngs were from Mexico City, but that sounded better. And from the eager looks on their high-cheeked faces when a high-spirited Luna, all grown up in a sharp blue suit, came down to the front of the room to introduce his film, you got the strong feeling that his on screen adventures with Ana Lopez Mercado might actually pale in comparison to his real life.

If that wasn’t enough to get your hackles up, there was the more legitimate concern: how did this kid have the stones to try to tell the life story of Julio Cesar Chavez. Basically we are talking about the rough equivalent of a young Matthew Broderick deciding Ferris Bueller’s Day Off qualified him to direct the Muhammad Ali story. Luna is not an accomplished filmmaker (this was his first), he’s not any kind of boxing authority, and according to his father, who Bud got talking to at the after party at the Maritime, he hadn’t even been a huge Chavez fan growing up. For all these reasons, “Chavez” had all the ingredients to be the worst kind of exercise in celebrity dilettanteism--which would have been especially hard to stomach since Chavez’s story is so worthy of a good telling. In short, I had my doubts.

They weren’t all erased, but “Chavez” still won me over. There were stretches, especially a slow bit in the middle about Chavez’s relationship to Carlos Salinas and Mexican politics, where it seemed Luna had bit off more than he could chew, but they were more than balanced by some sublime revelations about boxing and about fathers and sons.

The centerpiece of the film is the September 2005 fight against Grover Wiley, which was not supposed to Chavez's last. As Bob Arum tells it, he had dubbed the promotion “Adios Phoenix” and it was designed to be part of a larger “Adios” tour which started with “Adios Los Angeles” hit “Adios Texas” and “Adios Atlantic City” and then extended indefinitely towards “Adios, Adios”.

By this point in the farewell tour, Luna has managed to gain Chavez and his son’s confidence and is given complete and total access as both Chavez Sr. and Jr. prepare to fight on a card that was built to give the two of them easy wins and send the Mexican-American population of Phoenix home happy. Things do not go according to plan, and this is where Luna finds his film.

I won't go too far and spoil it, but the part already long on record is that Chavez’s corner threw in the towel between the fifth and sixth round. It was an utterly humiliating way for one of the hardest men in the history of the hardest game to go out. But the rough poetry of boxing is wrapped up in the fact that no one seems to get to say Adios on their own terms: not Joe Louis, not Ali, and not Julio Cesar Chavez. The best storytelling about boxing—the reportage of Gay Talese and A.J. Liebling, W.C. Heinz’s “The Professional”, Scorcese’s Raging Bull--finds the beauty in those most terrible moments of failure and finality.

In the aftermath of “Adios Phoenix”, on the long trip back down the corridor and in the dressing room, there is no doubt that Diego Luna caught some moments that can stand in this canon. The mean-spirited may say he just got lucky. Fairer judges will know that whatever advantages his celebrity gave him, he made his own luck. It's not easy for anyone to get the kind of access he did, or to know how to treat the fruit of that access. Luna caught something incredible and he knew both how to make the most of it and how to treat it with respect. For that, he earns our sincere congratulations and our recommendation. You should see Chavez.

This Week in No Mas



4/22
Southpaw Jinx
A great day for lefties, the 13th anniversary of Michael Moorer's victory over Evander Holyfield, making him the first southpaw heavyweight champion in history.

4/23
Large v. Plimp
Large examines George Plimpton's candidacy for the No Mas Hall of Fame, quite unfairly influenced by Large's one bungled trip to the Plimpton mansion. "There can be no finer looking set of nubiles at any Vogue party thrown last week than were at Plimpton's house that night, and the master of ceremonies was trailed by an adoring gaggle of these shiny geese everywhere he went. To my eye, this was the point of the party, and anything else that transpired was incidental."

Sons of Sakhnin
I-Berg reviews Roger Bennett's Sons of Sakhnin, which debuted at the Tribeca Film Festival last night. "Sakhnin casts new and interesting light on the greatest political, cultural, and religious struggle of our time, while simultaneously giving up all the David vs. Goliath sports documentary goodness we require. Basically we are in the territory of Bad News Bears meets "From Beirut to Jerusalem", which is some pretty rarified air."

The O'Brien Glide
No Mas bids a sad but swarthy farewell to the great Parry O'Brien, legendary shot-putter and inventor of the groundbreaking O'Brien glide, who died this past Saturday at the age of 75.

K.O.W. - Sturm und Drang
To get us all primed for the Felix Sturm/Javier Castillejo rematch tomorrow night, our No Mas Knockout of the Week goes back to the first fight, where Castillejo prevailed with a TKO in the 10th. "Crumpling forward into Castillejo, Sturm received three whipping uppercuts to the head before the ref could mercifully put an end to the proceedings. I tell you people, those last three punches were like killing a mockingbird."

4/24
No Mas Caption Contest
A caption contest for tickets to last night's premiere of Chavez at the Tribeca Film Festival.

2007 New York Golden Gloves
Our man No Mas Nick Strini, who has been covering the Golden Gloves this year, congratulates the winners and offers up a spectacular slideshow of the proceedings.

4/25
The Milan Debacle
We reprint an excerpt on the movie Hoosiers from Jeffrey Lane's excellent new book, "Under the Boards: The Cultural Revolution in Basketball." "The movie Hoosiers captures both the enormous pride Indiana takes in its basketball tradition and the throwback aestheticism routinely attached to this pride. Two former Indiana University students, director David Anspaugh and writer Angelo Pizzo, collaborated to recreate an immortal slice of Indiana folklore, the "Milan Miracle," which is considered by many the greatest Cinderella story in all of hoops history."

The Sports Guy Also Thinks Boxing Is Dead
Bill Simmons' recent piece on De la Hoya/Mayweather and the decline of boxing gets Large's blood up. "His boxing column boils down to the firm grasp of the blatantly obvious that I've come to expect from him: in short, boxing used to be good, now its not. He throws in the blanket assertion that De la Hoya/Mayweather will be the last big fight, unlike his memories of the good old days when he and his buddies evidently watched a fight of this caliber every weekend (I can only imagine how The Sports Guy and his posse whooped it up for the likes of Zaragoza/Morales)."

4/26
Sharpshootin' with The Franchise
For this week's Sharpshootin', Franchise gives his column over to a trip down memory lane, a reminiscence of the greatest wrestling move of all time, Beyond the Mat.

Deal or Shit Deal
And ah, what a shit deal it was - the Tribe sent Chris Chambliss and Dirt Tidrow to the Yanks for four crash test dummies on this day 23 years ago. "...the moustache parity between the two teams was not disrupted in this deal, as Tidrow and Buskey's liprugs cancelled each other out and those Zapatas that Peterson and Chambliss had going were of equal measure."


4/27
The Best Sports Movies You've Never Seen
Baggiesboy continues our series on unheralded sports films with On a Clear Day, which follows that grand tradition of mid-life-crisis-go-swim-the-English-Channel movies that were all the rage a few years back.

Three for the Money
With the recent Cuban boxing defectors set to debut professionally tonight, longtime friend of No Mas Bud Schmeling, a.k.a. Morty Bravo, ruminates on what it means to leave the Socialist island for the lure of the big payday. "Every potential defector is faced with a harrowing decision; remain, compete as an amateur and continue the great struggle with his fellow countrymen, or leave and possibly subject family and friends to various persecutions to pursue the dreams that are the birthright of all world-class athletes outside of Cuba."

Three for the money

As you may or may not know, we here in Nomaslovokia have a soft spot in our heart for most things Cuban. So, naturally, the recent defection of three of the tiny island's most lauded fighters got me thinking about the immense gravity of their decision and the rippling ramifications it will have on the boxers, the boxing world and their native country.

Early last month, 25-year-old superbantam Yuriorkis Gamboa, 26-year-old heavyweight Odlanier Solis and 27-year-old flyweight Yan Barthelemy bolted Fidel Castro's socialist utopia. While training for the Pan-Am games in Venezuela, the trio, along w/their respective gold medals from the Athens Olympics, slipped away for the team complex, made their way to Colombia, signed six figure deals with a Hamburg-based promoter and will make their professional debuts tonight. These three fighters (all smart-money favorites to repeat with gold in Bejing) are certainly not the first Cuban Athletes to leave behind family and friends and seek fortune and freedom outside their intoxicating yet oppressive homeland. What is more compelling is the fact that a large majority of the greatest sportsmen ever churned out by the potent academies of the revolution chose to stay - three-time gold medalists Teofilo Stevenson and Felix Savon, track and field legend Alberto Juantorena, the greatest men's high jumper in history Javier Sotomayor and the Ted Williams of Cuba, Omar Linares. Each man eschewed staggering paydays (by Cuban standards, where the average salary clocks in at about 30 bucks a month) to remain at home and compete not for the riches bestowed on professional athletes around the world, but rather to serve as role models, exemplars of the pure spirit of the Socialist man which has been hammered into every Cuban since the heady days of 1959. When Teofilo turned up his nose at a five-million-dollar offer to fight Ali ( a dream match-up that had every boxing aficionado salivating) he reportedly quipped "what's a few million dollars compared to the love of eleven million Cubans?"

All Cubans are poor. But when one travels through the Eastern province of Guantanamo, hopefully en route to the knee-buckling beauty of Santiago, the concept of poverty is poignantly illuminated. Both Joel Casamayor and Yuriokis Gamboa were reared in the penumbra of the U.S. base at Guantanamo Bay. In one of the first interviews he gave after his defection, Gamboa recounted how he had to sell his gold medal to pay for his young daughter's birthday party. Every potential defector is faced with a harrowing decision; remain, compete as an amateur and continue the great struggle with his fellow countrymen, or leave and possibly subject family and friends to various persecutions to pursue the dreams that are the birthright of all world-class athletes outside of Cuba. To a man, the three fighters stated that they had accomplished all that was possible within the amateur ranks and wanted to test themselves against the best in the world, knowing that it could be many years before they saw their families again.

Despite the best efforts of the Castro regime, this recent trend (much to the delight of the Miami crowd) of the best and the brightest plying their trades elsewhere, is gaining considerable momentum, in stark contrast to the legends of past, many of whom were, or still are, high ranking members of the party, devout, committed. The present-day Cuban athlete does not concern himself much with politics, and it is probably a safe bet to say that none of them would punch out an anti-Castro protester in a Miami airport like Teofilo once did. That is not to say that they, like every other Cuban, aren't impressively, vehemently nationalistic. They probably consider Che Guevera a god, and would lunge at the opportunity to have their photo taken with" El Jefe."

But they also probably reserve their political opinions only to be shared in hushed tones with their closest allies. I do not portend to know the political leanings of the three Olympians, but there has been no rationale other than sport and economics offered for their defection. To the great chagrin of the government, who do everything possible to insulate its citizens from the ever encroaching evils of Capitalism, the dam is beginning to break. Many Cubans have access to the internet, have seen MTV Cribs and are infatuated with Hip Hop culture. Like so many young athletes, these extremely talented olympians probably aspire to live like Floyd Mayweather Jr., and that alone I imagine to be their inspiration.

What is to become of them remains to be seen. But what is certain is that they have much to live up to. From what I have gleaned they all possess the flair, acumen and passion that their predecessors were known for. Boxing annals are ripe with the heroic and innovative exploits of the great Cuban fighters. Perhaps, in the group there is the next Kid Chocolate, of whom Sugar Ray Robinson was such a fan. Or another Luis Rodriguez, who trained with Ali at the legendary 5th Street gym. What about the great middleweight Florentino Fernandez, or Benny Paret, or the master of the bolo punch, the great Kid Gavilan? Just by invoking these names, I'm probably asking too much, but it doesn't hurt to dream. In any case, I wish them and their families well and feel secure that they will do proud both those who preceded them and those who are sure to follow.
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Bud Schmeling, aka Morty Bravo, is a graduate of the Virginia Military Institute where he still holds virtually every single-season demerit record in the school's history. A former zamboni driver and wiffle-ball legend, Bravo has contributed to the Village Voice and Frank 151 as well as reporting on the Caribbean World Series, the Cuban League Series and the Dominican Winter Leagues. Presently, he presides over the Black Betty in Brooklyn and is a member of their championship softball team. He resides in Williamsburg with his Mojito-making Cuban dog. Do not challenge either of them to a drinking contest.

The Best Sports Movies You've Never Seen






On a Clear Day (2005)
Director: Gaby Dellal

Starring: Peter Mullan, Brenda Blethyn

Baker Street, 98 minutes








On A Clear Day is the kind of movie to watch after a long day. I caught it on HBO at the tailend of a 10-day road trip that included stops in Bettendorf, Iowa, Chicago, New York City and Uncasville, Connecticut. All I needed was some early morning white noise while shuffling production notes and prepping for a day of International Fight League interviews. What I got was an absorbing 98 minutes.

Director Gaby Dellal’s feature debut invokes the pitch line: The Full Monty meets The Swimmer. Now THAT would be a movie for the ages: Burt Lancaster swims the Sheffield canal system on his way to the unemployment office while Robert Carlyle and Co., teach a Yorkshire vacationing chapter of the Junior Women’s League the Arsenal offside trap. (The scene where Horse demonstrates the Gunners mastery of soccer synchronicity is must see viewing for all coaches of “the Beautiful Game.”)

On A Clear Day borrows many of the conventions of the classic exotic dancing caper: male mid-life crisis sparked by unemployment, secrets between spouses, father-son relationships, and a cure-all audacious quest. The quest in this case: swimming the English Channel.

In 1875, Captain Matthew Webb made aquatic history when he swam the narrow body of water separating Britain from mainland Europe. A dozen decades later Frank Redmond (Peter Mullan) is an unlikely candidate to follow in Webb’s wake. After spending a lifetime in the Glasgow shipyards Frank’s job washed away on the changing tide of capitalism. His future is bleak. His past wasn’t much better.

Like his character in Trainspotting, (Swanney, the heroin supplier), Mullan creates a three-dimensional character out of the flotsam and jetsam of a deeply depressing situation. He keeps Frank’s fading hope afloat even while his demons try to submerge it.

While Frank stays focused on the black line running along the bottom of the pool, everyone else stays focused on Frank. Stereotypes lurk within all the supporting characters, they all live with their own various degrees of British emotional repression, (to paraphrase Basil Fawlty: “don’t mention the panic attack”), but whimsy and grace emerge.

Brenda Blethyn emerged on the Hollywood radar with her Academy Award nominated turn in “Secrets and Lies.” As befits a Mike Leigh troupe member, Blethyn revels in realism. Here she plays Frank’s wife, Joan. All you need to know about Blethyn’s attention to detail is that she takes her bus driver’s test wearing a “decent frock.”

And in a lot of ways, On A Clear Day is a decent frock of a movie. Not on the cutting edge of fashion, but, on occasion, eye catching nonetheless. It surprised me. Perhaps not on the level of Ian Thorpe’s startled glance at the 2004 Athens Olympics when I inadvertently gained access to the warm up pool while trying to find the media observer seats on the first night of the Games, but certainly unexpected. And if you do keep your hand off the remote control for the entirety, (the White Cliffs of Dover, car ferries and Thunderbird 2 all appear in this movie by the way, so don’t be too hasty with the clicking digit), you’ll discover the importance of every pebble washed up on the shore.
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Mark Young, Baggiesboy to some, is a veteran writer and producer in sports television who has covered the last four Olympics with NBC, the last two World Cups, and written for two essential No Masian programs, "Ringside" and "Reel Classics" on ESPN Classic.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 6 right here in NYC.

No Mas Weekend TV Guide: 4/27 - 4/29

4/27
Champions League Highlights
ESPN2, 2 p.m.

Missed the first leg of the semis then? Here's just the thing to get you up to speed.

Colorado vs. Michigan, 1994
ESPN Classic, 4 p.m.
As far as college football goes, you say "Hail Mary" and you instantly start thinking about Doug Flutie. Unless, of course, you went to Colorado or Michigan, in which case you think Kordell Stewart. You could watch this whole game, or save yourself the time and just watch the crappy home-made video below.



Riddick Bowe v. Andrew Golota II
ESPN Classic, 8 p.m.

Always a lark to watch a good cock-punching.

PGA Championship Highlights
Golf Channel, 8 p.m.

A half-hour show on Byron Nelson winning the 1945 PGA. I tell you, with the freakin Byron Nelson tournament going right now, it's all Byron all the time on the Golf Channel these days.

WWE Smackdown
CW, 8 p.m.

Two days before their Last Man Standing match at Backlash, The Undertaker teams up with Batista to take on Mr. Kennedy & Finlay in a No DQ match.

UFC Ultimate Fight Night Friday
Spike, 10 p.m.
A pretty solid card showcasing Josh Koscheck vs. Pete Spratt, Chris Leben vs. Patrick Cote and Nathan Marquardt vs. Ivan Salaverry.

60 Minutes on Classic
ESPN Classic, 10 p.m.

A half-hour show comprising two classic segments from 60 Minutes - this one has an interview with a boxing ring doctor and a 2004 interview that Dan Rather did with the Klitschko brothers ("Wladimir, you clinch more than a muskrat squeezing the spit-juice out of an elderberry vine...").

The Hustler
TCM, 10 p.m.
When I'm goin', I mean, when I'm REALLY goin' I feel like a... like a jockey must feel. He's sittin' on his horse, he's got all that speed and that power underneath him... he's comin' into the stretch, the pressure's on 'im, and he KNOWS... just feels... when to let it go and how much. Cause he's got everything workin' for 'im: timing, touch. It's a great feeling, boy, it's a real great feeling when you're right and you KNOW you're right.

4/28
Emile Griffith v. Benny Paret I
ESPN Classic, 7 a.m.

The first of this tragic trilogy, and the best fight without a doubt. Griffith wins on a stoppage in the 13th. If you haven't seen Ring of Fire by all means do so, and it'll tell you the whole story.

The Penn Relays
ESPN2, 1 p.m.

A Philadelphia and a national tradition dating back to 1895. The deuce has two hours of coverage.

Ringside
ESPN Classic, 8 p.m.
Ringside looks at the early bouts of Ali, including probably the toughest fight the Champ had before Frazier - the Doug Jones bout from 1963, when lithe Cassius was barely but a cruiserweight.

Acelino Freitas v. Juan Diaz
HBO, 10 p.m.

I'm looking forward to this fight - we'll see if Diaz, the "Baby Bull", is the genuine article, and we'll see if Popo Freitas has anything left. The two fighters have one loss between them, Popo's 2004 loss to Chico Corrales in an ugly 10th-round TKO, certainly not a loss to be ashamed of.

Saturday Night Live
NBC, 11:35
A repeat of the Peyton Manning-hosted SNL from a few months ago. The bastard was a lot funnier than I expected.

4/29
Classic Battle Lines
ESPN Classic, 7 a.m.

Watch this show about Mac beating Borg at Wimbledon in '81 and then go to the No Mas store and buy yourself a shirt to celebrate. You know you want it.

Field of Dreams
HBO2, 11:45 a.m.

Be careful if you're all insanely hungover late Sunday morning and you're clicking around the channels aimlessly, because Field of Dreams is on HBO2 and the next thing you know you'll be having epiphanies and weeping like an infant and calling your dad through your tears and your girlfriend will be all like, "you're such a fucking schmuck."

WWE Backlash
PPV, 8 p.m.

Let the Road to Wrestlemania 24 begin. In a Fatal Four Way match, WWE Champ, John Cena, defends his title against HBK, Edge & Randy Orton. In a Last Man Standing match, World Champ, The Undertaker, goes up against Batista. Also, Bobby Lashley puts his ECW title on the line in a 3-on-1 Handicap match against Mr. McMahon, Shane McMahon & Umaga. And, in a Wrestlemania rematch, US Champ, Chris Benoit, battles MVP.

Once in a Lifetime
ESPN Classic, 10 p.m.

This 2006 doc about the Cosmos is running Sunday night on Classic. If you haven't seen it, definitely cue up the Tivo - it's a lot of fun. Click here for I-berg's original review.

De la Hoya/Mayweather 24-7
HBO, 10:30 p.m.

I was just talking to the writer of this show today, Aaron Cohen, true friend of No Mas and sometimes contributor. I was telling him how awesome the show is, and I wasn't just buttering his muffin. Shit is awesome with a capital awe. The new episode takes us through the last days of training.

Thursday, April 26, 2007

No Mas Caption Contest Winner

Most of our entries for the No Mas Caption Contest worked the angle of the perceived unfairness of the draw in the Chavez/Whitaker fight. We received a lot of captions on a variation of the "I'm punishing his fist with my face en route to certain victory" theme.

The one that grabbed us, though, has no ulterior meaning - it's just ridiculous. But it's short and punchy and it made us laugh, and thus, one Ken from Brooklyn earned himself two tickets to tonight's Chavez premiere. Thanks again to artist Andy Amato for allowing us to use his work for the contest.

Deal or Shit Deal

In this case, the "deal or shit deal" motif is largely moot - this is one of the great shit deals of the 70's. On this day 23 years ago, the Yankees sent Fritz Peterson, Tom Buskey, Steve Kline and Fred Beene to Cleveland for two players who would become crucial to their late 70's dynasty - Chris Chambliss and Dick "Dirt" Tidrow (the Yanks also got Cecil Upshaw, who was out of the bigs by the following season).

As I think is clear below, the moustache parity between the two teams was not disrupted in this deal, as Tidrow and Buskey's liprugs cancelled each other out and those Zapatas that Peterson and Chambliss had going were of equal measure. The Yankees may have lost on the locker-room cheesecake quotient in this deal. I mean, check out Beenesy and Fritzie down there. Freakin Playgirl models already. Chambliss and Dirt weren't much to look at.

Of course, they made up for that fact with one important skill - their ability to actually play baseball. Meanwhile, ole Fritzie was long past his prime, Kline's arm was shot, and Beenesy and Buskey were never any good in the first place. They're still crying about this one in Cleveland.































Sharpshootin' With The Franchise

I remember it like it was yesterday. I was walking out of a movie theatre with a couple of friends when I saw a poster for the coming attractions. The top of the poster read: “The movie Vince McMahon doesn’t want you to see.” What? A wrestling documentary…in theatres…and Vince McMahon DOESN’T want me to see it? They could have wrote “win a million bucks if you lick this poster” and I probably wouldn’t have gravitated towards it as quickly. You see, wrestling is like the circus and wrestling fans, such as myself, would do anything for the opportunity to peek through those curtains and find out what really happens behind the scenes. Would circus fans do the same? Not sure, but you catch my drift. If a documentary promised to spill the beans on the twisted world of professional wrestling I was all for it. And this wasn’t just some documentary. This turned out to be the greatest film ever made about the wrestling business.

Beyond the Mat, directed by Barry Blaustein, is a must-watch for any wrestling fan and, even more importantly, any non-wrestling fan. In many ways, this film is dedicated to all those who are quick to dismiss the sport as fake, stupid, sophomoric or any other negative connotation that has been used to describe the wrestling industry. Throughout the film, Blaustein, who also wrote the screenplay for Coming to America, The Nutty Professor, and Boomerang, spotlights several wrestlers at different points in their respective careers. Some of the notables are Jake “The Snake” Roberts, Terry Funk and Mick Foley. In the mid-1980s, Roberts was one of the best wrestlers in the WWF (now known as WWE). But don’t watch this documentary to relive the Snake’s glory days. Roberts is seen as way past his prime, addicted to drugs and a deadbeat dad. Funk is portrayed as a legend that continues to come out of retirement for one last moment in the sun. However, the most captivating scenes in “Beyond the Mat” are the ones involving Mick Foley.

A funny thing happened to Foley during the filming of the movie. After almost 15 years in the wrestling business, he finally captured the WWF Heavyweight title – the industry’s holy grail. Finally recognized as one of the best, Foley decides to put his body through an unfathomable amount of pain to help make his title run as memorable as possible. Sadly, his actions go too far and he is left questioning whether it was all worth it.

Also interviewed are a bunch of up-and-coming wrestlers whom, as the years go by, it’s interesting to revisit how they all started. But what makes this documentary so fascinating is that a man who simply loves wrestling directed it. He isn’t looking to expose the business or degrade it. He is simply trying to learn why these individuals are so misunderstood within our society and why they’ve decided to earn their livelihood in this virtually taboo form of entertainment. Do some of the wrestlers play up to the slimy wrasslin’ stereotype? Absolutely. But consider this - my father, by far the strongest wrestling critic I have ever met, was actually moved after watching this film about an industry he despises with a passion. It was because Beyond the Mat is about much more than just wrestling. And if that doesn’t entice you enough, remember: Even Vince McMahon himself DOESN’T want you to see it.

Below is the opening scene of the film. I might as well be narrating it because I feel the exact same way.


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Franchise dedicated his "Sharpshootin" column this week to Beyond the Mat as part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

No Mas TV Guide - 4/26

Legendary Nights
HBO, 12 noon
Hawk time is what time this is, or what HBO calls The Tale of Pryor/Arguello. Learn about the whole secret bottle controversy... you know, the one I mixed.

High Roller: The Stu Ungar Story
IFC, 7:05 p.m.
The main thing to know about this movie is that it's not nearly as good as it should be. The other thing to know is that Michael Imperioli - a.k.a. Christopher Moltisanti (and I hate to get all Mike and the Mad Dog here, but is he going to wack Tony?), a.k.a. Spider the dancing bartender - plays Ungar and he's very good despite the bad script (Stu Ungar No Mas shirt is on the way, btw).

TNA iMPACT!
Spike, 9 p.m.

For the first time ever, Kurt Angle goes up against Sting. Also, Team 3D defends their NWA Tag Team titles against Tomko & Scott Steiner.

The Ultimate Fighter 5
Spike, 10 p.m.
Can Team Pulver make it four in a row against Team Penn? Will Gabe Ruediger finally be forced to make weight? Find out tonight on arguably the best season of TUF yet.

Late Show with David Letterman
CBS, 11:35 p.m.

His Royal Jeterness joins Dave to tell him how the bitchslaying business is going these days.

Wednesday, April 25, 2007

The Sports Guy Also Thinks Boxing Is Dead

You can imagine the enthusiasm with which I greeted Bill Simmons' latest column about De la Hoya/Mayweather and the death of boxing. In general, I don't have much of a beef with The Sports Guy other than the fact that he bores me and he seems like an aggressively mediocre sort for the entire sports world to find itself waiting upon every single thought that pops into his head.

His boxing column boils down to the firm grasp of the blatantly obvious that I've come to expect from him: in short, boxing used to be good, now its not. He throws in the blanket assertion that De la Hoya/Mayweather will be the last big fight, unlike his memories of the good old days when he and his buddies evidently watched a fight of this caliber every weekend (I can only imagine how The Sports Guy and his posse whooped it up for the likes of Zaragoza/Morales).

It's hard to argue with most of his assertions - boxing is indeed in decline, has been for quite some time now (was it Allen Tate or Randall Jarrell who said, "for the apocalyptically minded, it's been later than we think for about the last six hundred years"?). With Simmons and his ilk, in those rare moments when they deign to pay any attention to the sport at all, beating this dead horse again and again in the major media, it's hard for any fight fan to forget it.

But beyond a general question of "why?" (why not a piece about how Hollywood makes fatuous movies? or McDonald's food is fattening? or maybe something else about how he is a Red Sox fan and that is very very important?), I will take issue with two of his specific points. First, he says boxing is irrevocably doomed "unless someone improbably emerges as the Tiger Woods of boxing." Why is this improbable? I mean, how improbable is it that there was a Tiger Woods of golf? All sports live and die with their Tigers, their Jordans, their McGwires and Sosas, their Tysons and Gretzkys. Babe Ruth made baseball, football blew up after a single, epic game. Boxing was in decline when Ali came along, and again when Ray Leonard and Tyson and Oscar himself reinvigorated the sport. Hell, Joe Louis was something of a savior to fistiana in the 30's, ending the sorry era when the likes of Jack Sharkey and Primo Carnera held the heavyweight crown. Boxing goes as the big guys go - it was as true eighty years ago as it is today - and yes, the recent state of the heavyweight division leaves the sport in dire condition. And yet my main concern with the Simmons party line these days is that even if another Tyson comes along, they won't pay attention to him, because they've already written boxing's obituary one too many times.

My second issue with Simmons' column is a point that I alluded to earlier. He would have us believe that Oscar/Floyd is a uniquely big fight right now, but that back in the day there were big fights like this all the time. I don't know how old he is, but, well... when exactly were there big fights like this all the time? There has been exactly one fight of this magnitude in the new millennium - Tyson/Lewis (maybe the Barrera/Morales fights belong in this category, but not among the gringos). There were how many in the 90's? Let me do an unscientific tally right now - two Tyson/Holyfields, Lewis/Holyfield, Chavez/Whitaker, Chavez/De la Hoya, De la Hoya/Tito... what am I forgetting? Christ, how many were there in the 80's? Tyson/Spinks, Leonard/Hagler, Hagler/Hearns, Leonard/Hearns, Leonard/Duran, Holmes/Cooney. And look, I'm assessing these fights on his index of magnitude, not mine - the category here is fights that were so big that they crossed over from the boxing and even sports subculture into mainstream culture at large. It just doesn't happen that often.

Obviously I am a big boxing fan. I love the sport and I feel compelled to defend it against cheap shots. But I am not so far gone as to willfully ignore its glaring problems as an ongoing enterprise. Then again, columns like this one from Simmons seem to me as much borne of the pathetic fallacy of nostalgia as they are from a concern for the actual decline of the sport of boxing. We tend to have selective memories when it comes to the past - we select the good memories, decide that those memories represent how it was all the time back then, and contrast that with the omnipresent reality of the present, where the good moments, as they tend to be in real time, are fleeting. It's a human impulse, but in my mind, one to be greatly resisted.

Madsear's Guide to the Champions League

(Due to some sort of screw-up, undoubtedly my own, this preview post is unfortunately going up while the match in question is actually on the pitch - my apologies... Large)


Manchester v. Milan turned out to be one of the most enjoyable games of the year with the Mancunians taking the lead in the final seconds of the game. They will be in the very uncomfortable position of having to win again in San Siro next Wednesday. But a win is always good at this point. The second semi-final will feature old acquaintances.

Chelsea v. Liverpool

José Mourinho and Rafaël Benitez used to be quite fond of one another. That period is long gone. The mutual admiration turned into hatred between the two coaches two years ago at the same stage of the competition when Rafa's Boys gave Chelsea a lesson in teamwork (even though Luis Garcia's goal was more than questionnable and was bound to spark some controversies). A new rivalry was born in the Premiership and that will give this first leg a peculiar taste.

Aside from Luis Garcia and Harry Kewell, everybody will be reporting for duty at Stamford Bridge tonight on The Reds side. That won't be the case for Chelsea. Robben and Ballack won't be there and UM's homie Essien is suspended. Chelsea's midfield will suffer but Makelele and Diarra definitely will be up to the task.

England just lost Alan Ball, one of their 66' World Cup Winners and no doubt, there will be some emotion in London tonight.

The Milan Debacle


The following is an excerpt from our man Jeffrey Lane's excellent new book: "Under the Boards: The Cultural Revolution in Basketball". We deeply dug the chapters on Tupac and Biggie's influence on basketball culture and the selling of Allen Iverson, but his work on "The Milan Miracle"--the true story behind Hoosiers--and its impact on race and sports in Indiana seemed like the perfect fit for our ongoing look at sports in film.


The movie Hoosiers captures both the enormous pride Indiana takes in its basketball tradition and the throwback aestheticism routinely attached to this pride. Two former Indiana University students, director David Anspaugh and writer Angelo Pizzo, collaborated to recreate an immortal slice of Indiana folklore, the "Milan Miracle," which is considered by many the greatest Cinderella story in all of hoops history.

In the film, the undersized but resilient boys of Hickory High overcome the odds and a minuscule enrollment (only 161 students) to capture the state title. (Hickory High is modeled after Milan High School in Milan, Indiana, which was the source of the real "Milan Miracle" in 1954.) The accuracy of the film is close enough for a Hollywood production; more important, what basketball means to the people of Indiana comes across in spectacular fashion. The sport is infused with monumental significance and powers: it represents the fabric of rural life and the glue that holds fathers and sons together, and it is a means of personal salvation for both a town drunk and a disgraced coach who assaulted a player (sound familiar?).

In the movie underdog Hickory High triumphs over the big-school favorite, and a farm town bests a "big" city. It is also the true story of little, all-white Milan High School, in a town without a single black resident, which outplays both integrated and all-black schools on its way to a state championship. Although the year is changed in the film, the basketball season of the real "Milan Miracle"--1953-54--was the last before the U.S. Supreme Court handed down its decision banning racial segregation in the schools in Brown vs. the Board of Education.

Read more...

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Jeffrey Lane grew up playing basketball in New York City. As a high schooler in the mid-nineties, Lane captained a mostly white team playing against nearly all-black competition and realized then that basketball is an awesome forum for understanding race in America. Today Lane writes on the construction of race in sports and just published his first book, Under the Boards: The Cultural Revolution in Basketball.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

No Mas TV Guide - 4/25

Wonderful World of Golf
Golf Channel, 2 p.m.
I was going to stop plugging these things due to an overall lack of interest from our audience, but I just couldn't resist this - two Byron Nelson Wonderful World of Golf's back-to-back, including the very first WWoG broadcast from 1962 against Gene Littler (the other one's from 1963 against Gerry DeWitt).

Liverpool v. Chelsea

ESPN2, 2:30 p.m.

Champions Leagues, mates. Semifasizzo numero dizzo. It is my firm belief that there will be a Madsear preview sometime soon to guide you through the pre-game hours (replay on Classic at 5).

Carlos Bojorquez v. Pernell Whitaker
ESPN Classic, 8:30 p.m.

The requisite, tragic final act - Pernell loses to a Mexican journeyman, forced to retire after the fourth round due to a broken collarbone. Only his second genuine loss, and the last fight of his brilliant career. A decline into cocaine hell ensued.

Jason Litzau v. Aldo Valtierra
ESPN2, 9 p.m.

Wednesday Night Fights showcases Litzau, The American Boy, in his first fight since his stunning knockout in December at the hands of Jose Hernandez, maybe my favorite fights of 2006. Click here for my original piece on that fight, and here for the K.O.W. complete with footage.

Legends
TVG, 12:30 a.m.

An interview with Merv Griffin, but not in order to get to the bottom of that time that Andy Kaufman was on his show and he went completely berserk. This interview is to talk about Griffin's horse Stevie Wonderboy.

Tuesday, April 24, 2007

2007 New York Golden Gloves

The Daily News Golden Gloves, in the Theater at Madison Square Garden, is as wholesome as boxing gets. The fighters fight not for money, but to be king of New York in their respective weight class. The Garden feels safe like a suburban high school football game.

No Mas has had the fortune to follow three of Brooklyn's top fighters through this years tournament. Congratulations to Sadam Ali(132 lbs), Will Rosinsky(178), and Danny Jacobs(165) for winning their 2007 Gloves Gloves.

We wish them luck and hope to stay up with them as they continue toward the Olympics in Beijing.

See the slideshow

No Mas Caption Contest

As part of our ongoing partnership with the Tribeca/ESPN Sports Film Festival, we have two tickets to the festival's premiere of hands-down THE most No Masian movie on the roster. What is this movie, you ask? A documentary about Julio César Chávez aptly titled Chávez, which marks the directorial debut of Diego Luna, he of Y Tu Mamá También fame (he played the rich kid).

The tickets are for April 26th, this Thursday night, the time is 9:30 p.m., and the location is the Clearview Chelsea West theater on West 23rd Street in Manhattan (we apologize for the NYCentricity of this contest, but what can we do?).

To win, you must provide us a caption for the illustration below (yes, we're ripping off The New Yorker but we consider it payback for the Tina Brown years). We're not going to give you any context - if you're reading No Mas, we figure you can manage that yourself. We're also not giving you any direction. Humorous, ironic, deep, shallow, etc. - you decide.

Send your entries to [email protected] and [email protected]. We'll print the winners sometime in the afternoon on Wednesday, so deadline for submissions is tomorrow at noon. Also, do us a favor and check out some of Andy Amato's other sports work. He's got some other good boxing stuff and a Pete Rose Phillies painting that anyone out there looking to bribe the judges should give some serious consideration to buying for me.

All right people - good luck and God speed.



For those who prefer to hedge their bets, tickets are still available.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

Madsear's Guide to the Champions League

Can you feel them coming? The Semi-finals of the UEFA Champion's League are here and they have the distinct taste of beer and pudding. Three teams out of four belong to the Premier League and it would be hard not to notice the insulars' supremacy this year.

Manchester United vs. Milan AC

Manchester United took it all this weekend in London at the Professional Footballer's Association with both personal and collective honors going to the team. Cristiano Ronaldo was named PFA Player of the Year and PFA Young Player of the Year by a jury of his peers. The ManU squad managed to include eight of its players in The PFA Premier League Team of the Year, only leaving crumbs to their opponents. So, hailed as the most skilled team in Britain (I don't believe they're the best just yet), the Mancunians will defy a team that has won the Champions League trophy six times already.

The bad news on the English side comes from the fact that seven of its players won't be reporting for duty on Tuesday night because of various injuries - Milan could very well take advantage of that situation and obtain a draw. One thing's for sure, Milan won't yield seven goals and they will not be as naïve as AS Roma two weeks ago. They also have one of the most skilled midfields in the world with Kakà and Clarence Seedorf playing alongside Gennarino Gattuso and Pirlò. Scholes, Ronaldo and Giggs will definitely have to work harder than they did Friday if they want to win this one.

See you tomorrow for the Chelsea v. Liverpool preview.

No Mas TV Guide - 4/24

AC Milan v. Manchester United
ESPN2, 2:30 p.m.

Champions League - the semi-fasizzos. Scroll above for the Madsear preview (Classic will replay the match at 5).

PGA Championship Highlights
Golf Channel, 3 p.m.

An hour show recapping one of the most memorable PGA's of the last 20 years - Tiger and Sergio's duel at the '99 tournament at Medinah. This was the tournament that had everyone believing that Tiger/Sergio was going to be the Nicklaus/Watson of the new millennium. Turned out it wasn't even Nicklaus/Weiskopf.

Pernell Whitaker v. Wilfredo Rivera II
ESPN Classic, 8 p.m.

Classic continues to show off its embarrassment of Sweet Pea riches by breaking out this rematch from September of 1996. Five months beforehand, Pernell had won a narrow split decision over Rivera, one that had the doubters saying that Whitaker's time was near. In the rematch, he silenced all critics, although not with a command performance worthy of the younger P. Still worth a look, though. Even Nijinsky in decline was still Nijinsky.

Pernell Whitaker v. Diosbelys Hurtado
ESPN Classic, 9 p.m.

More Pernell, and this one is really a corker. Hurtado was a fiery Cuban with speed to match the slowing Sweet Pea. Down on all scorecards, and clearly frustrated by the awkward challenger, P reached deep for an 11th-round TKO. One of the key bouts of Pernell's late work.

ECW
Sci-Fi, 10 p.m.

Just five days before he defends his ECW Heavyweight title against Vince McMahon, Shane McMahon AND Umaga, Bobby Lashley takes on just Umaga. Wimp. Also, in an eight-man elimination tag match, the ECW Originals battle the New Breed.

Keeneland Legacy: A Thoroughbred Tradition
TVG, 12 a.m.

A documentary on the evolution of the famed race course and sales company from its beginning in 1936 to the current day. Daily Racing Form writer Frank Mitchell recently sent No Mas a few dispatches from this year's spring session at Keeneland - you can read them here and here.

Jimmy Kimmel Live ABC, 12:05 a.m.
As far as I'm concerned, Iggy Pop is a great athlete, a little past his prime, but hey - so are you. The Electric Ig is on with Kimmel tonight, and later on The Stooges will perform on the show. Gimme danger little stranger.

Monday, April 23, 2007

K.O.W. - Sturm und Drang

This Saturday in Oberhausen, Germany, with the WBA title at 160 on the line, Javier Castillejo and Felix Sturm will meet in a rematch of their bruising bout from July of last year. In their first fight, the veteran Spaniard Castillejo won Sturm's WBA middleweight belt with a sudden, vicious TKO in the 10th round, a stoppage that we revisit today as our No Mas Knockout of the Week. This is a true one-punch coup de grace as you'll see below, a left hook in the closing seconds of the 10th round that puts Sturm several blocks past queer street. Unfortunately for the German, the telling blow did not put him on the ground. Crumpling forward into Castillejo, Sturm received three whipping uppercuts to the head before the ref could mercifully put an end to the proceedings. I tell you people, those last three punches were like killing a mockingbird.

The O'Brien Glide


No Mas bids farewell to Parry O'Brien, one of the great American Olympians of all time, a man who singlehandedly revolutionized his event, the shot-put. O'Brien died of a heart attack this past Saturday. He was 75 years old, and the attack he suffered occurred midway through a 500m freestyle swim race. All deaths are sad without question, but somehow, going out at the age of 75 while in deep pursuit of your undying thirst for competition seems a most vigorous, manly and life-affirming way to die. We raise our glasses to you, Parry.

Lest you be unfamiliar with his work, O'Brien was the author of the "O'Brien Glide," a complete 180-degree spin before putting the shot. Prior to O'Brien's innovation, shot-putters did not spin at all, but merely propelled themselves from the back of the ring to the front with a giant hop and put the shot with a single twist of the torso. The "O'Brien Glide" changed the shot-put event forever (athletes now spin several times before the put), and brought O'Brien himself immense success. Between 1953 and 1960 he broke the world record 17 times, raising the record during that period from 59 feet 3/4 inches to 63-3. He won three Olympic medals, two silvers and a gold, and in 1959 won the Sullivan Award as the outstanding amateur athlete in the U.S. He is a member of both the U.S. Track and Field Hall of Fame and the U.S. Olympic Hall of Fame.

Sons of Sakhnin

Roger Bennett, co-author of Bar Mitzvah Disco, founder of Reboot Stereophonic, and all-around new school judeo-cultural superman let us hold a screener of Sons of Sakhnin, the new documentary he produced on a year in the life of Beni Sakhnin, the lone Arab soccer team in the Israeli premiership. The film debuts this Thursday night at the Tibeca Film Festival, and we are giving it our highest possible recommendation.

To be a hundred percent honest, since Roger is our man, we would have tried to give up some love even if Sakhnin was borderline, but fortunately it is excellent. It is hard to imagine a film that would tap deeper into the No Mas sportscultural vein. Sakhnin casts new and interesting light on the greatest political, cultural, and religious struggle of our time, while simultaneously giving up all the David vs. Goliath sports documentary goodness we require. Basically we are in the territory of Bad News Bears meets "From Beirut to Jerusalem", which is some pretty rarified air.

In 2005, Sakhnin, a mixed team of Arabs, Israelis and foreginers shocked the soccer world by winning the Israeli premeireship against extremely long odds. Considering their paltry budget, ramshackle stadium and practice facilities, Sakhnin is basically a single A team competing in a major league market. This, coupled with the hatred the team faces from hardline leaning supporters of the other Israeli clubs, made their victory a true cinderella story and a watershed moment for Israel's 1.5 million Arab population--not the Palestinians of the West Bank and the Gaza, but the actual Israeli citizens--a group whose nebulous status and complicated identity is one of the lesser known realities of Arab-Israeli life that Sakhnin exposes.

Sons of Sakhnin follows the 2005-2006 season, as the defending champions, led by captain Abbas Suan (who most definitely deserves some kind of award from the Jackie Robinson foundation), struggle to avoid a relegation from the premeireship that would be disastrous for the club and devastating for its supporters. We are a little early for a full review, and we don't want to spoil too much of it anyway, so let's make it simple. I hate to get all Gene Shalit on you, but if you are in New York during the festival, go see this movie. It is excellent and deserves your attention and support.

Roger has given us a short preview clip, which shows Sakhnin fans praying for their team before a key match:


Tickets are still available including walkups for the premeire, 7:30 this Thursday night at AMC 34th street.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

Large v. Plimp

George Plimpton - was he a No Masian? I can't figure that one. He had all the requisite fascinations, including a lifelong preoccupation with the three b's - boxing, baseball, and bullfighting. He sparred with Archie Moore (who bloodied his nose with his first punch) at Stillman's, he took the field as the quarterback of the Detroit Lions, he was an intimate of Ali and is practically the co-star of When We Were Kings (a friend of mine and I have often said that on first viewing it's hard to tell whether that movie is about Ali v. Foreman or Plimpton v. Mailer.)

In short, his credentials in all No Masian pursuits are impeccable, and yet... he was such an unbearable snob. Sometimes with Plimp you got the idea that all the wonderful things he got to do were just a big joke to him, the trust-fund daredevil showing off his derring-do with the rank-and-file and then reporting his adventures back to the blueblood Scotch-and-soda crowd, who never cared much about his exploits in the first place, who were only interested in Plimpton for the same reason they were interested in anyone - because he was rich.


This impression was bolstered for me by my only meeting with him, at his legendary townhouse on the Upper East Side at one of his legendary parties for his legendary quarterly, The Paris Review (the party shot above was taken at Plimp's in 1965 - ole George is on the bottom left, and Capote is on the couch in the center talking to William Styron... I was not at this affair). I worked then at Columbia University Press as a poetry editor in the reference department (another time and another life for young Large) and was friends with many aspiring poets from the MFA program who frequented The Paris Review scene. One of them, who had recently won a big award from the publication and was a favorite of its poetry editor, Richard Howard, brought me along to a big throwdown at Plimp's house. It was in 1998, an affair to celebrate the release of the British edition of the quarterly. I remember that because England had recently suffered its memorable loss on penalty kicks to Argentina in the '98 World Cup, that heroic match in which they played almost the entire second half a man down after Beckham was sent off for kicking Diego Simeone. There was a group of very drunk and disorderly Brits at the party who knew from reliable sources that Becks had immediately flown to New York after the match to rendez-vous with Mrs. Becks. They were intent upon finding him and letting him know their feelings concerning his conduct on the pitch. I have no idea how that turned out.

Plimpton's parties were epic, of course, and always somewhat insane, largely due to the fact that they started right after working hours, nothing was served to drink but red wine and Macallan, and there was no food to speak of but a sad-looking triangle of brie and some stale soda crackers set far into the center of the covered pool table. Nobody ate, everybody drank, and instability ensued. At the party I attended, there were at least two sudden vomiting incidents. Twenty-one-year-old trust-fund poets had difficulty with the Plimpton diet.

Mailer was there, looking uncomfortable, and Alice Quinn was also in attendance. But most of the crowd was young and beautiful and reeked of savage literary ambition. There can be no finer looking set of nubiles at any Vogue party thrown last week than were at Plimpton's house that night, and the master of ceremonies was trailed by an adoring gaggle of these shiny geese everywhere he went. To my eye, this was the point of the party, and anything else that transpired was incidental.

At one stage, my poet friend, who was on close terms with Plimp, led me into George's study, which was officially off-limits to party-goers. There my eyes widened and my heart leaped up. Photographs of the man of the house with Ali, with Alex Karras, with Hemingway, with Swifty Lazar, with Warren Beatty and Diane Keaton, with quite a few members of Hollywood royalty actually (most know of Plimp's participatory forays into the sports world, but he was quite the dilettante bit-part actor as well, with Good Will Hunting, Nixon, and Reds among his list of credits). None of these photographs was of the staged, let's-take-a-picture-now variety, but rather shots of Plimp and subject hanging out in restaurants, bars, cafes, training camps, offices, football fields. Oh for such a life, I yearned, moving from frame to frame as if I were in the Louvre.

Plimpton followed us in not long afterwards, wondering what we were up to I'm sure, and then it was just the three of us in the study. He was the magnanimous host, immediately engaging us in conversation, hovering above us, tall and angular and aristocratically drunk. He pointed to a shot of him and Truman Capote and then spoke of the reception of his recent oral biography of Capote, and how despite the fact that it wasn't selling worth a damn (I can still hear him saying this - "it's not selling worth a damn"), his publisher was so thrilled with it that they wanted him to do another one. They had suggested Elvis Presley as a subject, a subject near and dear to my heart.

"You should do it," I said enthusiastically.

He looked at me with pure disdain and sniffed.

"Not exactly my cup of tea," he drawled, and looked away. Soon after that, he rejoined the party proper.

I stayed late at his house that night and got horrendously drunk, even contemplated stealing a bottle of Scotch I'm ashamed to say (there were seemingly hundreds laying about). I actually outstayed Plimp himself, who took off with one of his gaggles into the raucous night. Unaware of this, I had plopped myself in his study in curmudgeonly fashion and turned on the television to watch the Phillies play the Yankees in what I believe was their first appearance ever at Yankee Stadium. I got locked into this game, and sat there drinking and watching, drinking and watching, blissfully unaware that the party had completely disbanded around me. The game went into extra innings. At one point, I wandered into the kitchen and grabbed a beer, a Labatt's Blue, from the refrigerator. It took some poking around in there to find it. I must have noticed then that I was utterly alone in George Plimpton's house foraging through his fridge for something other than Scotch to drink, but I was too plastered and focused on the baseball game to think that was an odd thing.

The game ended predictably (I'll let you figure that one out) and I left, thank Christ, without nicking anything. The whole evening left a bad taste in my mouth, and I've never been able to feel entirely positive about the man since, which is horribly unfair, I know. He is one of my favorite writers and his approach to sports shaped mine from a very early age. There is absolutely no question that, based on the stats alone, he is a first-ballot No Mas Hall-of-Fame inductee. But I'd be lying to you if I didn't admit that the selection committee has its reservations.

No Mas TV Guide - 4/23

Roberto Clemente SportsCentury
ESPN Classic, 4:30 p.m.

The Clemente SC is a good one, although it leans heavily into the "Roberto for Sainthood" camp, as did last year's David Maraniss biography (read my review of that here).

Any Which Way You Can (1980)

AMC, 5:30 p.m.

Oh I have plugged this movie so hard on this site that I should be getting royalty checks from Clyde, wherever he is. Recently, I had the audacity to call this Every Which Way But Loose sequel one of the "best sports movies you've never seen", which may, I now am prepared to admit, have been a stretch.

The Story of Seabiscuit (1949)
TCM, 6 p.m.

No, Spider Man is not in this movie. But Shirley Temple is. Go figure. The best thing about this thing, which has a lame fictional subplot, is that it shows a lot of footage of the real Seabiscuit in action.

Classic Golf: The 1996 U.S. Amateur
Golf Channel, 8 p.m.

If you're hankering for some truly classic Tiger, look no further, as the Golf Channel whips out two hours of final-round coverage from the '96 U.S. Amateur, where young Master Woods won his third straight amateur title.

WWE Raw
USA, 9 p.m.
Raw continues its Eurotrip, this week emanating from London where WWE champ John Cena battles HBK in a Wrestlemania rematch.

Tonight Show with Jay Leno
NBC, 11:35 p.m.

Coach Pat Summit is on with Jay in what I presume is a re-run.

Late Late Show with Craig Ferguson
CBS, 12:35 a.m.
Brady Quinn joins the Scotsman to beg for his top-five spot back in the NFL draft by showing how marketable he is. Good luck kid. Wear Nikes and drink a Powerade.

Sunday, April 22, 2007

Southpaw Jinx

Lefties all over the world had good cause to celebrate on this day 13 years ago, as Michael Moorer won a twelve-round unanimous decision from a listless Evander Holyfield to become the first southpaw heavyweight champion in boxing history. It was not the most thrilling fight in the world, although Moorer did come back from a knockdown in the second round to win it on the scorecards. Evander had much less than his best stuff to begin with, and then suffered a dislocated shoulder during the bout. Afterwards, while having that shoulder checked out at the hospital, he was diagnosed with the heart condition that led to his one-year retirement.

Moorer, meanwhile, was not heavyweight champ for long. Not quite seven months after his victory over Evander, he thoroughly dominated George Foreman for nine rounds before Big George clocked him with a sledge-hammer straight right hand in the 10th. Moorer was down and out for the first loss of his career, and Foreman, at 45, was the heavyweight champion once again. Two years later Moorer would regain the vacant IBF belt with a win over Axel Schulz, but he lost it the following year in a rematch with Holyfield. In that fight, The Real Deal got some real revenge, putting Moorer on the canvas five times en route to an eighth-round stoppage.

(For those of you unaware of this, Moorer is on the comeback trail and, much like Holyfield, believes that he will recapture one of the heavyweight belts. His first fight in exactly two years was this past December, a first-round KO of one Cliff Couser, and then he fought again in March, winning a 10-round unanimous decision over Sedreck Fields, dropping Ole Sed's career record to 22-31-2. According to Boxrec, Moorer's next fight has not been made.)

Saturday, April 21, 2007

A Dispatch from Keeneland


LEXINGTON, Ky. – Like a fine bottle of wine that, once opened, won’t store and needs a couple of friends to enjoy its quality, Keeneland’s race meeting comes and goes too quickly. While it lasts, however, the races at the historic track outside Lexington provide a daily opportunity for thousands of people to take a working holiday. In addition to the horseplayers and horse people, men and women from businesses in the area, as well as busloads from urban centers like Cincinnati and Louisville, caravan over to the picturesque racetrack to see the spectacle of racing. For a moderate price, they can buy a lunch or a buffet and sit at a table overlooking the track. From there, even patrons who are not otherwise connected to racing can watch the races, have a sociable meal, and watch the glitterati of the sport, including major figures such as trainers Wayne Lukas, Todd Pletcher, or Bob Baffert.

Keeneland also offers a card of competitive racing five days a week, and the feature race of last Saturday’s events was the Blue Grass Stakes. First run at Keeneland in 1937, the Blue Grass is a major prep for the Kentucky Derby and has been won by some outstanding horses such as Alydar, Kentucky Derby-winner Spectacular Bid, Preakness winner Summer Squall, and Horses of the Year like Holy Bull and Skip Away.

This year’s winner was Dominican, who won the race in the last stride by a nose from last year’s champion juvenile, Street Sense. The race itself was dramatic, and the result, which was the first top-level victory for Dominican, provided some additional amusement. Before Dominican had returned to the winner’s circle, one businessman who owns stallions and makes a good deal of money from them turned to his farm manager and said he wanted to try to acquire breeding rights to that horse. The farm manager smiled and started to object to the stallion owner’s enthusiasm, but as a man of wit, and perhaps as an effect from a couple of glasses of French wine, the farm manager set off toward the Keeneland winner’s circle.

With a quick peek, the horseman confirmed his recollection of the winner’s reproductive status and began to wind his way back to the clubhouse. Returned from his errand in less than 15 minutes, he was met at the clubhouse door by his anxious employer. Choosing to delay the summation, the farm manager said, “Well sir, you were the first in line….”

His man’s face started to brighten with anticipation.

“But … neither love nor money can buy the rights to that horse. He’s a gelding.”

The revelation that the Blue Grass winner was a neutered, non-breedable male did not precipitate a storm of good humor from the man wanting to buy him as breeding stock. As they were standing in the Keeneland clubhouse, however, a shade of decorum was required. Rather than busting a couple of Ming vases, the man went back to his table and eased his pain with a double scotch on the rocks.

Life can be hard in the horse business.
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Frank Mitchell lives on a farm where he writes and raises horses about 30 minutes from Keeneland. He's written two books on horse-racing and writes a regular column on Thoroughbred bloodlines for Daily Racing Form that can be found at drf.com.

Friday, April 20, 2007

This Week in No Mas



4/15
Let's Play Two... and Two-Thirds
The anniversary of the longest night game in MLB history, a 24-inning 1-0 nailbiter between the two worst franchises in the National League in 1968 - the Mets and the Astros.

4/16
The Best Sports Movies You've Never Seen
Aaron Cohen continues our series on unheralded sports movies with his take on the HBO movie, The Soul of the Game, a 1996 film about the Negro Leagues right before Jackie Robinson broke the color barrier in the bigs.

K.O.W. - The Manly Art of No Defense
With fighters lining up left and right to take on the presumably shot Arturo Gatti, for our No Mas Knockout of the Week we take you back to Thunder's heyday and his mind-blowing throwdown with Gabriel Ruelas in 1997.

4/17
The Best Sports Movies You've Never Seen
Mark Young, a.k.a. Baggiesboy, unearths an under-appreciated predecessor of Million Dollar Baby called Girlfight. "Of course, that Million Dollar Baby won 4 Oscars, including Best Picture, and topped $100 million at the box office. (And continues to leave me with two unanswered questions: How can Maggie Fitzgerald not be declared the champion on a DQ after being slugged after the bell? How can Frankie Dunn unplug Maggie’s life-support system and calmly walk out of the hospital unchallenged?)"

I-285
We take a look back at a true No Masian giant, Pascual Perez, on the 23rd anniversary of his first cocaine suspension from major league baseball. "For his look alone - the Jheri curls, the gold tooth, the conspicuous in-game bling - Pascual is a No Mas All-Star, and that's not even to get into his on-field proficiency with the finger-gun and his love of the beanball and his recurrent use of the Eephus ball and just his generally inappropriate and hilarious antics on the mound."

4/18
The King in the Ring
As part of our ongoing partnership with Tribeca, Large examines Elvis Presley's turn as a boxer in 1962's Kid Galahad, and analyzes the King's ring skills. "The guy had rhythm, no doubt. He also looks like he had a natural straight right hand. There's a good training scene with Bronson where he's punishing the pads with one right after another that seemed to have legitimate pop (he's wearing a sleeveless turtleneck at the time, which kind of diminishes the air of ferocity, but only slightly)."

Vive Le Tournoi
Quick, who was Roland Garros? A Swiss watchmaker? A bon vivant known for his wicked bon mots? A great French tennis player so great they named a tournament after him? None of the above.

Deep Tennis with Steve Tignor
Steve celebrates the Sampras/Lendl quarterfinal at the 1990 U.S. Open, one of the sport's true changing-of-the-guard moments. "...On that afternoon, the era of one champion ended and another's began. The two players were the best of the 80s and 90s, respectively, but their reigns didn’t overlap. Sampras’ rise was born from the demise of Lendl, right in front of our eyes in Louis Armstrong Stadium."

4/19
Where have you gone, Giorgio Chinaglia?
For the Tribeca/ESPN Sports Film Festival, we dig into the No Mas archives for this classic piece from I-berg on the splendid Cosmos' doc, Once in a Lifetime. "During their epic ’77 title run, the Cosmos were media darlings, a box office smash (first team to sell out the Meadowlands), and legendary studio 54 swordsmen who knocked in booty hat-tricks like they were penalty kicks."

4/20
Brother O, Why Art Thou in Prep School?
Large writes about his favorite Shakespearean revisionist teen drama, O, in which Makhi Phifer plays Othello as a black basketball star at a predominantly white prep school. There's a rumor going around the No Mas offices that Large does not in fact like this movie at all, but needed an excuse to use that headline (ed. note. - this is not true, I did like O, it's good).

Brother O, Why Art Thou in Prep School?


The trend on the screen towards the teen-fication of literary classics has become inescapable in the last ten years. Since Clueless in 1996, the teen-romance Beverly Hills edition of Jane Austen's Emma, we've been bombarded with the canon as seen through the eyes of the lovelorn adolescent. Some examples, in no particular order:
  • 10 Things I Hate about You (1999) - a Taming of the Shrew update
  • Cruel Intentions (1999) - Les Liasons Dangereuses by way of bloodless rich kids in NYC (I-berg tells me this was very much what his high school experience in Manhattan was like)
  • Get Over It (2001) - some teen trash crap that is apparently based on Midsummer Night's Dream
  • She's the Man (2006)- Amanda Bynes in a Twelfth Night adaptation
  • Great Expectations (1998) - Ethan Hawke and Gwyneth Paltrow phone it in for this Dickens classic updated to present-day New York.
This is not a distinguished list, I realize, and I'm not even including the Baz Luhrmann MTV edition of Romeo and Juliet or the Ethan Hawke oh-the-angst-of-modern-life Hamlet (in which Denmark is a corporation and the "To be or not to be" speech is delivered in a video store), both of which update the settings but use the original text of Shakespeare's plays.

I don't think I'm going to ruffle anyone's feathers even a little bit when I say that the 2001 Othello-remake O is far and away the best thing to come out of this fad for teen-styled neo-classicism. In this film, O is Odin James (played with legitimate depth by Mekhi Phifer), a black scholarship student at an elite east coast prep school, while the villain Iago is his classmate Hugo (Josh Hartnett). Both are players on the school's state championship basketball team - O is the superstar and Hugo is a mucker. Hugo is also the son of the team's coach, played as an insane-basketball-coach caricature by Martin Sheen.

As far as Hugo goes, O makes a stronger case for the source of his villainy than does Othello for Iago's. Whereas we recognize Iago early on as a Shakespearean testament to envy and Machiavellian ambition, care is taken with Hugo to explain his actions as those of a tortured, spurned adolescent, mostly through the attention that his father, Sheen, lavishes upon O, even going so far as to introduce him at a pep rally as being like a second son to him.

Sheen's character is the only piece of the movie that does not really have a corollary in Shakespeare's play. Other than that, the movie sticks pretty close to the plot development of the original. Desdemona is now Desi, played with wide-eyed, porcelain-skinned earnestness by that de rigeur inclusion of any teen movie, Julia Stiles. Cassio is Michael Cassio, another star player on the basketball team, and Roderigo is Roger, Hugo's chump. Brabantio, the Duke, is the president of the school in this edition, played by John Heard, the guy who used to play the broken-down cop that Tony uses as his own private eye in the early seasons of The Sopranos.

Almost all of the crucial plot twists from the play are incuded, right down to the fateful handkerchief. Hugo schemes to plant the seeds of doubt in O's mind by using Roger as his unwitting dupe and convincing O that Michael Cassio is sleeping with Desi. Race is present everywhere in the movie, as it is in the play ("an old black ram / Is topping your white ewe"), with one of the charges that brings O to the point of murder being that Desi and Michael together refer to O as "the nigger."

The climactic fourth-act murder of Desi is as moving in O as in any Othello production I've ever seen, but then the movie slightly hedges its bets in the end with O's dramatic final speech before his suicide, becoming more of a morality play on race ("I ain't no different than none of y'all... my mom's ain't no crack head, I wasn't no gang banger, it wasn't some hood rat drug dealer that trip me up... it was this white prep school m***f**** standing right there") than Othello's more honorable, and complicated, self-condemnation ("I took by the throat the circumsized dog / And smote him, thus"). But even then, the story remains plausible and powerful, eons removed from the high romantic twaddle of something like Cruel Intentions. O was an inspired idea that worked from start to finish, and I've always been surprised that it didn't gain a wider audience. The basketball is good, too. Mekhi Phifer - he got game.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

No Mas Weekend TV Guide: 4/20 - 4/22

4/20
NBA's Greatest Games

ESPN Classic, 12 noon

To get you all primed for the first round, Classic takes you back to perhaps the most famous first-round playoff game in NBA history. Craig Ehlo, anyone?

WWE Smackdown
CW, 8 p.m.

Will MVP finally get the respect he deserves and capture Chris Benoit's U.S. title?

NBA's Greatest Games
ESPN Classic, 11 p.m.

You get more than your share of MJ going bubonic on Classic, but here, in their all-day round-one-of-the-playoffs smackdown, we finally get some Sir Charles insanity, as the Round Mound drops 56 in this Suns' win over the Warriors in '94.

Kendall Holt v. Mike Arnaoutis
Showtime, 11 p.m.

How much longer are we supposed to think that Kendall Holt is an up-and-coming welterweight. Meanwhile, Mighty Mike is coming off the first loss of his career, to the hard-punching Ricardo Torres who very nearly beat Miguel Cotto in September of 2005.


4/21
Pernell Whitaker v. Santos Cardona ESPN Classic, 1 p.m.
P puts on an all-out exhibition against the very game Cardona. Virtuoso performance.

Ringside
ESPN Classic, 2 p.m.
If you missed the Pernell Ringside a few weeks ago, here's another shot at it. Don't expect any of the Chavez or the Oscar fights. But it's still good. Lots of Dirt McGirt.

The Duel in the Pool
NBC, 2 p.m.
NBC broadcasts day one of the third annual U.S./Australia swimming showdown. Phelpsy, Crocker, Katie Hoff on the American side, and Grant Hackett for the Aussies. This whole event, sponsored by Mutual of Omaha, was created to make swimming a more high-profile sport in the States in non-Olympic years. It's working well.

Perfect Body
ABC Family, 2 p.m.

The description of this movie in TV Guide reads - "An Olympic gymnast develops an eating disorder." Dah... and?

Ringside
ESPN Classic, 5 p.m

A replay of the Sugar Ray Leonard ringside, with particular emphasis on the Duran and first Hearns fights. Not a lot of Hagler. Ray himself is in good form in the studio.

UFC 70
Spike, 9 p.m.

Live from Manchester, England - scheduled bouts include Mirko Cro Cop v. Gabriel Gonzaga, Michael Bisping v. Elvis Sinosic and Andrei Arlovski v. Fabricio Werdum.

British Open Highlights
Golf Channel, 11 p.m.

An hour recap of that most No Masian of British Opens - John Daly's win at St. Andrews in '95.

4/22
The Duel in the Pool
NBC, 4 p.m.

The Duel continues. Day 2 of the Duel. What duel, you ask? You've already forgotten? Check above.

Eight Men Out
ESPN Classic, 8 p.m.

Look, champ. I know guys like that. I grew up with them. I was the fat kid they wouldn't let play. "Sit down, fat boy'. That's what they'd say "Sit down, maybe you'll learn something." Well, I learned something alright. Pretty soon, I owned the game, and those guys I grew up with come to me with their hats in their hands. Tell me, champ, all those years of puggin', how much money did you make?

De la Hoya/Mayweather 24-7
HBO, 10:30 p.m.

Of course I saw the first episode of this series, and cheesy as it was, I friggin loved it. You can Floyd throw crazy amounts of punches or what? And all that canned 50 Cent crap? Oh man. My only complaint was that there wasn't enough Daddy Floyd, and I read that they remedy that in episode 2.

Thursday, April 19, 2007

Where have you gone, Giorgio Chinaglia?

As part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival today I'm re-running this classic No Mas review from I-berg about the brilliant Cosmos' doc, "Once in a Lifetime." You'll recall that the film was released during the World Cup summer of '06, when soccer was much on everyone's mind. Take us away, CI...



In a soccer mad summer, it's important to remember that despite the current fancy, my generation of New Yorkers didn't give a damn about "the beautiful game" before the Cosmos, and have only been vaguely interested since. "Once in a Lifetime", a well-timed documentary history of the team and the men who made it, opens in theatres Friday and does justice not only to the relatively well-known Pele comes to New York story, but also finally gives my man Giorgio Chinaglia his just desserts.


I was four in 1977, too young unfortunately to appreciate the Cosmos first title run. The dawn of my soccer consciousness came in the fall of 1980 (year of the third Cosmos title), when as part of a Friday afternoon sports club called Cavaliers, I was taken to Randall’s Island to play baseball, floor hockey, touch football, bowling if it rained, and soccer. We knew very little about the game other than the sure facts that you wanted to kick the ball into the other team’s goal (between the orange cones) and that if you scored, you were supposed to do a little dance which began with fist-pumping, concluded with ass shaking, and could be occasionally embellished with finger pointing or sliding on your knees. We knew because we saw Giorgio Chinaglia do it when Warner Wolf went to the video tape.

I loved Chinaglia's shtick. Being a mercurial little fucker myself, I have always been soft on sports brats, and in the early 80s, my brat pantheon was centered on a holy trinity: Gastineau, McEnroe, and Chinaglia. Seeing Giorgio in his shameless prime and his fantastically unrepentant middle age is by far the best part about “Once in a Lifetime”, which leans a little heavy on a suprisingly deep, disco soundtrack, but should have more than enough archival footage to satisfy the vintage soccer needs of my fellow retrosexuals.

“Once in a Lifetime” handles the epic rise and fall of the Cosmos chronologically and comprehensively: their hardscrabble origins as a semi-pro team on Randalls Island, unlikely purchase by ur-media mogul Steve Ross, rapid transformation into a world class soccer powerhouse, and equally sudden implosion. Hungry to be soccer’s Steinbrenner, Warner Brothers’ honcho Ross paid a whopping 7 million for Pele (in the days when Hank Aaron was making a measly 200 hundred large), and when Ross realized the great one couldn’t win alone, he went out and bought Chinaglia, Franz Beckenbauer, and Brazilian defender Carlos Alberto.


During their epic ’77 title run, the Cosmos were media darlings, a box office smash (first team to sell out the Meadowlands), and legendary studio 54 swordsmen who knocked in booty hat-tricks like they were penalty kicks. The film stops short of presenting hidden camera videos of Chinaglia and Pele jamming New York City nubiles, but doesn’t play it too coy, relishing in juicy details like the “two sex acts” performed on the plane ride to the 1977 Championship Game. Apparently, even Cosmos hangers on got to ride on the groupie gravy train. NY Post sourpuss Phil Mushnick admits he turned down a plum job covering the Yankees to stay on the Cosmos beat because he was having “too much fun”. You know if that whiny, humorless, curmudgeon was getting action, they were days of wine and roses indeed.

(The other dude is Shep Messing, who famously posed nude for Viva magazine in the Cosmos lean years)

Besides the innuendo and the shot of Henry Kissinger wearing a Cosmos parka I would give my left pinky for, Once in a Lifetime is worth watching for the still seething rivalries between the surviving Cosmos protagonists. In the modern interviews there is a Roshomon-like disagreement between sources on all the key points of credit sharing and blame-laying. The one thing that everyone seems to agree on is that Chinaglia was a megalomaniac of unusual dimension. Ass-kisser, womanizer, conniver, showboat, ball hog, mug like an Italianate Joe Namath, Chinaglia manages to make Reggie Jackson look humble.

He openly criticized Pele (once reducing him to near tears), sucked up to Ross, undermined the Cosmos coaching staff and eventually got his personal manservant Pepe Pinto installed as the Team President. Many accuse Giorgio of hammering the nail in the coffin of the Cosmos, and his “Why can’t I just be judged by my play on the field” defense lends credence to everything nasty said about him. In short, he is a great one.

For restoring Chinaglia to his proper place near the top of the list of New York villainous sports heroes, Once in A Lifetime takes an early lead for the coveted title of No Mas’ Sportflick of the Year.

Rating: 8.5 of 10

Wednesday, April 18, 2007

No Mas TV Guide - 4/19

TNA iMPACT!
Spike, 9 p.m.

The fallout from Sunday's Lockdown PPV where the blood flowed like kool-aid and people were electrocuted.

The Ultimate Fighter 5
Spike, 10 p.m.

At the end of last week's episode it was teased that tonight's show would have one of the best fights in TUF history. Tough standards to live up to but with this group of fighters you never know.

Deep Tennis with Steve Tignor

Steve - what's the greatest, or... let's say most important tennis match ever played that no one's ever heard of? You can go all deep tennis classic on this one if you want, but just not, you know, Bill Tilden deep classic.

Well, tennis fans do know about this match, but it’s always been somewhat overlooked because it happened in a Grand Slam quarterfinal rather than a final. The 1990 U.S. Open five-setter between Pete Sampras and Ivan Lendl was a changing of the guard in the purest sense: on that afternoon, the era of one champion ended and another's began. The two players were the best of the 80s and 90s, respectively, but their reigns didn’t overlap. Sampras’ rise was born from the demise of Lendl, right in front of our eyes in Louis Armstrong Stadium.

I only vaguely remember how the points went, but I know I’ve never been as shocked by a result. Even Guillermo Cañas beating Roger Federer twice in two weeks seemed more reasonable than Lendl losing a fifth set at the U.S. Open to this kid Sampras. For one thing, Lendl hadn’t lost before the final at the Open since 1981; his eight straight finals in Flushing is one of the sport’s most remarkable achievements. By 1990, he was the terminator of New York—it was his house. Second, Lendl lost the first two sets to Sampras, then came back to win the next two. Not only did Lendl never lose before the final of the Open, he couldn’t possibly lose a fifth set to a teenager after coming back from two sets down.

A third reason for my disbelief was that a college-tennis teammate of mine had competed against Sampras in high school in Southern California. Sampras played, briefly, for a rival school of his in Palos Verdes. Apparently there was a reward for anyone on my friend’s team who could peg the golden boy with a ball—the idea of beating him was too far-fetched, I guess. My friend knew Sampras was good (and resented him for it), but the idea that this local guy, who had never been a No. 1 U.S. junior or any kind of sure-shot pro, was going to be the person to end Lendl’s streak? Well, that was just ridiculous.

But we sat in a dorm room and watched it happen. My main memory is that, at the time, Sampras’ serve was simply shocking. It’s hard to remember after watching it for so many years just what an advance—in technique, in power, in accuracy, in smoothness—the Sampras serve represented. The serves he hit against Lendl weren’t like anything I’d seen before. He started with the loosest, most easygoing motion you could imagine, and then the ball just exploded right into the corner of the service box. Lendl was nowhere near any of them; these weren’t just aces, they were blatant aces.

(Aside: The next day at tennis practice my friend and I tried to have our coach teach us how Sampras generated so much power with so little effort. It came from how he laid his wrist back in the middle of his swing, our coach said. We tried it, and indeed we got a lot more power on the ball, but neither of us could keep it anywhere near the service box.)

In Vince Spadea’s memoir from last year, he describes being in the front row at this match.

Pete was going for his shots with the fearlessness of a bear in the wild. He was 19 and throwing serves at Lendl like he was flinging rocks from a slingshot, not caring where they landed. In the fifth set, his serve started to click again, and he went up two breaks and finished off Lendl with two aces.


That was the other thing. Most big upsets in tennis are done at the wire, with the anxious, hyperventilating underdog holding off his nerves just long enough to edge out the favorite. Not Sampras. Like Spadea says, here was a 19-year-old nobody going up against Ivan Lendl, and not only did he win the fifth set, he won it going away—6-2—and fired two aces as an exclamation point. It was obvious: This was something new in tennis.

The big story of the 1990 Open until that day had been the comeback run of John McEnroe. The tennis world was praying to see him reach the final so he could face the upstart Andre Agassi, who was trying for his first major title. But Sampras quickly and brutally dashed those hopes (as he would to the hopes of many opponents for years to come). He beat Johnny Mac handily in the semifinals and blew a neon-clad Agassi off the court in the first of their three Open finals (all won by Pete). In the course of four days, Sampras had dethroned Lendl, stolen away the glorious final act from McEnroe’s career, and passed Agassi in the race to be the game’s Next Big Thing. As the skinny, big-headed Palos Verdes kid hoisted the trophy—the friggin’ U.S. Open trophy—my friend and I stood in front of the TV (we were somehow too shocked to take this sitting down) and shook our heads in silence. Our looks were easy to translate: “WTF!”

That was it for Lendl. The efficient and often dull excellence that he’d maintained through the 80s would be matched by Sampras in the 90s. The American would reach eight U.S. Open finals of his own (winning five) and eventually break Lendl’s seemingly unbreakable record for most weeks spent at No. 1, with 270. Watching him do the impossible in the 1990 Open quarters, we should have known what was coming. Pete Sampras was a killer, with ice in his veins and bullets in his pocket, right from the start.

Steve Tignor is the executive editor of Tennis magazine. For more of his writing, check out his weekly column, The Wrap, on the Tennis website.

Vive Le Tournoi


It's funny with the names of things, streets or buildings or stadiums. It's easy to forget that these names came from somewhere and that they often have great meaning (well, maybe not so much with American stadiums these days). The names just become proper nouns to us, ones that stand in our minds for places that we frequent or that we hear about, and nothing more.

On this day in 1915, during the First World War, the famous French aviator Roland Garros was shot down behind enemy lines and had to make an emergency landing in Germany. Garros was taken prisoner, but ultimately escaped his prisoner-of-war camp and made it back to France via Holland and Belgium. He re-enlisted in the French Army and was shot down again on October 5, 1918 near Vouziers, Ardennes, just one month before the end of the war. He did not survive the crash.

Garros was possibly the world's first fighter pilot and a source of great inspiration to the French during the Great War. He had achieved considerable fame prior to the war when, in 1913, he became the first man to pilot an aircraft over the Mediterranean Sea. It is a testament to his renown in France that ten years after his death a new tennis stadium was christened in his honor. The Stade de Roland Garros was built to host the Davis Cup rematch between the U.S. and France in 1928. But of course, it is better known as the site of a tournament that most people know as the French Open, but that is officially called the Tournoi de Roland Garros - the Roland Garros Tournament. It makes you wonder if the guy ever even played tennis.

The King in the Ring


When most people think of the King and the fistic arts, they think of fat 70's Elvis and his bizarre, drugged-out kung fu fascination. And understandably so - all that stuff about him keeping the Memphis Mafia up at all hours of the night so they could spar with him in his Graceland dojo is hilarious and weird.

But before the King was a beer-bellied martial artist, he was the star of about a thousand terrible movies. One of those was Kid Galahad, a 1962 musical remake of a 1937 boxing picture that starred the terrifying trio of Bogey, Bette Davis and Edward G. Robinson.

The Elvis version doesn't have near that kind of silver screen royalty to offer, although it does have Charles Bronson as a gruff trainer (who delivers the best line of the movie about two minutes into it - "There ain't nothing worse than a suspicious dame first thing in the morning" - truer words have never been spoken), Ed Asner in a bit part, the one and only Mushy Callahan doing a cameo turn as a referee, and of course, Old Blood and Guts himself, a.k.a... the King. Elvis plays a young G.I. just out of the Army who shows up at a boxing retreat in his hometown looking for work as a mechanic. He takes a job as a sparring partner instead, and lo and behold, the kid can fight, in the true cinematic Rocky style no less - he can't defend himself to save his life, takes a horrible beating in there, but his chin is made of granite and he can bang like a wrecking ball. Soon after the revelatory sparring session, he comes to the aid of a sharp-tongued damsel in distress and she hits him with a tart, "thanks Galahad," in front of the gym's clientele. A star is born.

From there the plot twists and turns in meandering fashion - there's gambling, mob heavies packing heat, corruption in the fight world, vintage car restoration, pre-sexual-revolution sexual mores, an unexpectedly graphic "they took my thumb Charlie" scene (Bronson gets his hands broken because he won't help the mob get Galahad to throw a fight), hand-holding, church-going romance and, of course, a lot of gratuitous singing. All the boxers like to get together at night, as boxers often do at training camp, to sing together on the front porch. In this regard, Kid Galahad proves to be more than just a discovery with his fists.

But enough chitchat - let's get down to brass tacks. The King is not bad in the ring, not bad at all. He was trained for the role by the great Al Silvani, who at one time or another trained Jake LaMotta, Fritzie Zivic, Henry Armstrong, Carmen Basilio and about a million others. But Elvis clearly gave Silvani some decent raw material to work with. He moves well, which was to be expected with Elvis. In fact, I'm always struck when watching Elvis movies at his innate gracefulness when he's doing the most mundane things. The guy had rhythm, no doubt. He also looks like he had a natural straight right hand. There's a good training scene with Bronson where he's punishing the pads with one right after another that seemed to have legitimate pop (he's wearing a sleeveless turtleneck at the time, which kind of diminishes the air of ferocity, but only slightly). At first I thought his left was a complete disaster, but then I saw it was just a ploy. In the beginning of the movie he throws the jab in this spastic convulsion that looks more like an abbreviated right cross borne of a childhood palsy. But by the end of the movie he's snapping a respectable jab, and that's the idea - he's learning. One of his old sparring partners and singing buddies meets up with him and says, "where'd you get that jab, Galahad?"

You do see the beginnings of the beefy Elvis in his face in this movie, but he looks slender and passable as a boxer in the fight scenes. The final showdown pits Kid Galahad against one Ramon "Sugarboy" Romero. Kid Galahad vs. Sugarboy Romero... tell me, No Masians, doesn't that sound like a bout you'd want to see? It's actually such a respectable ring donnybrook that I'm not even going to spoil it for you and tell you who wins. I'll just tell you this to wet your whistle: KO in the 3rd.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

No Mas TV Guide - 4/18

The Contender Challenge
ESPN, 1 p.m.

I have a confession to make - I do not care one whit about The Contender. People ask me all the time what I think of it, and I think it's complete crap so I never watch it and that's the end of it. So I didn't even notice that this UK/USA Contender thing was on last night. But today as I was preparing the guide I saw the British contestant's name and I thought, no, it couldn't be. But it is - Ross "the Boss" Minter is the son of former undisputed middleweight champ Alan Minter, who lost the title in devastating fashion to Marvin Hagler in 1980 (for more on that bout click here). Apparently Alan's son got similar treatment in last night's show.

Fearless
VS., 5:30 p.m.

A one-hour profile of Greg LeMond. Still no date set for that Lance/LeMond steel cage match. The World Awaits.

The Killers
TCM, 8 p.m.
A movie with a lot to recommend it to the No Mas faithful - based on a legendary Hemingway story, the main character is a boxer, and it's the screen debut of Burt Lancaster. If you need more than that, I don't know what to tell you. (If you can't get enough Lancaster, stick around - TCM shows Brute Force afterwards.)

Chris Byrd v. Paul Marinaccio
ESPN2, 10 p.m.

Wednesday Night Fights brings us a comeback fight from former heavyweight titlist Chris Byrd, who got a brain-scrambling and a half from Wlad Klitschko almost exactly a year ago and lost his IBF belt in the process.

Legends
TVG, 12:30 a.m.

An interview with Hall of Fame horse trainer Jack Van Berg, who trained Alysheba and Gate Dancer.

Tuesday, April 17, 2007

I-285

On this day in 1984, Atlanta Braves pitcher Pascual Perez was suspended from major league baseball for a cocaine arrest three months prior in his native Dominican Republic (see The No Mas Illustrated History of Drugs in Sports). He was supposed to be out until May 16, but eventually the sentence was reduced and he was reinstated on April 29.

Perez earned the nickname I-285 when he missed what was supposed to be his first start with the Braves in 1982 because he got lost looking for Fulton County Stadium. He circled the entire city in his car twice on Interstate 285, eventually running out of gas and having to borrow $10 from a station attendant. He made it to the stadium in the second inning, missed his debut, and was known in Atlanta as I-285 forever afterward.

In retrospect, it was only a small harbinger of the carnival that would ensue. For his look alone - the Jheri curls, the gold tooth, the conspicuous in-game bling - Pascual is a No Mas All-Star, and that's not even to get into his on-field proficiency with the finger-gun and his love of the beanball and his recurrent use of the Eephus ball and just his generally inappropriate and hilarious antics on the mound.

Of course, the good life eventually caught up with Pascual, as it did with so many of his peers. Following a 1-13 campaign in 1985 (never a good sign), he was suspended indefinitely by the Braves in July of 1986 after repeatedly going AWOL in the true fashion of a cocaine cowboy. He returned to the bigs in 1987 with the Expos and had two strong seasons before dropping off again. In 1990 and '91 he suffered arm troubles and life troubles and pitched sporadically and unevenly with the Yankees. Before the 1992 season, he incurred another drug suspension from MLB, this one for a year, and that was it for the Pascual show in The Show. He resurfaced playing pro ball in the Dominican in the mid-90's, jheri curls intact thank God.

The Best Sports Movies You've Never Seen






Girlfight (2000)
Director: Karyn Kusama

Starring: Michelle Rodriguez, Jaime Tirelli, Paul Calderon

Independent, 110 minutes








Recently, in prepping for an edition of ESPN Classic’s “Ringside” series, I stopped by my local library in search of various boxing movies. Two, in particular: Ali and Girlfight. A rare double-bill combination with one important common denominator, at least to me: Michael Bentt. The one-time WBO heavyweight champion turned thespian appears in both films, and was set to appear on “Ringside” to discuss the dark arts of both Hollywood and boxing.

In “Ali,” Bentt played Sonny Liston. His blink and you miss it cameo in “Girlfight” takes a couple of viewings to spot. But those viewings are not wasted time. “Ali” gave Will Smith his first Academy Award nomination, flopped at the box office and left fight fans with a topic for endless debate – my take for the record: a long winded sermon that came nowhere near the irresistible rhythm of the Ali story. But let’s face it; the GOAT’s story will always defy the constraints of the silver screen, inevitably leading to disappointment for both movie and boxing fans. Far from disappointing, “Girlfight,” is authentic, compelling and well worth spending 110 minutes in front of your plasma screen.

Now, Girlfight is no Raging Bull, not even Somebody Up There Likes Me, but in the recent age of Against The Ropes, Cinderella Man, and the aforementioned Ali, this is one boxing movie of the new century that’s worth a look and yes, a second look.

It is the story of Diana Guzman (superbly played in her feature debut by Michelle Rodriguez), a Brooklyn high school senior enraged by the suicide of her mother, and in desperate need of an outlet from her father, her environment, and her bleak-looking future. She finds it in the ring. More specifically, in a Gleason’s Gym-like boxing emporium run by Hector (Jaime Tirelli), a Panamanian New York transplant, who reluctantly agrees to train Diana as long as she pays her $10 per hour fees. Needless to say, the speed bag, footwork and male chauvinism all prove problematic. But producing a pair of Lincoln’s on a weekly basis sparks the real drama.

Yes, Diana Guzman is no million dollar baby. But don’t dismiss “Girlfight” as the poor man’s (a.k.a. independent cinema) version of Clint Eastwood’s celluloid interpretation of F.X. Toole’s "Rope Burns." Of course, that Million Dollar Baby won 4 Oscars, including Best Picture, and topped $100 million at the box office. (And continues to leave me with two unanswered questions: How can Maggie Fitzgerald not be declared the champion on a DQ after being slugged after the bell? How can Frankie Dunn unplug Maggie’s life-support system and calmly walk out of the hospital unchallenged?) But like Eastwood, if four years earlier, “Girlfight” director Karyn Kusama provides an unvarnished take on female fighters, boxing and romance. There had to be a love interest, and here “Girlfight” wobbles like Evander Holyfield taking a Riddick Bowe uppercut. But at least the object of Diane’s desire is her age, rather than a generation or two apart on the timeline continuum like Maggie and Frankie. Although this movie is set in the amateur ranks, Diana’s boyfriend Adrian (Santiago Douglas) takes a decidedly professional approach to sexual intercourse – he conserves his strength for the ring. For the most part, that’s where “Girlfight” finds its strength as well.
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Mark Young (a.k.a. Baggiesboy - and if you want to get to the bottom of that one, you speak to the man himself) is a veteran writer and producer in sports television who has covered the last four Olympics with NBC, the last two World Cups, and written for two essential No Masian programs, "Ringside" and "Reel Classics" on ESPN Classic. Recently, he wrote the Spike Lee-narrated "Brooklyn Love Story" that ran during the Final Four pre-game festivities, a very classy piece of work. Let me conclude by telling you that there few men alive who know more about soccer than Mark Young, and even fewer who know less about judo. If there is higher praise than this on earth, people, I have not yet heard it.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

No Mas TV Guide - 4/17

Love and Basketball
AMC, 1 p.m.

Personally, I'm not a huge fan, but this hoops romance from 2000 has some serious cult devotees, so I'll throw it a mention. Omar Epps and Sanaa Lathan have the leads, while Spike Lee co-produced.

The Harder They Fall
FlixE, 6 p.m.

Personally, I am a huge fan of this film, Bogey's last, the movie of Budd Schulberg's famous novel of boxing and corruption. Both Jersey Joe Walcott and Max Baer make appearances - Jersey Joe wins that heavyweight acting belt by more than a few rounds.

Team Spirit: The Jordin & Terence Tootoo Story
VS., 6 p.m.

An hour doc following these two brothers' quest to become the first players of Inuit descent to play in the NHL. During the making of this film, Terence committed suicide, while Jordin went on to achieve their goal when he first suited up for the Mighty Ducks on October 9, 2003.

Bowe/Holyfield Trilogy
ESPN Classic, 8 p.m.
Wow. Back to back to back. And as far as I know, this is the first time that Bowe/Holyfield I has been shown on Classic. The first fight is a can't-miss fight for those who haven't seen it - round 10 is the round of decade. I placed it at #8 on my top ten fights of Large's lifetime post from last month.

ECW
Sci-Fi, 10 p.m.

CM Punk explains why he turned on the ECW originals and joined forces with the New Breed.

Fearless Fighters
FlixE, 1:30 a.m.

A kung-fu extravaganza from 1971 about two brothers seeking revenge for the murder of their security agent father who was killed during the hijacking of a gold shipment. I've said it before, I'll say it again - I gotta get me this freakin FlixE.

Monday, April 16, 2007

K.O.W. - The Manly Art of No Defense

"The manly art of no defense" is how Budd Schulberg famously characterized the style of Arturo "Thunder" Gatti, and it's a style that has given fight fans many a thrill over the years and yet exacted a heavy price from its practitioner. A recent Dan Rafael article on ESPN.com discussed the fact that every borderline contender within 20 pounds of Gatti wants a crack at him right now, and the reason is obvious - he's a treasured fighter with a huge built-in audience, and yet he's well past his prime and clearly vulnerable in the ring. Everybody thinks they can take him now and make easy money in the process.

Myself, I wish Arturo would retire. I worry about him. Doctors often say that the worst damage that can be done to a fighter in the ring comes when he takes punches after a certain phase of pugilistic dementia already has begun, that to get hit in the head at this stage exponentially hastens the demise of brain function. Arturo does not seem at all punchy right now, and clearly he has superhuman powers of recovery, but for all the wars he's been through, one has to imagine that he's incurred some level of brain injury. I feel like now is the time for him to get out and have a chance at a happy healthy life outside the ring before he does himself some irreparable harm.

That said, at this point the guy has had more lives than Rocky himself, and if he's determined to fight again, I wouldn't count him out or count a bout with him to be easy money just yet. He's slow as molasses these days, no doubt, but he can still bang, and, well, what needs to be said about his heart? For a little evidence on that score, in this installment of our No Mas Knockout of the Week, I take you back to the Ring Magazine Fight of 1997, a five-round war between Gatti and Gabriel Ruelas for Thunder's IBF Super Featherweight belt. Many of you I'm sure remember this fight - the video below is a nice highlight reel of what was undoubtedly one of the greatest displays of "the manly art of no defense" of the 90's. And it ends with a murderous KO to boot.

The Best Sports Movies You've Never Seen






Soul of the Game
(1996)

Director: Kevin Rodney Sullivan

Starring: Delroy Lindo, Blair Underwood, Mykelti Williamson

HBO Pictures, 94 minutes







It should be an interesting baseball season. As the game celebrates the sixtieth anniversary of Jackie Robinson breaking the color barrier, Barry Bonds, a member of the shrinking club of African-Americans playing ball today, will in all likelihood become the new all-time home run king. (Something tells me that Bonds isn’t exactly what Robinson had in mind when he steeled himself to become the first of a long and celebrated line of black superstars in the big leagues.)

As the 2007 season unfolds, you can bet a handful of six-dollar hot dogs that Commissioner Bud Selig and company will look to maximize the amount of attention paid to the Robinson anniversary, and minimize the amount of attention paid to Bonds’s 756th homer. Which is a good thing, no doubt – what happened in Brooklyn in 1947 is still probably the most important single episode in the history of the game. But like any piece of history that ages, it starts suffering from the disease of simplification. I’m not so much talking about loose facts that get forgotten and distorted, but rather a neglect of the circumstances and context that existed before a great event like Robinson debuting for the Dodgers changed everything. In other words, as players wear the number 42 jersey for a day, and video tributes to Branch Rickey & Co. fill the jumbotrons, we’ll have to work hard to keep our minds on what came before 1947: segregation; the Negro Leagues; and the fact that there were hundreds of players before Jackie Robinson who could have played in the Majors, but were robbed of the opportunity because their skin was tan or darker. Here’s one way to do it: screen Soul of the Game, another in our list of great sports movies you probably haven’t seen.

It’s a film about three men: Satchel Paige, Josh Gibson, and Jackie Robinson. The script contrives a fictional friendship between them in 1945, Robinson’s one year with the Kansas City Monarchs, in the months before he’d sign with the Dodgers. But just as I prepared to make a long list of other historical inaccuracies in the film, I actually found myself being impressed by the story’s repeated good-faith efforts to make allusions to small nuggets of the actual history (chronicled in Jules Tygiel’s essential Baseball’s Great Experiment, among others) surrounding the signing. Further, in most work on the screen, if the actors are good and they’re buying it, usually the viewer follows suit. Delroy Lindo as the cool and delightful Paige, Mykelti Williamson as the tortured and fading Gibson, and Blair Underwood as the brash and bright Robinson are all real good, and the rest works out accordingly.

Soul of the Game ends when Branch Rickey signs Robinson to a contract, which, in truth, was the beginning of the end for the Negro Leagues, which were soon rendered extinct by integration, and also a bittersweet event for the veteran Negro Leaguers who weren’t chosen as the player to break the color barrier. The film shows with dramatic effectiveness why the two most celebrated players of this category – Paige and Gibson – had a right to feel like they had been robbed, even if the younger, college-educated, Army veteran Robinson was undoubtedly the right choice.

And while Paige did eventually make it to the Major Leagues, and both legends were elected to the Hall of Fame, some six decades later, Barry Bonds’s journey to Home Run Number 756 calls to mind, in a way, the great tragedy of Paige and Gibson that the film conveys. The argument goes that Bonds’ questionably-earned place atop the career home run list will be corrupt among men like Henry Aaron, Babe Ruth, and Willie Mays in baseball’s holy bible, the record book. But isn’t it a much greater injustice that Josh Gibson isn’t among those names, and that Satchel Paige isn’t among the names of the game’s greatest pitching winners and strikeout artists? Robinson’s integration of Major League Baseball was a wonderful thing, but it couldn’t undo the damage already done by segregation. Soul of the Game makes that point clear.
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Aaron Cohen is a writer and producer at various joints in the sports television universe, most frequently HBO and NBC. His greatest sports memory is meeting Muhammad Ali at the 2000 Olympic Games in Sydney (ed. note - at Sydney he also met a lesser-known but no less proud fighter, a.k.a. DLarge). A close second is meeting Keith Hernandez at a Junior Mets Club event at a Queens YMCA in 1987. We've been trying to get him on the No Mas tip for a while - now we got him batting fifth and he's no doubt growing himself a bad moustache for the occasion.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

No Mas TV Guide - 4/16

2007 Boston Marathon
VS., 4 p.m.

The 110th running of the Boston Marathon, the oldest annual marathon in the world. Kenyan Robert Cheruiyot won the men's race last year (his second Boston Marathon victory) with a course record time of 2:07:14. Rita Jeptoo, also of Kenya, won last year's women's race.

Mobutu: King of Zaire
Sundance, 5:15 p.m.
A doc on Mobutu that focuses on the ways in which this ruthless dictator was propped up and supported by Western nations. I haven't seen it, but you have to imagine there would be some interesting Rumble-related shit involved.

WWE RAW
USA, 9 p.m.

Raw in Italia. The flagship show emanates from Milan, Italy for the first time ever. To celebrate this momentous occasion WWE champ John Cena takes on Edge and Randy Orton in a handicap match.

What's In the Bag?
The Golf Channel, 2 a.m.

The blurb I've found for this show tells me that in this half hour program "Luke Donald will be discussing what's new in his golf bag." I... dah... you guys take it. Seriously. Best joke wins a t-shirt.

Road House
Encore, 2:15 a.m.

I know this is stretching it a little, but this is the most fightinest, ass kickinest movie on at 2:15 a.m. tonight, and I know you No Masians want to know about it even if it is only very tangentially connected to sports. The second best Patrick Swayze movie (and if you have to ask me what the first is then you can just leave right now).

Sunday, April 15, 2007

Let's Play Two... and Two-Thirds

On this night in 1968, the Mets and Astros met in the Astrodome in what, after six hours, 24 innings, 14 pitchers and 158 total at-bats, turned out to be a nightmare of an evening for future Mets hero Al Weis.

A utility infielder playing in place of injured Buddy Harrelson, Weis started the game at short for the Mets and played all 24 innings. In the bottom frame of the 24th (always a tough inning), he let a bases-loaded grounder from the 'Stros Bob Aspromonte bounce through his legs, scoring Norm Miller from third, the game's first and only run. A walk-off error after a six-hour, 24 inning shutout - imagine. The bars were probably closed already and the '69 Series was a long ways away.

As the scoreboard up there attests, this was the longest scoreless contest in baseball history and as far as I can tell (without the help from Elias... God I miss those guys) the longest night game in the history of the bigs. Each squad got 11 hits, had 79 at-bats and committed one error. Hapless at the time, both sides nevertheless had their aces on the mound - Tom Terrific went 10 for the Mets (with only 3 K's oddly) and Don Wilson went nine for Houston. The once-promising Wade Blasingame pitched the last four innings for the 'Stros to earn his only win of the season, while long-forgotten reliever Les Rohr was saddled with the loss for the Mets (one of three losses in a 2-3, two-year career in the majors).

Here were the starting lineups:

NYM

Al Weis - SS
Ken Boswell - 2B
Tommie Agee - CF
Ron Swoboda - RF
Art Shamsky - LF
Ed Kranepool - 1B
Jerry Buchek - 3B
Jerry Grote - C
Tom Seaver - P



HOU

Ron Davis - CF
Norm Miller - RF
Jimmy Wynn - LF
Rusty Staub - 1B
Hal King - C
Bob Aspromonte - 3B
Julio Gotay - 2B
Hector Torres - SS
Don Wilson - P

Now admittedly the Mets did not start four of their regulars in this game for one reason or another - Harrelson, Cleon Jones, Ed Charles and Phil Linz (all four eventually made it into the game, even the injured Harrelson) - but that said, those are not pretty lineups. No wonder they couldn't score any runs. Sheesh. As much as I hate to say so, it is truly amazing to look at those starting nines and think that after battling it out with Houston for the basement of the National League in 1968 (a contest the 'Stros ignominiously won by a single loss), the Mets would go on to win the 1969 World Series.

Saturday, April 14, 2007

Oscar Loves the Squared Circle

(For our Sports Film Festival audience, we re-run this piece documenting the Academy Awards' long-standing love affair with the fight game in all its vicissitudes.)

The Champ (1931)
Best Picture Nominee
King Vidor - Best Director Nominee
Wallace Beery - Best Actor Winner
Beery stars (appropriately) as a drunken ex-heavyweight champion who takes one last fight for the sake of his son. The original of the '79 Jon Voight/Ricky Schroeder tearjerker. Beery tied with Frederic March (Dr. Jekyll and Mr. Hyde) for Best Actor.

Here Comes Mr. Jordan (1941)
Best Picture Nominee
Alexander Hall -
Best Director Nominee
Robert Montgomery - Best Actor Nominee
James Gleason - Best Supporting Actor Nominee
The original of Warren Beatty's 1978 Heaven Can Wait in which all of the names are the same (Joe Pendleton, Max Corcoran, Mr. Jordan the Angel, of course) but Joe is a boxer, not the quarterback of the Rams.

Body and Soul (1947)
John Garfield - Best Actor Nominee
A quintessential Hollywood depiction of the boxing universe. Young and naive fighter Charley Davis, played by John Garfield, is increasingly led down a corrupt path by his crooked manager against the wishes of his loving mother.

Champion (1949)
Kirk Douglas - Best Actor Nominee
Arthur Kennedy - Best Supporting Actor Nominee
Based on a short story by Ring Lardner. Kirk Douglas playes "Midge" Kelly, a heavyweight with a wild streak.

The Quiet Man (1952)
Best Picture Winner
John Ford - Best Director Winner
Victor McLaglen - Best Supporting Actor Nominee
A John Wayne/John Ford classic about an ex-fighter who has accidentally killed a man in a bout. He moves to Ireland and takes over his family farm and falls in love, etc.

On the Waterfront (1954)
Best Picture Winner
Elia Kazan - Best Director Winner
Marlon Brando - Best Actor Winner
Lee J. Cobb - Best Supporting Actor Nominee
Karl Malden -
Best Supporting Actor Nominee
Rod Steiger -
Best Supporting Actor Nominee
Eva Marie Saint -
Best Supporting Actress Nominee
You don't understand! I coulda had class. I coulda been a contender. I coulda been somebody. Instead of a bum, which is what I am.

The Great White Hope (1970)
James Earl Jones -
Best Actor Nominee
Jane Alexander -
Best Actress Nominee
James Earl Jones as Jack Johnson in an adaption from the famous play. Great movie.


Fat City (1973)
Susan Tyrell -
Best Supporting Actress Nominee
John Huston directs this underrated movie based on Leonard Gardner's famous boxing/noir novel.

Rocky (1976)
Best Picture Winner
John G. Avildsen - Best Director Winner
Sylvester Stallone -
Best Actor Nominee
Talia Shire -
Best Actress Nominee
Burgess Meredith - Best Supporting Actor Nominee
Burt Young - Best Supporting Actor Nominee

Raging Bull (1980)
Best Picture Nominee
Martin Scorsese - Best Director Nominee
Robert Deniro - Best Actor Winner
Joe Pesci -
Best Supporting Actor Nominee
Cathy Moriarty -
Best Supporting Actress Nominee

Pulp Fiction (1994)
Best Picture Nominee
Best Director Nominee
John Travolta - Best Actor Nominee
Samuel L. Jackson -
Best Supporting Actor Nominee
Uma Thurman -
Best Supporting Actress Nominee
No, it's not a boxing movie, per se, but a crucial plot twist hinges on Bruce Willis's turn as a stubborn pug who refuses to take a dive.

The Hurricane (1999)
Denzel Washington -
Best Actor Nominee

Ali
(2001)
Will Smith -
Best Actor Nominee

Million Dollar Baby (2004)
Best Picture Winner
Clint Eastwood - Best Director Winner
Clint Eastwood -
Best Actor Nominee
Hilary Swank - Best Actress Winner
Morgan Freeman -
Best Supporting Actor Nominee

Cinderella Man (2005)
Paul Giamatti -
Best Supporting Actor Nominee

Friday, April 13, 2007

What might have been...


On this day in 1971, hockey player Michel Brière died from injuries sustained in a car-crash that had occurred almost a year beforehand. He was only 21 years old.

After just one season in the NHL with the Pittsburgh Penguins, Brière was marked for great things by all hockey pundits. A nimble skater and puck-handler, he'd come to the Penguins a highly prized commodity, a superstar in the Quebec Major Junior Hockey League with the Shawingan Bruins. After Pittsburgh selected him in the 1969 amateur draft, he made the team as a 20-year-old rookie, notching 44 points and being named the Pens' rookie of the year. Everyone who saw him seemed instantly to know that they were watching a future star in his professional infancy.

That awesome potential was never realized. On May 15, 1970, driving with two friends to make preparations for his upcoming wedding, Brière was involved in an automobile accident in Malarctic, Quebec. While his friends were severely injured, suffering multiple fractures, Brière was by far the worst off of the trio. He spent the seven weeks after the accident in a coma. Over the ensuing 10 months he drifted in and out of consciousness before dying on this day 26 years ago, his young life and brilliant future cut brutally short.

The Penguins immediately retired Brière's #21, the only number retired by the franchise until a certain #66 was retired in 1997. And today Brière has two Memorial trophies named after him - the trophy awarded to the most valuable player in the Quebec Major Junior Hockey League and the trophy awarded by the Penguins to their annual rookie of the year.

This Week in No Mas



4/8
Jesus in Augusta
Large gives his thoughts on Sunday at the Masters and the newest green-jacket recipient, Jesus-loving Zach Johnson. "The Son of God was NOT about to let down one of his peeps on Easter Sunday. Somewhere up there, Payne Stewart and the Lord were watching CBS and nodding together, solemnly."

4/9
This Ship Is Sunk
After Micheal Ray Richardson was fired by the Albany Patroons, I-berg revisits the scandal of Richardson's allegedly anti-Semitic remarks that he first addressed in Jews for Micheal Ray.


K.O.W. - Dud Dynamite
With Oscar/Floyd looming ever nearer, for our No Mas Knockout of the Week, we take you back to a millennial superfight predecessor, one that broke our hearts as well as Mike Tyson's face. "... This fight, though enormous in its scope, was really nothing more than the final sputtering act of a long Shakespearean tragedy of the ring, one that ended with a gigundous straight right hand."

4/10
Borne back ceaselessly into the past
On the 82nd anniversary of the publication of The Great Gatsby, Large examines the role of sports in Fitzgerald's masterpiece, from Tom Buchanan's football pedigree to a master criminal by the name of Meyer Woflsheim.

4/11
Deep Tennis with Steve Tignor
For years, the rumors have swirled, and it turns out they're all true. Steve did indeed play tennis with Cliff Drysdale, and at long last he's telling the tale. "On the changeover, he stopped me and said, 'Tignor, baby, a piece of advice. I’ve got two sides on my ground strokes, a forehand side—and a suicide.'”

4/12
No Mas and The Tribeca/ESPN Sports Film Festival
We announce our participation in The Tribeca/ESPN Sports Film Festival for the upcoming month. Gentleman, start your engines...

No Mas Presents - The Best Sports Movies You've Never Seen
Mr. Uni Watch himself, Paul Lukas joins the No Mas lineup to kick off our Tribeca coverage and our new series, The Best Sports Movies You've Never Seen. His entry in the sweepstakes? Hard Times, a bare-knuckles brawl of a movie starring James Coburn and Charles Bronson. "No Marquis of Queensbury rules here -- every bout starts with the fighters showing each other their open palms, to prove that they're not packing brass knuckles or small pipes, but pretty much anything goes after that: kicks, rabbit punches, kidney punches, shoving your opponent into a stairway. In other words, it's basically human cockfighting, and it makes UFC look quaint."

Would Someone Out There Please Release This Movie?
Large makes a plea for the re-release of the long-lost William Klein French Open doc, The French. "The French is not as compelling a movie as “The Greatest” by any means, but for those of us obsessed with the huge tennis stars of the 70’s and 80’s (meaning just about every tennis fan on the face of the earth) it is essential viewing."

Sharpshootin' with The Franchise
Oh woe is Franchise. I mean, the dude is inconsolable. Honestly, I've been worried that he's going to turn his infamous Mongolian Chop upon himself and go join all the great wrestlers in the sky. If you want to find out why he's so down, check out this edition of Sharpshootin'. And, you know, if you have the time, send him some kind words. He could use them.

4/13
What's the point of college without the basketball?
Why did Unsilent choose to go to Pitt, you ask? Well, wonder no longer. As the college admissions roulette table heats up around the country, Unsilent tells the story of his decision. It all came down to one devastating dunk.

The Best Sports Movies You've Never Seen
All right, all right, it's an obvious choice given our general No Masian feelings about Every Which Way But Loose, but for today's obscure sports movie, Large goes with Any Which Way You Can, the much-lesser-known sequel. "In short, much like "Loose," there's a beer-drinking sucker-punching ape, there's a ne-er-do-well biker gang called the Black Widdas, there's a lot of bar-brawlin and bare-knuckles brawlin and an overall atmosphere of brawlin, and there's at times such an utter lack of plot or direction or purpose that one can only revel in the rootin-tootin meaningless of it all."


The Best Sports Movies You've Never Seen



Any Which Way You Can (1980)
Director: Buddy Van Horn
Starring: Clint Eastwood, Sandra Locke, Clyde the Orangutan
Warner Brothers, 116 minutes




I don't think there are many No Masians out there who are unaware about my feelings concerning Every Which Way But Loose and it's lesser-known (and looser) sequel, but in that we may have some new eyes coming to us from the Sportsfest crowd, this seemed like a good time to reiterate those feelings for our Best Sports Movies You've Never Seen series.

Every Which Way But Loose is, in my humble opinion, one of the greatest movies ever made. But I probably don't have to tell you that - you've probably seen it. It was a huge hit, and made Clyde the Orangutan an international movie star.

But Any Which Way You Can, the sequel, did not garner nearly the amount of attention that the original did, such that generally, when I tell people how good the sequel to Every Which Way But Loose is, they say, "There was a sequel to Every Which Way But Loose?" (I get a similar response when I bring up the sequel to Saturday Night Fever).

So yes, there was indeed a sequel to Every Which Way But Loose, and it's awesome. It's not quite as good as the original, and it's a little long, but other than that, it picks up right where the first movie leaves off. Bare-knuckles brawler Philo Beddoe is still living his rootin-tootin brawlin lifestyle, scaring up fights so he can win a little scratch here and there from gambling on himself (because there ain't no man alive who can whup Philo with the gloves off). But then he runs into the country singer who broke his heart in Loose, Lynn Halsey-Taylor (Sondra Locke, Eastwood's lover back in the day - the only possible explanation that she stars in this, or any other, movie). After some initial distrust from Philo, they fall in love and she moves in with him at the ranch with his rootin-tootin buddy Orville and his irascible Ma (Ruth Gordon) and, of course, his orangutan, Clyde.

Meanwhile a mob syndicate is trying to put together the ultimate bare-knuckles brawl to make some gambling money and they decide to match up their own superfighter, martial arts expert Jack Wilson (William Smith, a former arm-wrestling and weightlifting champion with 18.5-inch biceps) against Beddoe in a fight out in Vegas. Philo initially accepts, because he's broke and the money's huge, but then Lynn and Orville convince him to back out because this Jack Wilson fella is reputed to be a cold-blooded murderer and a karate expert. Philo isn't scared - that karate crap don't work on Philo - but he loves Lynn and wants to keep her happy. So he gives the mob back their deposit and tells them he's retired. Of course, it doesn't end there.

In short, much like Loose, there's a beer-drinking sucker-punching ape, there's a ne-er-do-well biker gang called the Black Widdas, there's a lot of bar-brawlin and bare-knuckles brawlin and an overall atmosphere of brawlin, and there's at times such an utter lack of plot or direction or purpose that one can only revel in the rootin-tootin meaningless of it all. Also, there's a theme song that is one of the most ridiculously awful songs ever conceived, a duet between Ray Charles and Clint himself called "Beer's To You." For that song alone, which runs over the opening credits, you do not want to miss this movie.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in New York City. And we assure you that one of these days, maybe even later today, we will review a movie that is not about bare-knuckles brawling.

What's the point of college without the basketball?

(As we come to that time of year when many young hopefuls across the country will be receiving either a thin or a fat envelope in the mail from their prospective colleges, Unsilent documents for us exactly what led him to choose his prestigious university. A hint - it weren't the grade inflation.)

Part I: Selecting the Institution

I've always hated school; don't get me wrong, my thirst for knowledge is only exceeded by my thirst for liquor. Regardless, there was nothing I dreaded more than a day spent in the classroom. I got older but nothing really changed so I trudged towards college assuming the freedoms it offered would shed new light on my academic life.

When the time came I began my search with a handful of small private institutions that seemed like nothing more than an extension of high school. That's when I decided to go in the other direction, to go big. It was time to start thinking about what was truly mattered most so I refocused my search based on two criteria, writing and basketball. By adding these variables to the equation I was able to get a better idea of where I needed to be.

Big school, big sports, Big East.

The second search yielded two promising possibilities in Syracuse and Pittsburgh (oh yeah, they also had to have Jewish people). When I visited the Carrier Dome I was met with equal parts disappointment and blizzard. Meanwhile, Pitt was slowly winning me over--even the city seemed palatable. The school's favorite literary son had just won the Pulitzer and I was about to attend a basketball game that would win me over for good.

January 20, 2001

It was on this day that Ben Howland brought his young Pitt Panther team to the MCI Center for a meeting with the team of my youth, the Georgetown Hoyas. I was already convinced that Pittsburgh was the right city and school for me (what the fuck was I thinking?) so this would be the ultimate test. I had to see if the school's traditionally lackluster basketball program could hold my interest. Needless to say they surpassed all my expectations.

The Hoyas stepped onto their home court looking to extend the 16 game win streak they'd reeled off to begin the season. Their strong play was quite surprising when you remember the horror that was the Craig Esherick Experience. The house of cards that was their season would soon be undone by the best coach nobody really knew (myself included) and the single greatest live dunk I'd ever seen (excluding exhibitions).

I'd seen Julius Page play once before; it had been less than a year since the high school senior was in very same building for the Capital Classic. Not even that dunk infested exhibition could adequately prepare me for what I saw from my future schoolmate. Like any great moment in sports you truly had to feel the air sucked out of the arena. Sadly I can't find a single shred of video in the vast expanse of the internet to share with you. All we have is a low quality still image and my memory (pretty crappy in its own right).

What I do remember is this: The 6'3" shooting guard was alone at the top of the lane with the ball. He looked like he was going to take the ball to the rim but there was a lone obstacle blocking his path. That obstacle was Georgetown's 7' center, the shot blocker so nice they named him twice--Ruben Boumtje-Boumtje. If Page did have time to think about what he was about do attempt he never showed it. Without a hint of hesitation the baby-faced lefty began to elevate, only he never stopped. From my vantage point it was as if Julius was climbing Ruben like a human ladder. Forty-five inches later his head had eclipsed the rim and big ol' Boumtje-Boumtje was on the receiving end of a facial so devastating it was given an honorary AVN Award*.

I'd found my team.

*at least it should have been

Stay tuned to No Mas for Part II: Life in the Oakland Zoo

No Mas Weekend TV Guide: 4/13 - 4/16

4/13
Champions League Highlights

ESPN2, 2:30 p.m.

An hour show recapping the week's Champions League action.

America's Cup 1851-2007

ESPN Classic, 7 p.m.
Man, a full hour on the history of the America's Cup on Classic. This poor network is getting a little desperate. But whatever, I'll take it. Yachting isn't exactly our bowl of gruel here on No Mas, but you have to give them bonus points for trying. Walter Cronkite is narrator, which tells me one thing and one thing only - Walter Cronkite is still alive.

WWE Smackdown
CW, 8 p.m.

Finlay & Mr. Kennedy vs. Undertaker & Batista. Only in wrestling would you see two guys who just finished beating the crap out of each other team up the following week.

Zab Judah v. Ruben Galvan
ESPN2, 9 p.m.

On Wednesday Night Fights (in which my Philly boy Willie Gibbs got his walking papers from the fight game with an ass-whupping from Hallelujah Joval) they showed a tease for this fight in which Zab Judah, with his godawful grill, was comparing himself to Sugar Ray Leonard, Marvin Hagler, Ali... the shit was unbelievable. I get the feeling that he's not quite recovered from the beating that Baldomir gave him. But anyway, it's not often you get to see a fighter of his caliber on Friday Night Fights, even if is against a tomato can like Galvan. Cotto will be in the studio with Brian Kenny during the fight.

International Fight League
Fox Sports Net, 11 p.m.

Two of the league's undefeated teams, the New York Pitbulls and the Portland Wolfpack, go head-to-head.

4/15
All-Star Golf
The Golf Channel, 4:30 a.m.
Look I don't know what this is, but if you're up at 4:30 in the morning, you might as well watch it, because it features Gary Player against Sam Snead in a match play exhibition. Freakin Slammin Sammy Snead already. No Mas golf.

Gene Fullmer v. Sugar Ray Robinson, 1961
ESPN Classic, 7 a.m.
Oh man this is an insane fight - do NOT miss this if you've never seen it before. It's a straight-up bloodbath. This is the fourth and final fight between these two legends, and Fullmer must be the only guy in history who got the better of Sugar Ray, going 2-1-1 against him lifetime. Just three months prior to this they'd fought a draw, which was also a war. Fullmer, yo - he was like Carmen Basilio with skills. What a tough bastard.

Ringside
ESPN Classic, 8 p.m.

Ringside turns to the one and only Brockton Blockbuster, Rocky Marciano. Let me see, what Marciano fights have I seen on Classic - Archie Moore, Joe Louis, of course... the first Walcott fight. I've never seen that second Ezzard Charles fight on there, but they must have that. I'm not really sure what else they could bust out that would excite me. And what guests will they have? I'm not sure about this one. (They run the Archie Moore fight in its entirety at 10).

BodogFight: Clash of the Nations
PPV, 9 p.m.
BodogFight is a fairly new MMA promotion owned by billionaire gambling mogul, Calvin Ayre. Most fans have never heard of it but that changed when they signed arguably the top heavyweight fighter in the world, Fedor Emelianenko, to fight the always dangerous Matt Lindland on this card. Consider our interests piqued.

British Open Highlights, 1984 & 1988
Golf Channel, 10 p.m.

Recaps of Seve's two Claret Jug years in the 80's - in the first he fended off Tom Watson and Bernie Langer, and in the second he bested Nick Price.

Fast Times at Ridgemont High
Comedy Central, 1 a.m.

All I need are some tasty waves, a cool buzz, and I'm fine.

4/16
Budo: The Art of Killing
FlixE, 5 p.m.
A doc about this ancient Japanese martial arts discipline. I don't know what the hell FlixE is, but they have some pretty cool shit.

Jackie Robinson SportsCentury
ESPN Classic, 6 p.m
There's a slew of Jackie-oriented programming on Sunday, the 60th anniversary of his breaking baseball's color barrier. I recommend sticking to the SC, which is excellent.

The Color of Money
ESPN Classic, 9:30 p.m.
You gotta have two things to win. You gotta have brains and you gotta have balls. Now, you got too much of one and not enough of the other.

TNA Lockdown
PPV, 8 p.m.
Every match on the card will take place inside a steel cage! The highlight being the ELECTRIFIED cage match between the NWA Tag Team Champions, LAX, against Team 3D. Someone's probably getting hurt tonight.

Moby Dick
TCM, 8 p.m.

If whaling is a sport (and I'm pretty sure that it is, or at least it used to be, before they got all uptight about it) then this is like, the best sports movie of all time. It's definitely the best whaling movie of all time. It's based on a book which I'm told is also good.

De la Hoya/Mayweather 24/7
HBO, 10:30 p.m.

Are you ready for the hype machine? Oh baby. Word on the street is that these two guys hate each other now. What a surprise that is. I wonder how many scenes they'll have in this of them wiping their asses with diamond toilet paper.

Roberto Duran v. Ken Buchanan, 1972
ESPN Classic, 1 a.m.

What a monster Duran was as a lightweight. This is a classic fight, the night that Duran won his first world title at the Garden. Very strange fight, very strange ending.

Floyd Patterson v. Hurricane Jackson, 1957
ESPN Classic, 2 a.m.

The rematch, not the brain-blasting original, which was one of the great fights of Floyd's career. I wrote about this bout on its anniversary last July.

Thursday, April 12, 2007

Would Someone Out There Please Release This Movie?

The lost film in question is called “The French,” a documentary about the 1981 French Open directed by William Klein. Klein is most famous to the world at large as a photographer, and probably best known to those of you out in No Mas-land for his film “The Greatest,” a documentary about Ali that is in our opinion the best movie ever made about the Champ.

Klein’s documentary style is of the wordless observer – there is no narration in his films. His whole project in the Ali and the French Open movies is to use sports as a lens to view a cultural moment. In “The Greatest,” covering the first Liston/Ali bout, he takes to the streets of Harlem as locals argue about the fight, and visits a largely African-American theater class where the students are producing one-acts about Ali, then Cassius Clay. The effect of Ali’s inflammatory persona is transmitted in these scenes almost as powerfully as those that feature the Champ himself. It’s an electrifying film, as much about African-American identity in the 60’s as it is about a charismatic heavyweight.

“The Greatest” is readily available on Amazon and Netflix, and at least here in New York, shown in revival houses periodically. “The French,” however, has disappeared from the face of the earth. I know about and have seen this film purely by fortuitous accident. I had recently seen “The Greatest” for the first time at Film Forum with I-berg, and I saw a blurb… god, I can’t even remember where, somewhere very random… that this William Klein film about the 1981 French Open would be screened at Florence Gould. I convinced a skeptical non-tennis-fan friend of mine to accompany me. This was about five, six years ago. I’ve never seen a public mention of it again.

“The French” is not as compelling a movie as “The Greatest” by any means, but for those of us obsessed with the huge tennis stars of the 70’s and 80’s (meaning just about every tennis fan on the face of the earth) it is essential viewing, just for what intimate access you get into the players' offcourt universe in a Grand Slam setting.

Here are the conclusions I drew from this film:

• Borg was pretty much the coolest dude of all time (check out that stamp - it's ill). He was a cross between Humphrey Bogart, a Swedish porn star and a lazy but talented leopard. He cared little about tennis even though he was the greatest player of his era and in his free time he made love to entire nations of adoring women.
• Yannick Noah was only slightly less cool than Borg.
• Lendl was like, severely paranoid and weird (for more on this, check out Steve Tignor's Deep Tennis piece on the many lives of Lendl).
• McEnroe was borderline insane, to the point where it almost seemed like he had Tourette’s syndrome. The moment he stepped on the tennis court he started spouting off, to the ump, to the fans, to any passing birds. Mostly to himself. Nobody liked him (big surprise on that one).
• Nastase was completely hilarious. There’s a great scene where during a rain delay where he’s got Chris Evert and Hana Mandlikova laughing like schoolgirls while he flashes his buttcrack at them in the clubhouse. Nastase was clearly an armpit fart kind of guy of the finest order.

And on and on and on. If you’re a tennis junkie, you see why it’s a crime that this movie is not available ANYWHERE in the States. There are some obscure places on the French web where you can order it (sans subtitles, bien sur) but nowhere in America. I don’t know how it works exactly, but now that we're hunting with the big dogs over there at Tribeca, here’s my plea directed to the American Film Entrepreneur at Large – would some one of you out there who generally does this sort of thing unearth this film from whatever moldy vault it’s in and put it on DVD and, you know, sell it? This movie needs an audience. Merci, messieurs. Vous serez recompensé.
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This post is part of our ongoing partnership with The Tribeca/ESPN Sports Film Festival which runs from April 25 to May 26 right here in NYC.

Sharpshootin' With The Franchise

Mourning in Quebec: You’ll have to excuse me if I sound a little cranky this week but I have a pretty good reason, thank you very much. I pretty much had the worst weekend of all times. Things started off rocky when the dreaded Toronto Maple Leafs ousted my beloved Montreal Canadiens from playoff contention. That was pretty much as sacrilegious as sacrilegious gets. Luckily, I didn’t have time to get too sad about the Habs’ terrible demise because the brand new UFC Welterweight champion, my boy Georges St. Pierre, was about to embark on his first title defense against the VERY beatable Matt Serra. Remember all that talk last week about GSP steamrolling through Serra en route to his huge rematch against Matt Hughes in Montreal? Um, yeah, we might have to put those plans on hold. First off, let’s talk a bit about Matt “The Terra” Serra. Going into Saturday night’s fight, Serra held a career 9-4 record. He was pretty much a middle-of-the-pack fighter, certainly not contender-level. Some of his notable losses came against the likes of Shonie Carter and Karo Parisyan. Not the worst fighters in the world, also not the best. Serra earned his title shot by winning “The Ultimate Fighter 4” tournament in November. He won two matches during the reality show tapings and then defeated Chris Lytle in a very controversial finale, controversial because most people thought he shouldn’t have won (what? sour grapes? I have no idea what you are talking about). Moving along, Serra was supposed to fight Matt Hughes for the title in February but GSP threw a wrench in those plans by demolishing Hughes in November. So everything was set for the fairy tale bout between the underdog reality show winner from Long Island against the newly minted champion. Well, everything except for the fact that GSP hurt his knee while training in January so they postponed the fight until April. Honestly, this injury was bugging me leading up to the fight. However, all things considered, GSP is one of the best fighters in the world. Bum knee or not I was pretty confident and so were all the odds makers. The only, and I really mean ONLY, chance anyone was giving Serra was if he could somehow take GSP down (a feat not even the great Matt Hughes was able to pull off) and work some of his Brazilian Jiu-Jitsu skills on him. GSP is much better at striking than on the ground so everyone was expecting him to keep this match standing while Serra would try to take it to the ground. Even more reason to keep the fight standing was that GSP was four inches taller than the 5”6 Serra.

So... this is where the nightmares start to creep back. The fight was kept standing but, unbelievably, Serra was the fighter doing the striking. The one positive was that the misery lasted only 3:25. To say I was shocked out of my mind at the sight of seeing GSP laying flat on his back after Serra had knocked him silly would be the understatement of the century. To be honest, I still can’t believe Matt Serra is the new UFC Welterweight champ. I can’t believe after everything GSP had to endure to win the title that he lost it on his first defense and I certainly can’t believe that right after GSP was knocked out the cameras panned to show Matt F’n Hughes sitting Octagon-side laughing it up and mouthing the words “I love it.” Listen, Matt. I hope Dana White grants you a shot at Serra’s title. I hope you just squeak by him. And then I hope, no I pray, GSP gets another crack at your farm-boy ass. Il va to detruire espece de conard. Look it up. Take nothing away from Serra. From all accounts, he is one of the nicest people in MMA and has probably worked his butt off for this one shining moment. His gameplan worked to a tee and, on this night, he was the better man. But something tells me GSP will be back. Biases aside, the guy is as dedicated as it gets. As the PPV was ending, they showed him getting dressed in the locker room and all he kept saying was “this is my worst nightmare.” He wanted nothing more than to defend his title in front of his hometown fans. But he’ll back. He’ll re-capture his belt and he will get his match at the Bell Centre in Montreal. That’s what great champions do. They come back stronger than ever. And that’s more than I can say about the Bell Centre’s main occupants – the Habs. Boy, do those guys suck.

This Week in History: I think everyone needs a good laugh after that somber report so I would like to point your attention to April 11, 1997. Wrestling legend, Big Van Vader, known as the man who ripped off part of Mick Foley’s ear and as the man who never washed his wrestling singlet, was a guest on “Good Morning Kuwait.” No, it was not some SNL skit - this show actually did exist. Vader and the WWF were in Kuwait for an event and he was booked to appear on Kuwait’s version of the popular NBC program. During the show, the host, Bassam Al Othamn, asked Vader if wrestling was “fake.” Bad move. Understandably, Vader didn’t appreciate the question and decided to show the host just how real wrestling can be. Vader grabbed Othamn, dropped a couple of f-bombs and shoved him. Unlike last week’s video of the planned Andy Kaufman-Jerry Lawler incident on the Letterman show, this encounter was definitely unscripted. Due to his actions, Vader was detained in Kuwait, charged with assault and using obscene language. He then spent the next ten days under house arrest. I think wrestlers often forget that the stuff they do in the ring is not exactly socially acceptable outside of it. By the way, does anyone know if this show still exists? I really hope it does. Anyhow, enjoy the video evidence below.

No Mas Presents - The Best Sports Movies You've Never Seen

As part of our ongoing coverage of the Tribeca/ESPN Sports Film Festival, we're going to be bringing you a series of pieces called "The Best Sports Movies You've Never Seen," as we turn to our regular roster of writers and some new voices to ferret out the best unheralded sports films of all time. Today, Paul Lukas of Uni Watch fame gets us started with an all-out brawl of a movie called "Hard Times".



Hard Times (1975)
Director: Walter Hill
Starring: Charles Bronson, James Coburn, Jill Ireland
Sony Pictures, 94 minutes




Set in Depression-era New Orleans, Hard Times chronicles the now-forgotten world of bare-knuckle street fighting, where the bouts take place in alleys, warehouses, and shipyards, and the prize money comes exclusively from bets. No Marquis of Queensbury rules here -- every bout starts with the fighters showing each other their open palms, to prove that they're not packing brass knuckles or small pipes, but pretty much anything goes after that: kicks, rabbit punches, kidney punches, shoving your opponent into a stairway. In other words, it's basically human cockfighting, and it makes UFC look quaint. Despite these rough trappings, the film has an honesty and stylishness that set it apart from most fight films.

The basics: Charles Bronson (in a rare non-gunslinger role) plays Chaney, a drifter who resorts to fighting to make money. His promoter is Speed (a spectacular James Coburn), a low-grade hustler with a mouth too big for his wallet, and his cutman is Poe (Strother Martin), a medical school dropout with a dope habit and a very lyrical manner of self-expression ("I assume you realize that the blood of the fabled Edgar Allan courses through my veins"). The three of them look to make a big score by taking on the city's reigning street fighting champ, Jim Henry (Robert Tessier), who's promoted by a local power broker named Chick Gandil (Michael McGuire).

Although Chaney is the nominal protagonist, the film really belongs to the characters surrounding him, most of whom rattle off one classic quote after another. Speed borrows cash from one loan shark to pay off another while lamenting the parade of would-be fighters who expect him to bankroll their careers ("Every town's got a bar, and every bar's got a guy who thinks he's tough as a nickel steak"). Jim Henry's so confident that he looks around before his fights and says, "I wanna have a long talk with anyone betting against me." And Poe is probably the most loquacious fistic figure this side of Don King. "Reasonably thick skin," he says while examining Chaney's face. "I'd say there's a good chance you're not what Speed so unfortunately refers to as a bleeder."

Such colorful chatter notwithstanding, this fight game is the same as any other: Everyone's in it solely for the money, there's not a trustworthy character in the bunch, and the fighters are ultimately little more than disposable pieces of meat (after Chaney beats Jim Henry, the latter is reduced to being the valet for Gandil's next star fighter). Then, as now, two guys punching each other made for a pretty grim way of doing business -- grim but mighty evocative, thanks to the snappy script and the New Orleans backdrop.

The directorial debut of Walter Hill (later to become better known for 48 Hrs.), Hard Times is certainly no Raging Bull or Rocky. But it easily ranks among such well-regarded contenders as Fat City, Right Cross, or The Set-Up. It deserves better than the cinematic undercard to which it has unjustly been relegated. Highly recommended.
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We're pretty sure that if you're reading No Mas, then you're also a big fan of Uni Watch, and if you are, you're very familiar with the writer of this piece. Paul Lukas is a columnist for ESPN.com, where his "Uni Watch" column -- an obsessive look at the most excruciatingly minute details of sports uniform design -- has run since 2004. He also edits the Uni Watch blog, and writes about food, design, business, and pop culture for a wide range of publications. Paul has been an honorary No Mas All-Star for a while now - we're thrilled to finally have him in the lineup. (Sparkler photo by Lori Baker)

No Mas and The Tribeca/ESPN Sports Film Festival

No Mas is proud to announce our participation in the inaugural Tribeca/ESPN Sportsfest, a sports-centric festival within the Tribeca Film Festival, which runs from April 25 to May 6 here in New York. Sportsfest will offer screenings of 14 feature-length films, many about pursuits near and dear to the No Masian heart - soccer, poker, boxing, and the true sport of kings: breakdancing. In support of this maiden voyage, we will be providing coverage about and inspired by Sportsfest. So for the next month, expect a heavy dose of movie mania as well as a loving spoonful of other sportscultural delights (books, music, art, video games)--all in keeping with the usual No Mas way of life.

Along with our main man, No Mas editor Dave Larzelere a.k.a "Large", and our regularly deadly lineup of contributors, we will also be blessed by an all-star cast of visiting professors, so feel free to expect some good things.

Tribeca and ESPN, we tip our caps to you for taking the initiative to make this happen, and we look forward to sampling the fruit of your labors. Having a dedicated festival to showcase and incubate sports related projects is a very good thing for retrosexuals, athletophiles and cineastros of all stripes. And so we wish you great success. If you have any pregame jitters, we advise you to stop thinking, let things happen... and be the ball.

No Mas TV Guide - 4/12

Lord Stanley's Legacy
VS., 5 p.m.

A look at the birth of the NHL and the origin of the Stanley Cup, covering the years 1893-1924. Profiles of Dan Bain, Art Ross, Georges Vezina and Fred "Cyclone" Taylor. Versus... bringing it hard with the classic hockey.

SportsCenter Special: Jackie Robinson
ESPN, 9 p.m.
A preview show to get us ready for Jackie Robinson Day in the bigs this Sunday, the 60th anniversary of Robinson breaking the color barrier.

TNA iMPACT!
Spike, 9 p.m.

The last show before Sunday's Lockdown PPV. Team Angle is short one member for the Lethal Lockdown cage match and rumor has it's a pretty big surprise.

The Ultimate Fighter 5
Spike, 10 p.m.

Team Pulver has the hammer after last week's impressive victory. Here's hoping they call out Gabe Ruediger's ass.

Bad Blood: Dana White vs. Tito Ortiz
Spike, 11 p.m.

A documentary building up the much-hyped Tito Ortiz vs. Dana White boxing match. If you read Franchise's Sharpshootin' last week you know that the payoff isn't all too exciting, but the hatred these two have for one another will still make this interesting.

Wednesday, April 11, 2007

Deep Tennis with Steve Tignor

All right, Steve, I've waited long enough for this one. I hate to turn to the rumor mill and all but... well, is it true that you actually once played tennis with Cliff Drysdale? If so, what was that like?

Yes, you heard correctly. For those of you who don’t know, Eric Clifford Drysdale, known to many as “Cliffy” (he’s just “Cliff” to his friends), is the man behind the swank accent you’ve heard on ESPN’s tennis telecasts since the network debuted almost 30 years ago. For most fans, Drysdale’s ramblings (they’ve gotten slightly less, well, trenchant as the years have passed) are almost a soundtrack to the sport by now, one you’ll likely hear again this weekend during the women’s tournament in Charleston, S.C.

Before he was a commentator, Drysdale was a world-class player from South Africa. He came up during the game’s amateur era in the 1950s and was at the center of the transition to the professional era in the late 60s and early 70s. He reached the final of the U.S. Championships (the amateur-era name for the Open) in 1965. While he may seem like an old-fashioned smoothie these days, he was an agitator back in the day. Drysdale was part of a groundbreaking 1960s pro tour begun by Lamar Hunt (yes, that Lamar Hunt). The members were coined the Handsome 8 and consisted of many of the Australian greats of the era. More significantly, he founded the ATP, the men’s professional players union, to help the pros take control of the sport from its amateur ruling bodies (this happened at the same time that free agency began in baseball). Drysdale was married at a church next to the Wimbledon grounds. One thing about Cliff: The guy is all about the game.

He's a U.S. citizen now and lives near the beach in Key Biscayne, Fla.—the “island paradise” as he never fails to refer to it. (Another thing about Cliff: The guy sells.) That’s where I played some friendly doubles with him and his business partner a couple years ago. It was 65 degrees but Cliff had a cold and was covered from head to toe in a black sweat suit, with a huge sombrero teetering on his head.

We walked past a beautiful South American woman. Cliff told us she had scheduled a lesson with him just because she wanted to meet him. “I told her, look, we didn’t have to have the lesson for that!” Women are a tradition with Cliff. His fellow South African player, Gordon Forbes, said he was “fast” even as a teenager, and young Drysdale looked more like a Hollywood version of a tennis player than any real player ever has (except maybe Stefan Edberg). It may tell you something about Cliff's charm that Forbes would eventually see his sister, Jean, an outstanding player herself, married to him.

Jean died years later from a rare disease, a part of Drysdale's history that runs counter to the charmed-life style he projects. Anyone who meets Cliff quickly finds he has more of an edge than he shows on TV—“banter” could be his middle name. After his comment about the woman on the court next door, Drysdale and I began to warm-up. He stopped playing and pointed to my lefty slice backhand. “You’re just like those old lefties I used to play, Nikki Pilic and Rod Laver, with those little slices,” he shouted. He paused for a beat. “I always loved to play those guys.” Indeed, at the first U.S. Open, in 1968, Drysdale upset Laver on his way to the quarterfinals.

On the first point, I was at the net and Cliff was returning. He took my partner’s serve and blasted his two-handed backhand by me for a clean winner into the alley. Without missing a beat, he and his partner, Don Henderson, began a sing-song chant, “No-body’s home! No-body’s home! No-body’s home!” On my first service game, I kicked a ball into his backhand and he drilled it by me again, this time crosscourt. On the changeover, he stopped me and said, “Tignor, baby, a piece of advice. I’ve got two sides on my ground strokes, a forehand side—and a suicide.”

His “suicide,” his backhand, was famous in its day. It was one of the first two-handers—before Chrissie’s, Connors’, and Borg’s—and later in his career he hit it while wearing a white glove (naturally). It’s always strange, and intimidating, to see that kind of well-known stroke in person. No matter how old the player gets, the stroke remains. It’s like a celebrity in its own right—when Cliff’’s backhands went by me, part of me was thinking, “Yeah, that’s it! That’s the backhand, right in front of me.” I don’t know what I would do if I had to face John McEnroe’s serve and its legendary windup.

The set went on and I got a little more comfortable. I even managed to sneak a slice serve past Drysdale’s backhand side for an ace. He stopped, put his hands on his hips, and stared at me. I started to smile, then stopped. He looked pissed for real; it gave me an idea of just how competitive Cliffy must have been in the old days. On the first point of the next game, he went after another backhand return and again drilled it by me at the net for a winner. He lifted his arms high over his head and bellowed, “That’s right, baby, that comes from a U.S. Open champ, and don’t you f---ing forget it!” (Drysdale won the U.S. Open doubles in 1972.) I’m sure I never will forget it, Cliff.

So there you have him at his best: Eric Clifford Drysdale, a historic and underrated figure in the game. There have been rumors about retirement in recent years, and he was out with a fairly serious illness last year. When Cliff does hang up the mike, tennis will lose perhaps its most quintessential character. How many people get to have the classic look of a sport in one lifetime, and then become the defining sound of that sport in another?

Steve Tignor is the executive editor of Tennis magazine. For more of his writing, check out his weekly column, The Wrap, on the Tennis website.

Madsear's Guide to the Champions League

So Chelsea went through as planned and Michael Essien celebrated his comeback by scoring the qualifying goal in the last minutes of the confrontation. Manchester United served AS Roma with the biggest ass-whuppin since Monaco punished La Coruña 8-3 in 2003. A third premiership team could be joining them tomorrow.

Liverpool v. PSV Eindhoven

Ronald Koeman’s protégés were given a lesson in football on their own pitch last week and will need to reach very deep not to get ridiculed again tomorrow. The three goal deficit will be nearly impossible to overcome when you take into account that their best defensive player, Alex, along with five of his teammates are injured. Also consider that Liverpool’s midfield will be even more intimidating with the return of Momo Sissoko. PSV had to bring along amateur teenagers from the youth categories just to have a regulatory team. Their exit from this year’s competition will be a blessing even for them. Nevertheless, everyone will be looking for a miracle in Anfield.

Milan A.C. v. Bayern Munich

Milan will be making a very tricky trip to the Allianz Arena in Munich tomorrow. The Germans are notorious for being untreatable at home. Add that to the fact that we have been seeing a very different team since Omar Hittzfield came back and took over last winter. Milan will be severely diminished with no less than six of their major players missing. The only significant absence on Bayern’s side is French left-back Willy Sagnol who has been diagnosed with an injury serious enough to insure the end of his season. Meanwhile Kahn and Van-Bommel are coming back from suspensions. For soccer afficionados, it will be an opportunity to see "Super Pipo" Inzaghi starting a game, something he hasn't done in almost a year. This match will definitely be the one to watch live, if only for a chance to see another upset in this post-World Cup year.

No Mas TV Guide - 4/11

Wonderful World of Golf
Golf Channel, 2 p.m.
I know that I am the only person in No Mas land who is into these things, but yo, this one is from 1964, and it's in Puerto Rico, and it features a young Chi Chi Rodriguez. I'm not even sure Chi Chi had the matador thing going yet in 1964.

AC Milan v. Bayern Munich

ESPN2, 2:30 p.m.

More quarterfinal Champions League action, with the second leg of Milan/Munich. Milan have their hands full after conceding two away-goals in the first leg. Check out Madsear's preview above.

NBA's Greatest Games
ESPN Classic, 3 p.m.

I'm not sure I'm prepared to call a Nets/Bulls first-round playoff game from 1998 one of the NBA's greatest games, even if it did go into OT, and even if MJ did go all bubonic. Then again, I can't remember this game for the life of me, so maybe it's the straight-up illy-dilly. Who the hell was on the Nets in '98 anyway? Was that still ole "Hey Check Out My Gun" Jayson Williams? Van Horn? Man, I'm old.

PSV Eindhoven v. Liverpool
ESPN Classic, 5 p.m.

Wash down that Nets/Bulls instant classic with some more Champions League action. Again, consult the one and only Madsear above for the breakdown.

White Men Can't Jump
TVLand, 6 p.m.

Oh man shut your anorexic malnutrition tapeworm-having overdose on Dick Gregory Bohemian diet-drinking ass up.

Stanley Cup Playoffs
VS., 10 p.m.

Game one, Stars/Canucks, NHL playoffs get under way. Look, I promise, we're going to get someone on here to cover this, someone good. Franchise would naturally be our man, but he's swamped these days. So I don't know. But we'll get somebody. We will not turn on our backs on hockey with the rest of the world.

Willie Gibbs v. Raymond Joval
ESPN2, 10 p.m.

Philly's own Willie "The Gladiator" Gibbs tries to redeem himself from a less-than-manly outing with Edison Miranda by taking on Holland's finest, and a recent victim of Fernando Vargas, Raymond "Hallelujah" Joval. I know, I know, it isn't exactly the wide world of sports I'm hawking here, but something about boxing on Wednesday night gets me all excited. It's like an unexpected treat.

Legends
TVG, 12:30 a.m.

A profile of hall-of-fame horse trainer Ron McAnally, who trained, among many others, the great John Henry.

Tuesday, April 10, 2007

Borne back ceaselessly into the past

On this day in 1925, one of the most celebrated and influential novels of the twentieth century was officially released to the public. F. Scott Fitzgerald's The Great Gatsby met with little or no fanfare in its earliest incarnation, and though admired by other writers, it was never a tremendously popular book during Fitzgerald's lifetime. Only as the decades wore on did it slowly ascend to the place it now occupies in American literature, as the definitive novel of the Jazz Age, as a Keatsian tragedy of ambition and loss, and as maybe the one true near-perfect Great American Novel.

Sports occupies only a small part in the book's cosmology, but not an inconsequential one, and one that takes us back to a different era of the socio-cultural implications of sport and, as it might have been called at the time, "leisure." In this quintessential novel of class envy, Tom Buchanan, husband of Daisy (Gatsby's obsession), is the true man of leisure, a fact connoted not only by his massive, inherited wealth, but by his stature as a once-famous college athlete.

Introducing Tom, the narrator Nick Carraway says:

"Her husband, among various physical accomplishments, had been one of the most powerful ends that ever played football at New Haven—a national figure in a way, one of those men who reach such an acute limited excellence at twenty-one that everything afterward savors of anti-climax."

An air of brutality hovers around Tom through the entire novel. Later, Nick comes upon Tom in the ultimate pose of the aristocrat sportsman, swathed in the "effeminate swank of his riding clothes," a sturdy, powerful lion of a man. "... He seemed to fill those glistening boots until he strained the top lacing, and you could see a great pack of muscle shifting when his shoulder moved under his thin coat. It was a body capable of enormous leverage—a cruel body."

The athlete in Fitzgerald's day, particularly the football player, was a privileged sort - one with the free time for such pursuits, one with an Ivy League pedigree and All-American swarthiness. More than his wealth, Tom Buchanan's Yale-ian football credentials in many ways symbolize everything that Gatsby can never achieve nor offer to Daisy no matter how much money he amasses in the bootlegging business. Tom walks with the knowledge of his social standing and achievement, with confidence, virility, and the seeming favor of the gods in everything he touches. Gatsby tries desperately to create this myth of himself to go with his ill-gotten fortune, and turns to sport in the dissimulation, showing Nick a fabricated picture of him in cricket whites, supposedly taken at Oxford. It's the essence of Gatsby's tragedy as seen through the eyes of Nick that he spent his life trying to remake himself in the image of the Tom Buchanans of the world, men so affluent and accomplished and so entirely hollow in their souls. In this way, the book is basically a Roaring 20's morality play of jocks and nerds, or in the more historical way of putting it, the haves and the have-nots. As it so often does, sports proved a crucial signifier in the terms of the divide.

One final note - sports also winds its way into the Gatsby universe in the character of Meyer Wolfsheim (great name). Nick meets Wolfsheim at Gatsby's one afternoon and Nick immediately recognizes him as an infamous gambler. Due to this meeting, Nick begins to suspect that Gatsby is not all that he has made himself out to be. Wolfsheim shows off his cufflinks to Nick, which he claims are made of human molars, and he also boasts openly of having fixed the 1919 World Series. He is, of course, a caricature of Arnold Rothstein, the gambler and criminal who is considered responsible for the Black Sox Scandal, and who later died in rather spectacular fashion. One wonders if Rothstein actually did wear cufflinks made from molars. I prefer to think not.

Madsear's Guide to the Champions League

The second-leg matches of the UEFA Champions League will take place today and tomorrow.

Manchester United v. AS Roma

Even though the Italian side outclassed a diminished British squad in every single compartment of the game, Manchester managed to keep the hope alive with Wayne Rooney scoring his first goal in three years in this competition. Spaletti’s men only need a draw to stay alive whereas the Red Devils would go through if they manage one goal and keep Edwin Van der Sar’s nets from being violated. The main interrogation lays in the fact that two key players won’t be on the pitch tomorrow (Louis Saha and Paul Scholes). Add that to Man-U’s loss to Portsmouth Saturday and the fact that they have NEVER been able to overcome a first-leg loss in this competition’s history and we could be witnessing another upset in this year’s Champions League.

Valencia CF v. Chelsea

Chelsea has been looking monstrous lately and could even have the opportunity to play on three different competitions come April 20th. Everything seems to be going for the Blues these days with Joe Cole coming back from injury and Lampard looking just as good as he did before the World Cup. The best news for Chelsea and our friend Unsilent is the return of Michael Essien in the roster. The first-leg in Stamford Bridge was a poor spectacle aside from another stellar performance on Drogba’s part. They will play better because they need to play better. All they need is a goal and it’s a wrap. But dismissing the Spaniards would be a mistake even Inter Milan could not recover from. Valencia has mastered the art of being dominated on their own pitch without taking since Rafael Benitez was their coach and they managed to obtain two back-to-back Champions League finals. The Blues are warned.

No Mas TV Guide - 4/10

Roma v. Manchester United
ESPN2, 2:30 p.m.

The second leg of the Champions League quarterfinals gets under way. See Madsear's post above for a preview.

Chelsea v. Valencia
ESPN Classic, 5 p.m.

Classic has the Chelsea/Valencia match on tape at 5. Again, check Madsear's post for a breakdown.

Riddick Bowe v. Andrew Golota II
ESPN Classic, 9 p.m.
The second of these two freakshows in which Andrew Golota found himself simply unable to stop punching Riddick Bowe in the cock. Much like the first fight, which caused a riot at the Garden, Golota pulverized Big Daddy all over the ring but was ultimately disqualified for repeated low blows.


UFC Unleashed
Spike, 9 p.m.

Anderson Silva vs. Rich Franklin for the Middleweight title and Georges St. Pierre vs. Sean Sherk. I'm guessing Franchise is still in mourning after St.Pierre's shocking loss on Saturday so he might not be tuning in to this one.

ECW
Sci-Fi, 10 p.m
Former Buffalo Bill and New England Patriot, Monty Brown (aka Marcus Cor Von in ECW-world), takes on Rob Van Dam.

Late Show with David Letterman
CBS, 11:35 p.m.

Ryan Howard is on with Dave. Presumably he is going to explain to me and all the rest of the Philly fans why he's hitting .222 and why the Phillies are already mathematically eliminated from the playoffs.

Last Call with Carson Daly
NBC, 1:35 a.m.

Ice Cube joins Carson to explain why he's so nice with the rock in his hands. Get him on the court and he's trouble... last week he fucked around and had a triple double...

Monday, April 09, 2007

This Ship is Sunk


Despite our best efforts here and an outpouring of support from other online Jews who were similarly unoffended by Michael Ray Richardson's allegedly anti-semitic comments, our man was jettisoned by the Albany Patroons, who first suspended him for the duration of the CBA playoffs and then announced that his contract would not be renewed.

Yesterday, the New York Post reported that Michael Ray will file a 5 million dollar lawsuit against Brian Ettikin, the reporter from the Albany Times Union who originally published Richardson’s offending remarks. Michael Ray says he was maliciously misquoted. Ettikin and the Times Union insist that they have a tape.

Even if that tape confirms Richardson’s quotes word for word, Ettikin is still a worm in our book. As Peter Vecsey pointed out in an unusually snark-free and excellent column, any decent-hearted reporter on the Michael Ray beat wouldn’t put everything the man says into print.

Ettikin had to have known that his article would lead directly to Richardson’s firing, and unlike this week’s other foot in mouth all-stars, Don "Nappy Headed Hoes" Imus and Billy "Fag Out" Packer, Richardson didn’t make his comments on the air, which meant the decision was all Ettikin’s to make. Libeller or not, Ettikin will have to live with himself, an unenviable future.

K.O.W. - Dud Dynamite

This installment of the No Mas Knockout of the Week is borne of a conversation I had this weekend at a party. A guy who knew of my interest in the fistic arts was asking me about Oscar/Floyd, why it was such a big deal, and how big a deal it actually was. I tried to explain, and he bought it. But then he asked me what the last fight was that was as big as this one in terms of hype and anticipation.

That was an easy question. And whereas I imagine that Oscar/Floyd will be a highly competitive affair, this fight, though enormous in its scope, was really nothing more than the final sputtering act of a long Shakespearean tragedy of the ring, one that ended with a gigundous straight right hand.

No Mas TV Guide - 4/9

This Week in Baseball
ESPN Classic, 2 p.m.

Classic is airing some classic TWIB's - this one's from 1978. I imagine some heavy duty Dave Parker action.

Right Cross
TCM, 6:15 p.m.

I've heard about this movie many times, but never seen it. Maybe today is the day. Ricardo Montalban (ze plane, ze plane...) plays a champion boxer who wants to break into society. Marilyn Monroe appears in the film in an early, uncredited role. It's from 1950.

Muhammad Ali v. Zora Folley, 1967
ESPN Classic, 8 p.m. & 12 a.m.

Ali's last bout of the 60's. I wrote about this fight a few weeks ago on its anniversary.

WWE Raw
USA, 9 p.m.

Who's the number one contender for the Cena's WWE Title? HBK or Randy Orton? We'll find out tonight.

Sunday, April 08, 2007

Jesus in Augusta

"... and as a Large wild card, I recommend keeping an eye on Zach Johnson." - No Mas Weekend TV Guide, 4/6/07


To begin our No Mas Masters round-up, I would like to say that, yes, I am a great genius. Then again, one did not even need such Large-ian genius and foresight to be able to predict a Masters victory for Zach "The Apostle" Johnson - all one needed to know was the depth of his commitment to Jesus Christ, Zach's personal savior. The Son of God was NOT about to let down one of his peeps on Easter Sunday. Somewhere up there, Payne Stewart and the Lord were watching CBS and nodding together, solemnly.

Now let me address some of my concerns:
  • Golf fashion is in the toilet. It's gotten so bad that it's almost painful to watch, and this year's champion is a veritable walking advertisement for everything that has gone wrong. The wraparound sunglasses worn up over the back of the head when putting or chipping or doing anything really, only to be replaced on one's actual eyes when one takes one's Terminator walk down the fairway or circles the green with fratfist pumping. The lycra/spandex style athletic golfwear that looks suspiciously like the kind of stuff that overzealous chicks buy themselves to do yoga in. And said sportswear covered with sponsors like Regon and Edgecom and NetTech.ComEdge and all of the other ridiculous types of companies that sponsor golfers today - those deep business-type companies that you can't understand what they do even when someone is trying to explain it to you - "constructive solutions for a changing global data-based network infrastructure blargedy blarge blarf blarf..." Tom Watson, where have you gone? What the hell was wrong with skinny dudes in checkered pants? Or just a bloody polo and a sweater. You know when Tiger Woods seems like the height of class and style on a golf course that class and style themselves are in a state of decline.
  • One over par? What is this the U.S. Open? If you didn't hear Jim Nance say so on the broadcast, then let me reiterate that this is the first time that The Masters has been won at one over par since the 1956 tournament, where Jack Burke Jr. edged amateur Ken Venturi by a stroke. Despite leading by 4 shots going into Sunday, Venturi missed his chance to become the only amateur ever to win the Masters by shooting a final-round 80 in insanely windy conditions. Later that year, Burke added another major to his resume by winning the PGA - those were the only two majors he won in his career.
  • Bring me the head of Sam Elliott. One more of those IBM ads with the freakin Bach cello suite being played on the banjo and down-home man's man Sam Elliott talking in banal platitudes about how golf is exactly like business and businessmen are great competitors who need that extra edge just like golfers and "hmm, partner" this, and "have a piece of the pie" that and oh Jesus somebody kill that guy already or I'm doing it.
  • Pigs flying through frozen hell. Tiger's showing today was not quite as humiliating as Phil's collapse at Winged Foot last year (and by the way, did you hear Lefty's interview with Peter Kostis after his round? Ole Phil is, uh, a little tired of hearing about Winged Foot, thank you very much), but something tells me that this tournament has the potential to be a turning point in the general direction of golf. I mean, Tiger Woods losing a major from the final pairing? I don't have the energy right now to go look it up, but I'd be shocked if that has ever happened before. When Tiger has a sniff of the lead on Sunday, Tiger wins the flippin big check, no questions asked. But not today. Today he had a legitimate case of the yips. Meanwhile, although the top 20 boasted more than its fair share of established superstars - Woods, Goosen, Singh - it also had a lot of guys who have been knocking on the door of the big guns for a few years now - Justin Rose, Paddy Harrington, Paul Casey, Luke Donald, Tim Clark. Not to mention that Nationwide Tour All-Star Zach Johnson walked away with the green jacket. No doubt Tiger will go out and win the U.S. Open and the British and shut me the hell up, but I don't know. I felt a shift in The Force during this tournament. Darth Vader may have left the building for a while. It's just a hunch, but you know people... I've been right before.

Saturday, April 07, 2007

The Decision

In the general hustle and bustle of life, with all of our various Friday commitments and activities and whatnot (I went to the Arco Center last night - bad, bad loss for the Jazz...), we missed a VERY big No Masian anniversary yesterday, and so allow me to set the record straight this Saturday morning.

Twenty years ago yesterday, Sugar Ray Leonard bested Marvelous Marvin Hagler in one of the most, if not in fact THE most, controversial decisions of all time.

The mythology of the fight is positively epic - the undefeated Hagler, once publicly scorned and humiliated by the retiring Leonard now getting his last shot at the white whale that had so long eluded him, and meanwhile Leonard, watching the Hagler/Mugabi war from ringside, saying to himself, "now is the time... I can beat him now."

If you've seen the actual bout, you know that it is fascinating theater, but ultimately profoundly unsatisfying. It is hard watching it not to empathize with Hagler, and yet it is hard also, sticking to the Queensberry rules, to say that he won the fight. With his relentless showboating and shoeshining and tireless bicycle-riding, Leonard steals points like the clown-thief that he was. It was not perhaps the most courageous display the ring has ever seen, but it was crudely effective. Round-by-round you can see the frustration building on Marvin's face, to the point where it actually seems like steam is going to come out of his ears.

When I think of this fight, I always see in my mind the visible disgust and disappointment of Hagler after the bout, tragic in its depth. "That pitter-pat shit didn't hurt me," he tells Larry Merchant after the decision, and there is no doubt whatsoever that this much is true. When Sugar Ray comes over for a hug, Marvin turns away. "Man that ain't right, you know that ain't right," he says, while Leonard just repeats, "Marvin? Come on... Marvin? Marvin..."

Twenty years later, I'm curious to hear from the No Mas gallery on this one. What say ye people? The controversy of this fight will never fade because, unlike, say, Chavez/Whitaker, this wasn't simply a sentimental rob-job. This is a truly difficult fight to score no matter how you look at it. But how you score it really boils down to an argument of what you think boxing at its finest should be.

Friday, April 06, 2007

This Week in No Mas



4/1
Let's Do It Again
Large wakes up on Sunday morning to discover that he's a little more shocked than the prevailing sports media that the NCAA basketball final features the same schools as the BCS championship game. He sets about proving in the most unscientific method available that this is a first in the history of mankind.

4/2
K.O.W. - The Pride of Wales
To get us all ready for what admittedly might be a fairly boring outing this weekend for Joe Calzaghe against Peter Manfredo Jr. of Contender fame, we take you back to an early Calzaghe bout for our No Mas Knockout of the Week. "When it comes to knockout time, Cardiff's own delivers big, sends our Stinger hurtling into his corner like one of the ridiculous KO's in the montage at the beginning of Rocky III."

Goodness Gracious Sakes Alive
Large reviews the new UCLA Dynasty doc on HBO and finds it wanting. "We get a cursory treatment of the Wooden era and an even more cursory treatment of the upheaval of the 60's, with every now and then someone like Ray Manzarek appearing on the screen... or Penelope Spheeris bragging about how when she was at UCLA they smoked pot out in the open man and they like totally dared anyone to try and stop them."

Well That Certainly Sucked
The Final Four is starting to shape up like the Super Bowl - hyped out the ass and perennially disappointing. Unsilent has some ideas why. "Domes ruin basketball, it's just that simple. The site lines suck and that means lots of missed jump shots. The cavernous nature of the buildings screw up the TV broadcast and the atmosphere at the game."

Reborn
Large and Mama Large head out to the Phils' home opener, and much joy and hope of spring ensues, despite a predictable collapse by the Fightin's (followed by another, and another... don't get me started... I take back this whole post actually, spring can eat my ass.)

4/3
The King is Dead... Long Live the King
The 22nd-year anniversary of the day that Bobby Fischer officially lost his title as FIDE World Chess Champion. The international chess federation stripped him of the crown and awarded it to Anatoly Karpov because Fischer, crazy as a loon, or a fox, or a fox-loon, refused to defend his title against Karpov.

All Night Long Endless Love One Shining Moment
Unsilent pits this year's repeat-champion Gators' squad against the last NCAA repeat titlists, the '91-'92 Duke juggernaut. He concludes, in his inimitable way, that both teams have their merits.

4/4
A Tradition Unlike Any Other
Large runs down some of his all-time favorite Masters in preparation for another weekend of magnolias and dogwoods and trees miked for bird-chirping and some poor schmo on top of the leaderboard shooting an 81 on Saturday and in general the pomp and circumstance of Southern racism and pageantry at its finest.

Deep Tennis with Steve Tignor
Steve offers an explanation for the fashionable resurgence of one the game's most unpopular superstars ever - Ivan Lendl. "That brutality in his personality may explain why Lendl never got much love as a player, and why he’s so admired in retrospect. The guy is terrific in theory; he had a cool executioner’s look on court, and a rapier sense of humor. His famous scouting report on a young Andre Agassi was devastatingly concise: 'A forehand and a haircut.'"

The Heavyweights Are Heating Up
The Oleg Maskaev sweepstakes are over, and the winner is The Nigerian Nightmare, Sam Peter. Peter will fight Maskaev for his WBC belt, and then the unretiring Vitali Klitschko will fight the winner. Against his own better judgment, Large admits to being excited about this news.

4/5
April 5, 1915
No Mas takes you way back in fistic history on the anniversary of one of the most shocking upsets in boxing history (by my estimation, the sixth most shocking upset, but who's counting?) - Jess Willard over Jack Johnson. "Later there was much talk that Johnson had thrown the fight, talk that Johnson himself stoked, but in retrospect it seems a preposterous claim. As Willard himself put it, 'If he was going to throw the fight, I wish he'd done it sooner. It was 105 degrees out there.'"

I guess there's just a meanness... in this world
A eulogy for the passing of Darryl Stingley, and a comment on the infamous hit that paralyzed him and the controversy surrounding it. "Let's not patronize either ourselves or our athletes - we know what we're watching, they know what they're doing. They brave such imminent danger for glory, and each play from scrimmage is a Faustian bargain with the gods of violence."

4/6
Sharpshootin' with The Franchise
Chise, yo - man had a very busy week. Wrestlemania 23? The debut of TUF5? A UFC PPV in the offing with his Canadian homie Georges St. Pierre in the headliner? Sometimes I walk by Franchise in his office and he looks like his head is about to explode off his body. The kid is overstimulated I'm telling you.

Keeneland: Horse racing as it was meant to be
The debut of a new columnist with us here at No Mas, Frank Mitchell, horse racing aficionado and writer for the Daily Racing Form. Frank sings the praises of his local track, Keeneland, which began its 15-day spring meeting today. "As you stand watching races or inspecting the steeds being saddled for the next race, hard-eyed betters stand near boys and girls skipping school to come to the track. Millionaires mingle with grooms as horses and their people prepare for racing. And the Bluegrass uniform – navy blazer, blue button-down oxford shirt, and khaki slacks – is as common among racing fans as t-shirts and shorts."

Keeneland: Horse racing as it was meant to be

Keeneland racecourse, the track just outside Lexington, Ky., began its spring meeting April 6. Keeneland has racing for only 15 days in April, but the sport here is a microcosm of the best of Kentucky - the pristine rural setting, the social milieu, and the quality of sport that make it a special part of the great pageant of horse racing.

In layout and design, Keeneland is lovely, which makes it a favorite meeting place for people, even if they don’t especially know anything about horses. Unlike many American tracks, it looks more like a park than an industrial complex, and the track is set in the nearly flat bluegrass landscape.

From above, the area looks emerald from the new grass that grows everywhere. And this race track is an emerald set with jewels of blooming trees and shrubs. The forsythia shrubberies are blooming yellow, the pear trees are white, and the redbuds are a rich pink. Soon, the dogwood and crab apples will add their blossoms to the mix.

Patrons approach the track under avenues of tall oaks, and even the doorways at Keeneland tend to be tall Roman arches of cut stone that add an air of grandeur and inclusiveness.

As you stand watching races or inspecting the steeds being saddled for the next race, hard-eyed betters stand near boys and girls skipping school to come to the track. Millionaires mingle with grooms as horses and their people prepare for racing. And the Bluegrass uniform – navy blazer, blue button-down oxford shirt, and khaki slacks – is as common among racing fans as t-shirts and shorts.

Keeneland distinguishes the gruff from the genteel, the scuffed from the polished but does it in the quiet, Southern pattern of social differentiation that offends only those who don’t understand it.

The common denominator for all these people is the horse. The Thoroughbred is the emblem of a way of life that was once widespread, and yet proved too good for modern society to sustain. We find it fleetingly at special places with good companions and particularly in connection with the grand horses that are the focus of racing.

And at Keeneland, the horses are fabulous.

Kentucky Derby winner Funny Cide came to Keeneland to race in an allowance on Friday’s opening card. Champions may appear in the track’s daily stakes features, and potential new stars will be found in some of the season’s earliest maiden races for 2-year-olds and for budding 3-year-old racers.

Before each race, the grooms lead the horses over from the stables and through the stone entrance into Keeneland’s vast saddling paddock. Under the towering trees, the sleek brown horses circle for the trainers and owners, who watch in anticipation for signs of an especially gifted athlete.

Once tacked up with saddle and accoutrements, the horses move into the walking ring. There they prance in line. Owners stand inside the walking ring, talking to trainers about their horse’s prospects. Betters, outside the ring, are three to five people deep around the hedge and are searching for a sense of which animal is ready to win.

Once the jockeys are up, the horses come onto the track, enter the starting gate, and the race is on. Another piece of history is about to be made.
----------------------------------------------------------------------------------------
Frank Mitchell writes a column on Thoroughbred bloodlines for Daily Racing Form that can be found at drf.com. He has written two books, Racehorse Breeding Theories and Great Breeders and their Methods: The Hancocks. Mitchell lives on a farm where he writes and raises horses about 30 minutes from Keeneland. He'll be appearing here on No Mas with articles about horse racing past and present. We're thrilled to have him aboard.

Sharpshootin' With The Franchise

Wrestlemania Hangover: Wrestlemania 23 has come and gone and I would best describe it as a mixed bag. It wasn’t quite WM XIII bad nor was it WM X7 good. Kind of just there. I suppose I feel this way because most of the results were fairly predictable. I mean, did you really think Donald Trump would get his head shaved? I certainly didn’t. I also had a feeling Cena and ‘Taker would win their respective matches simply because they had a lot more momentum going into their respective bouts than their adversaries. As for the Money in the Bank ladder match, by far the best match on the card, you could have made a solid case for all eight competitors but WWE has been really high on Mr. Kennedy for a while so I figured they would have him win. Other than that, no huge surprises, no debuts, no comebacks no drama. Also, I thought they could have slipped in a couple of more matches in the show. Eight matches in a four-hour show is a little thin. They usually have more than eight matches on the regular three-hour PPVs. On the bright side, I think WWE has set themselves up for some really interesting television in the next few months. I love the Lashley-McMahon feud because it helps build Lashley into a big star. The Cena-HBK angle took some very interesting turns this past Monday night and I am curious as to which title Kennedy will go after. Plus, it seems as though WWE is slowly eliminating the brand extension idea which is something I have been dying to see since they introduced it five long years ago.

TV Funhouse: If the first episode of UFC’s The Ultimate Fighter 5 reality show is any indication as to how this season is going to unfold, well, then, you better cancel all your plans for the next two and a half months because this will truly be must-see TV. So what were my first impressions of this season’s cast of characters? Glad you asked: I like Corey Hill. A lot. He’s intense, focused and, at 6”4, by far the tallest fighter in the house. He also seemed to have picked up on the fact that Gabe Ruediger came into this competition a wounded animal and quickly pounced on him. Smart move.
I’m also really excited to see Nate Diaz in action. Diaz’s brother is former UFC star, Nick Diaz, and I have heard that the apple doesn’t fall far from the tree when it comes to talent inside the octagon and personality outside of it. Another intriguing fighter is Joe Lauzon. UFC fans may remember Lauzon as the man who knocked out TUF 5 coach, Jens Pulver, in 48 seconds(!) at UFC 61. FORTY-EIGHT SECONDS! Their history wasn’t discussed in episode one but I can’t wait to see if any sparks fly between them (especially since Lauzon is on Team Penn). Speaking of this year’s coaches, I love watching the bitter hatred BJ Penn and Pulver have for one another. My first impression of them is that Penn is the more serious of the two. He seems to be a lot more focused (despite all the head games he plays), a lot more determined on proving that he is the better teacher and, eventually, the better fighter. The two will get it on in the main event of the season finale of TUF 5 in June. The lightweights have been largely ignored over the last few years but when this show is all said and done they may turn out to be part of the most popular division of them all.

Texas Shootout: This Saturday’s latest UFC PPV offering, UFC 69: Shootout, can not come soon enough. Any show that features the pride of La Belle Province, Welterweight Champ, Georges St. Pierre, in action is good enough for me. GSP takes on TUF 4 winner, Matt “the Terra” Serra, in first title defense since taking Matt Hughes to school in November. Serra, an eight-year MMA veteran, got his title shot by winning The Ultimate Fighter welterweight tournament in November. This is his one shot at glory and he will need to rely heavily on his Brazilian Jiu-Jitsu to have any chance at dethroning the champ. However, while his BJJ skills are stronger than St.Pierre’s I still believe GSP will come out on top. I just don’t see him losing the belt in his first defense especially with a huge payday on the horizon in the form of his rematch against Hughes (rumored to be in Montreal. Yeah, I think I will be in attendance). Also on the card, Josh Koscheck battles Diego Sanchez in an MMA purists dream match. Both men are two of the youngest and most technically sound fighters in the UFC. To add to the fight’s intrigue, they’ve been talking trash all over the Internet with Sanchez calling Koscheck “the human blanket” (implying he puts people to sleep). Interestingly, these two fighters met on the first season of The Ultimate Fighter but throw that fight out the window because both men have improved by leaps and bounds since Sanchez defeated Koscheck on the reality show. A really tough one to call but I am going to go with the undefeated Sanchez in a surprise KO.

“I’m from Hollywood, dammit”: Yesterday marked the twenty-fifth anniversary of the infamous Andy Kaufman vs. Jerry “The King” Lawler showdown at the Mid-South Coliseum in Memphis, TN. Before Mr. T, Mike Tyson, Dennis Rodman and, now, Donald Trump, Kaufman was one of the first major celebs to step between the ropes. Kaufman often stated that his wrestling angle with Lawler was the highlight of his acting career. Take that Christopher Lloyd. It’s been well-documented that both men were great friends off-camera but in a day and age when wrestling had yet to be labeled as “fake” this feud really put it on the map. Lawler “injured” Kaufman with a piledriver during their match and a few weeks later both men met on the set of “Late Night with David Letterman” to try and settle their differencs. Every up-and-coming wrestler should watch this video to learn how to execute the perfect wrestling angle.

No Mas TV Guide: 4/6 - 4/8

MUST-SEE NO MAS TV
The Masters
All weekend, USA & CBS
Despite the statistical advantages held by Brett Wetterich and Justin Rose after the first round, I think we all know that Tiger Woods, four strokes back, is the real leader of this tournament right now. Olazabal also is always one to watch at Augusta, and as a Large wild card, I recommend keeping an eye on Zach Johnson.

BEST OF THE REST
4/6
Davis Cup
VS., 2 p.m.

Six hours of Davis Cup coverage - Spain faces the U.S. in a quarterfinal showdown in Winston-Salem. Despite a strained hamstring, Andy Roddick will play as the U.S. #1, backed up by James Blake. Spain's 1 & 2 are Tommy Robredo and Fernando Verdasco.

UEFA Champions League Highlights
ESPN2, 2:30 p.m.

Get caught up on the week's quarterfinal action.

Eddie Robinson Special
ESPN Classic, 4 p.m.

A tribute to the late, great Grambling football coach.

The Harder They Fall
FlixE, 6:05 p.m.
A boxing classic and a Large favorite. Not as good as the Budd Schulberg novel that inspired it, but still worth a watch no doubt. Bogey's last film.

WWE Smackdown
CW, 8 p.m.
The Undertaker makes his first appearance since capturing the World Heavyweight Title at Wrestlemania 23. Plus, Mr. Money in the Bank, Mr. Kennedy, takes on one-half of the newly-minted World Tag Team Champions, Jeff Hardy.

Late Late Show with Craig Ferguson
CBS, 12:50 a.m.

Franchise alert. The one and only Randy Couture is on with the Scotsman.

4/7
Ezzard Charles v. Joe Louis, 1950
ESPN Classic, 7 a.m.

The Brown Bomber's first bout after returning from a year-and-a-half retirement to try and pay his back taxes. After winning this fight in 15-round decision, Charles was universally recognized as the heavyweight champion.

The Bad News Bears (the real one)
TCM, 2 p.m

Well, we committed 24 errors, and their pitcher threw a no hitter against us, but there is some good news. Two of our runners almost managed to get to first base, and we did hit seventeen foul balls.


Davis Cup
VS., 2 p.m.

Day 2 of the Spain/U.S. quarterfinal.

Kingpin
Comedy Central, 2 p.m.
How about a gross of fluorescent condoms for the novelty machine in the men's room? I mean, those are fun even when you're alone. We're talkin' the hula hoop of the nineties.

Joe Calzaghe v. Peter Manfredo Jr.
HBO, 5 p.m. & 10 p.m.

The Pride of Wales defends his super middleweight belts against the Contender alum. I doubt this will end well for Manfredo, but it's always fun to watch Calzaghe go to work.

Lennox Lewis v. Ray Mercer, 1996
ESPN, 6 p.m.

These two big daddies stood toe to toe for ten rounds, and Lennox came out with the majority decision. If you've never seen this one, you will not be disappointed.

Eight Men Out
MNT, 8 p.m.
A modern baseball classic, the story of the Black Sox scandal. John Sayles wrote and directed - D.B. Sweeney plays Shoeless Joe.

Ringside
ESPN Classic, 8 p.m.

The Ringside series takes on Sugar Ray. I'm very curious to see what fights they cleared for this. I know they have Leonard/Hearns I. It's very doubtful to me that they have the Hagler fight, but maybe Duran I & II.

Diego Corrales v. Joshua Clottey
SHO, 9 p.m.
Corrales, coming off an ignominious loss to Casamayor, debuts at 147 against hard-punching Josh Clottey, also coming off a loss, to Antonio Margarito. Some fireworks could fly in this thing.

UFC 69: Shootout
PPV, 10 p.m.

St. Pierre vs. Serra, Koscheck vs. Sanchez, Okami vs. Swick. A pretty solid card featuring some of the best UFC fighters. (Franchise is going to preview this card in depth later today in Sharpshootin').

4/8
Legends
TVG, 12:30 p.m.

The horse-racing network runs an old Howard Cosell interview with Angel Cordero Jr.

Jim Nantz Remembers Augusta: The 1960 Masters
CBS, 1:30 p.m.

Just how old is Jim Nantz anyway? Im not sure I'm buying that he actually remembers the 1960 Masters. Arnold Palmer won it by a stroke over Ken Venturi.

Evander Holyfield v. Riddick Bowe, 1993
ESPN Classic, 2 p.m.

The second of the epic Bowe/Holyfield trilogy, a great fight largely obscured by the Fan Man phenomenon.

Davis Cup
VS., 2 p.m.

Last day of action in the Spain/U.S. quarterfinal.

Pride 34: Kamikaze
PPV, 3 a.m.

The final Pride FC PPV under the old regime before the UFC boys take over. We guarantee this will be the most-exciting live programming on television at this hour. By the way, if you ever wondered what happened to Eric "Butterbean" Esch purchase this show.

Thursday, April 05, 2007

I guess there's just a meanness... in this world

Darryl Stingley died today at the age of 55 from the condition that kept him in a wheelchair for 29 years - quadriplegia and spinal cord injury caused by a massive hit from Jack Tatum in a pre-season football game in August of 1978.

It was the day after my eighth birthday. I vividly remember seeing the hit over and over again on the highlight reels that night. I watched them with the morbid fascination with which one watches such accidents, amazed that what I'd always thought was a harmless game of colorful uniforms and outrageous personalities could turn so deadly serious, could provoke such adult anguish. The following August, the sudden death of Thurman Munson similarly would rock my assumptions. After those two incidents, sports never again seemed to me like child's play. There was menace beneath its heroic veneer - the quotidien menace of reality and death. It wasn't fantasy, it was allegory.

On a site like this where we are preoccupied with violence, moments like the Stingley incident pose a pressing question to us as fans - why? Why do you celebrate these activities that have such innate potential to permanently cripple their practitioners, and sometimes kill them?

It's a question I've wrestled with many times, and one that I can only answer as a fan. To love the fight, the ring, the allegorical gridiron war, and yet to shrink from moments like this and seek some moral refuge, some safety net of exceptionalist accusation, seems to me the height of intellectual cowardice. Look the bull in the eye, man - we love violence, we love combat, we love the truest spirit of competition, the classical, gladiatorial spirit. It resides in our ancestral hearts right beside our capacities for love and mercy, wickedness and vainglory.

Jack Tatum has been extensively vilified for years over the Stingley hit, for various reasons I'm not going to address one by one. He certainly hasn't done all the right things and I don't want to seem like I'm defending him on that count. But the central point against him boils down to the fact that he dished out such a vicious blow in the preseason, and that he never properly expressed remorse for it. And yet as I understand it, his point always has been simply this: I played the game hard at all times, I played by the rules (in this case at least), and I refuse to be made a villain for that. Tatum never has said that he was glad that Stingley suffered such a catastrophic injury. He's only said that he didn't do anything wrong.

He didn't. Football is a vicious enterprise, and the potential for life-threatening injury exists with every snap. That's no small part of what we love about it. Let's not patronize either ourselves or our athletes - we know what we're watching, they know what they're doing. They brave such imminent danger for glory, and each play from scrimmage is a Faustian bargain with the gods of violence. We, the timid, make a metaphor of their heroism for our tiny struggles, our daily, squalid victories over threats both real and imagined. It's an age-old transaction, and I believe it is good. So today I mourn Darryl Stingley's death as I mourn the death of any athlete I have watched and wondered at over the course of my life - with great admiration for his abilities and, in Stingley's case, great sadness at the depth of his sacrifice. But I do not think there is anything more to be said about the accident that maimed him than there is about the bus that is right now bearing down on some unsuspecting soul as he crosses the street with an armload of groceries. There's a bus out there with everyone's name on it. Like football, life is a dangerous business.

April 5, 1915


Ninety-two years ago today a defining era of the heavyweight title ended and boxing saw one of the greatest upsets the sport has ever known. Jess Willard over Jack Johnson has to be in the top ten all-time boxing upsets, and maybe even higher. Thinking quickly right now, I'm putting it sixth behind Douglas/Tyson, Clay/Liston, Ali/Foreman, Schmeling/Louis and Tunney/Dempsey. But don't hold me to that list. I may have missed something big in there.

Willard's upset would be even more momentous if one didn't have to take into account the circumstances surrounding it - in particular the fact that Jack Johnson was at least 37 years old and weary of being on the lam. The Willard/Johnson fight took place in Havana, Cuba, because Johnson was wanted in the States for "the importation of women for prostitution," a crime that amounted to his having openly consorted with white women all his life and never given a damn what anyone thought about it.

In the five years prior to the Willard fight, Johnson had fought a total of five fights - his epochal victory over Jim Jeffries in 1910, and then four pushovers. In 1913, he was forced to flee the U.S. due to the trumped up pimp charges, and he and his wife Lucille bounced from one South American location to another to evade the authorities.

Given that as the fight's background, it is no wonder that Johnson lost his title to a giant of a man with little or no boxing skill but a tremendous chin and will to endure. Early in the fight, Johnson launched an onslaught at Willard, and when he had not knocked him out by the 10th round or so, it was clear that the champion was in trouble. The heat in Havana was stultifying, and Willard was enormous and strong. In the 26th round the challenger landed a fearsome straight right hand directly on Johnson's chin, and the champ crumpled against Willard and then to the canvas. There, shading his eyes from the blistering sun, he was counted out.

Later there was much talk that Johnson had thrown the fight, talk that Johnson himself stoked, but in retrospect it seems a preposterous claim. As Willard himself put it, "If he was going to throw the fight, I wish he'd done it sooner. It was 105 degrees out there." The fact of the matter seems that Johnson was not in his best condition, and then punched himself out trying to end the fight early. A familiar scenario. When you view a slide show of the Willard punch that ended it (there's a good one here), it hardly seems like Johnson took a dive. He got hammered, KTFO, end of story.

Willard held the heavyweight crown for just over four years, but defended it successfully only twice. On July 4th, 1919, a man six inches shorter and 60 pounds lighter stopped him in the third round, and the legend of Jack Dempsey was born.

As for Johnson, well, he returned to the U.S. in 1920 and served a one-year sentence for his non-existent crimes. He continued to fight until he was 60 years old, but never again would he fight for the heavyweight championship.

Wednesday, April 04, 2007

No Mas TV Guide - 4/5

MUST SEE NO MAS TV
UFC Unleashed
Spike, 6 p.m.


Consider this the appetizer to an insane night on Spike. An amazing two-hour show showcasing some of the best fights of 2006: Georges St. Pierre's masterful title win over Matt Hughes, Chuck Liddell vs. Renato Babalu Sobral, Keith Jardine vs. Forrest Griffin, Diego Sanchez vs. Joe Riggs and arguably the biggest fight in UFC history: Tito Ortiz vs. Chuck Liddell II. If you tune into one MMA show all year let this be it.


BEST OF THE REST

The Hurricane
USA, 1 p.m.
Pure fiction, but entertaining nonetheless. The film is so inaccurate about so many things that it's hard to draw any real connection whatsoever between it and the historical Hurricane Carter. That said, I saw this thing in the theater and had a rollicking Hollywood-style good time.

The Masters
USA, 4 p.m. (replayed at 8 p.m.)

First-round coverage begins at 4. Always fun to see what nobody tops the day one leaderboard.

Pat and Mike
TCM, 6:15 p.m.

A forgotten 1952 Hepburn and Tracy vehicle in which Kate plays a brilliant women athlete who takes on rumpled and ruthless promoter Mike Conovan (Tracy) to guide her career. Evidently, Hepburn regularly shot in the 80's - looks like she can handle a club in that picture over there. A lot of athletes make cameos in Pat and Mike, including Don Budge and Babe Didrikson Zaharias.

UFC Ultimate Fight Night Live
Spike, 8 p.m.

Primi Piatti. Live from the Palms in Las Vegas: Dokonjonsuke Mishima vs. Kenny Florian, Justin McCully vs. Antoni Hardonk and Melvin Guillard vs. Joe Stevenson

The Ultimate Fighter 5
Spike, 10 p.m.
Secondi Piatti. The season premiere of the best reality show on television (according to the Franchise, at least). 16 Lightweight fighters live and train with each other while embarking on a tournament to win a UFC contract. Think a MUCH better version of "The Contender." Supposedly, this is the most intense season ever.

TNA iMPACT!
Spike, 11 p.m.

Dolce. The Latin American Xchange take on the Voodoo Kin Mafia. Also, in an 8 Mile Street Fight, Rhino goes up against Tomko.

The Heavyweights Are Heating Up
















All right, it isn't exactly Lewis/Holyfield. Hell it isn't even Holmes/Witherspoon. But I'll take it. Dan Rafael is reporting today on ESPN.com that the long debate over who next gets to fight Oleg "Sack of Potatoes" Maskaev is over. Sam Peter and the now unretired Vitali Klitschko were the main contestants for Maskaev's head, and it appears that The Nigerian Nightmare will get the first crack at it, with Dr. K to take on the winner.

I'm into both of these fights, mostly because I think that Maskaev is no match for the wild-swinging Peter, but being the healthy slab of Russian man that he is, he'll stand in there and absorb a lot of those big overhand rights before he tumbles, which should make for a satisfying night of ultra-violence. Then the Peter/Vitali match has some legitimate drama to it - don't forget that Dr. V's brother, Wlad, barely made it out of the ring alive in his meeting with Peter. Taking on that stocky Nigerian power puncher in his first bout back will be a tall order for Vitali, and a must-win to boot if that comeback is to continue. Of course, if he does manage the win, he'll own the WBC belt, and then the questions will turn to Wlad's once-stated single-minded goal of unifying the heavyweight belts. Does that remain Wlad's goal if it means facing his brother? Is that where we're headed with all this? People, my interest is piqued.

Peter gets shot at heavyweight title, will face Maskaev (ESPN.com)

Deep Tennis with Steve Tignor

Steve - you know who no one ever talks about anymore? Lendl. It's funny, but after all those years of watching the guy, I don't know a thing about him. Was he as boring as he seemed or was there more to him than met the eye? Where does he rank on the all-time lists? And what does he do now... I imagine him owning some austere tennis/fitness compound in Czechoslovakia where he feeds young girls suspicious energy drinks.

The relationship between Ivan Lendl and the fans of tennis is unlike any other. The sport’s audience is famous for despising its champions when they’re in their primes, embracing them just as they’re about to kick the career bucket, and then moaning about how much better the game was when they were out there kicking ass and taking names.

This is not the case with Lendl. The Czech No. 1 and Hall-of-Famer was hated during his playing days, of course, so much so that he never received any kind of end-of-the-line embrace from fans. The best we could do as his back gave out and his career wound down was tolerate his presence. Which wasn’t difficult—he’d been beating the hell out of everyone for so long, we couldn’t imagine the sport without him.

The strange thing is what has happened to Lendl—or rather the idea of Lendl—since his retirement. You know how they say that at this point, probably a half a million people claim to have been in the Polo Grounds for Bobby Thompson’s Shot Heard Round the World? That’s kind of how I feel about today’s Lendl fans. Virtually everyone old enough to remember him now says how much they loved they guy, how he was their favorite player of all time. Even friggin’ Snoop Dogg sings Lendl’s praises!

That’s right - the man with the fish face, argyle shirts, monstrous Adidas racquet, groundbreaking forehand, and mile-wide mean streak is hip. I wonder sometimes where these fans were when he was playing. This is the guy whom “Sports Illustrated” called the “The Champion Nobody Cares About” right on its cover (now that’s when tennis was huge! you can’t even get Roger Federer on the SI cover at all these days). He was seen as a sallow, workaholic drone, a perfect Eastern bloc foil for the ultra-talented and semi-lazy American John McEnroe.

What we didn’t know then was that the sport’s future belonged to Lendl, and McEnroe, a serve-and-volley student of the old Aussie coach Harry Hopman, was a final gasp from the charismatic good old days of tennis. Lendl was a pioneer of sports-nutrition and fitness training. He was also the most important figure in the game’s on-court transformation into the power-baseline sport it is today. Before Lendl, tennis players were either steady baseliners (think Borg) or net-rushers (think Laver, Mac, pretty much everyone else). Along with Jimmy Connors, Lendl blew up that split by playing attacking tennis from the baseline. More important, he was the first to do it with the inside-out forehand—20 years after Lendl’s peak, it’s still the crucial shot in men’s tennis.

Lendl was also one of the earliest male tennis divas. He kept sawdust in his pocket (it helped keep his grip dry) and spilled it along the baseline (you can see it up there in the SI cover), and as a rule he put up with no distractions whatsoever. Lendl wouldn’t start play until every last person was in his seat; he was bothered once by the Goodyear blimp hovering above his court, so he had the tournament referee radio up to get the blimp to move.

As far as the pantheon goes, I’d place Lendl as the fifth best men’s player of the Open era, behind Sampras, Federer, Borg, and Laver, and just ahead of Agassi, McEnroe, and Connors. He won eight majors, reached the US Open final a ridiculous eight straight times, won three of the four Slams, and owned winning records against just about everyone. He beat Connors 17 times in a row at one point, and he basically drove Johnny Mac from the game. One of my favorite things about Lendl was how he handled the “tricky” guys, the guys no one wanted to play. Most prominent of these was Miloslav Mecir, another Czech. Mecir was known as the Big Cat, and he played a bizarrely silky and effortless game that was difficult to read. (Despite never winning a major, Mecir may be the most name-dropped ex-pro among today’s tennis aficionados, to the point where I’ve started to think of him as highly overrated). Anyway, Lendl never had any trouble with him, drubbing him five of six times, including a blowout in a US Open final. In other words, Lendl didn’t care who you were or how weird your game was, he just got down to the business of beating you like a drum.

Sadly for tennis fans, Lendl is now devoted to golf, and acts like the sport that made him rich is just something from his past. He’s a U.S. citizen, has lived in Connecticut for years, has Republican tendencies, breeds vicious police dogs, and has raised three daughters to be golf prodigies. Typical of Lendl, he says he never let any of them beat him in golf, even when they were little kids.

That brutality in his personality may explain why Lendl never got much love as a player, and why he’s so admired in retrospect. The guy is terrific in theory; he had a cool executioner’s look on court, and a rapier sense of humor. His famous scouting report on a young Andre Agassi was devastatingly concise: “A forehand and a haircut.” (Lendl is famous for his putdowns, and equally famous for not being able to take a joke at his expense). This all would have been fine if McEnroe hadn’t disappeared from the top of the sport in the mid-80s. That left Lendl to dominate—he finished No. 1 from 1985-’87 and again in ’89 and won 94 titles, second only to Connors. But where Lendl made a great foil for the stylish McEnroe, Lendl’s mechanical game and cold-blooded dominance was a little tough to take on its own.

So we’ve given Lendl his due years later, when we can enjoy the idea of him without actually having to watch him beat some poor sap into the ground. But that’s certainly fun to see once in a while—check out the clip below to see the man in all his vicious glory.



Steve Tignor is the executive editor of Tennis magazine. For more of his writing, check out his weekly column, The Wrap, on the Tennis website. In his latest piece, he hands his out his quarterly report cards. I don't want give too much away, so I'll just tell you that Serena Williams gets a much-deserved A+ while the Tiger/Federer friendship rates a D.

A Tradition Unlike Any Other


It's really true, I must say, and you know why? Because for some reason, unlike the Super Bowl or the World Series or the Final Four or the Wimbledon final, The Masters rarely disappoints. I admit that I am the most dilettantish golf fan around - now that I don't write about the sport anymore I basically only watch the Masters and the British Open. That said, there's more than a few Sundays at Augusta that rank with my all-time most exciting sports viewing experiences ever:
  • Jack in '86, of course, not the first Masters' Sunday I ever watched, but the first one that gave me that Masters' feeling... also the first time that I can remember witnessing an athlete having the equivalent of a nervous breakdown on television. And as we all know, that wasn't the last time we'd be seeing the Shark blow his cool in a big moment.
  • Faldo/Hoch playoff in '89. Hoch chokes on a gimme and Faldo holes a 25-footer for the win on Amen Corner's trickiest green. The putter tossed into the air. Amen.
  • And speaking of ole Nick Faldo, how about '96? It wasn't exactly great golf, but it was gripping theater, watching a human being actually disintegrate before your eyes. If you don't know what I'm talking about, this is the year that Greg Norman sealed his legacy for all time as the king of all choke artists, blowing a six-stroke lead in the final round at Augusta to Faldo, who won his third green jacket. I imagine that the Shark still thinks about that day first thing every morning, and last thing every night.
  • 1997. A young prodigy of color. Twelve strokes clear of the field. The sport changes forever. Enough said.
  • 1998 - not a Masters that people go on about a lot these days, but one that nevertheless blew my mind. With Fred Couples, David Duval and a 58-year old ghost by the name of Jack Nicklaus all breathing down his neck, Mark O'Meara birdies 17 and 18 to finally shed that ignominious claim to the Best Player Never to Have Won a Major throne.
  • And speaking of Phil Mickelson... seriously, though, the 2004 Masters was my all-time favorite, hands down. The drama of Lefty chasing that first major, trying to get the BPNTHWM monkey off his back, and doing it on Sunday in typical Mickelsonian fashion - he's up, he's down, he's in the woods, he drives the green, he makes an eighteen-footer, pulls a four-footer - and the whole time wearing that possessed beatific smile on his face as if he just knew that this was his time. And then it all culminates with a twenty-foot birdie putt on the 72nd green for the win and one of the great thunderous white man's leaps in history.
Man, I could have gone on with this post for at least another hour. I didn't even get to the 2005 Masters, which one could easily make a case for as the greatest Masters ever (Tiger's boomerang chip that lipped in on 16? Chris DiMarco hanging in like freakin Rocky out there?... oh it was off the hook, the whole thing).

In conclusion, it is my suspicion that among the No Masian faithful out there, golf is not a high priority. But I'm telling you people, if you happen to be one of the uninitiated, watch the Masters already. It's a rite of spring, and something great is bound to happen.

No Mas TV Guide - 4/4

Manchester United v. Roma
ESPN2, 2:30 p.m.

Day 2 of the quarterfinals of the Champions League sees United traveling to Rome. The Italians are coming off an impressive victory over Lyon in the round of 16, while the English side heads off to the continent with just two wins in Italy in their last eleven matches.

Valencia v. Chelsea
ESPN Classic, 5 p.m.

Classic runs the other quarterfinal Champions League action of the day on tape - the Blues continue their pursuit of an historic quadruple sweep of four titles in a single season.

Countdown to UFC 69
Spike, 10 p.m.

Great show hyping up this Saturday's UFC PPV which features Georges St. Pierre defending his Welterweight title against Matt Serra.

UFC All Access
Spike, 11 p.m.

A behind-the-scenes look at the pride of Montreal, Quebec, Canada, Georges St. Pierre, as he trains for his 1st title defense against Matt "The Terra" Serra. MMA? Montreal? GSP? Title defense? Please don't be calling The Franchise for the rest of the week - he needs to get focused.

Tuesday, April 03, 2007

All Night Long Endless Love One Shining Moment


As if we didn't already know it, the Gators kick ass. They play great defense, they can run with anybody in the country, and their shooting can be downright scary (in a good way...except for Noah). After their victory Billy Donovan kept insisting that his guys had to be considered one of the greatest teams of all time.

Well no shit Billy!

Unfortunately the next time he opened his mouth it was to hedge his declarations so as not to come off as an arrogant prick who could have waxed the great UNLV teams (or even somebody who wasn't cheating). Granted, it was probably a good move from a political standpoint, but it does raise an interesting question. Just how great are these Florida Gators in a historical sense?

Well I'd break it down for you but it looks like Gregggg Doyle has already solved the unsolvable (CBS has got to give that guy a raise!). After literally hours of research and analysis Doyle has concluded that the Florida is the fourth best college basketball team of all time. Damn, I sure am glad he cleared that up.

Unlike the omniscient Mr. Doyle I'm not overly concerned with ridiculously subjective historical rankings. No, I'm afraid I don't know how Havlicek's Ohio State team would stack up against this year's Gators and I'm not afraid to admit it. I'd rather just compare this group with the last team to go back-to-back.

I'm not going to lie to you right now, I used to be a Duke fan. Keep in mind I was young and I had a thing for polish guys. Seriously though, I loved Bobby Hurley and Grant Hill (I still do) and nothing was better than watching teams like Kentucky fall at their collective hand. But how would that team match up with our current champions?

Just like last night's game the focus would be on the big men and just like last night's game it would be decided on the perimeter. First things first, nobody was going to stop Hurley. He could score, distribute, and control the tempo better than any college point guard I've seen. Green and Humphrey would have their hands full but both are such adept on-ball defenders that Hurley would have to work for everything he got.

The triumvirate of Noah, Horford, and Richard would cause serious problems for the smaller and less athletic Blue Devil front line (although Cherokee Parks was coming into his own in '92). They'd be able to bang inside all night long but the Dukies were equally adept at stretching out the defense in front of them. Laettner, Brian Davis, and Thomas Hill would get their points but I doubt they could hang with Florida on the glass.

The one matchup that gets me truly excited (in a totally non-sexual way) is Corey Brewer vs. Grant Hill. They're both incredibly gifted athletes and all-around basketball players. They'd go up and down making life hell on one another at both ends of the court. Hill would try to work the ball inside and fill up the bucket with his deadly mid-range game. Without much in the way of an interior shot blocker to worry about Brewer would look to slice his way towards the rim while hoisting up the occasional trey to keep Hill honest.

Yes, these are the things I think about when I'm trying to fall asleep after watching a masterful performance. I'm not going to say who I think would win, mostly because I've got no clue. I do know that the game would feature two magnificently coached teams, which is more than I can say of last night's contest.

And now, just because, here's One Shining Moment.

The King is Dead... Long Live the King

On this day in 1975, FIDE, the international chess federation, proclaimed Anatoly Karpov its world chess champion, officially ending the both tumultuous and uneventful two-and-a-half-year reign of the enigmatic superstar, Bobby Fischer.

Since winning the world championship from Boris Spassky in the epochal Match of the Century in September of 1972 (a victory so huge that it actually landed Fischer on the cover of SI), the champion had played in exactly zero tournament chess games. Fischer's defense against Karpov in '75 was mandatory, and the chess world awaited this showdown with possibly more anticipation than the Spassky match, because Karpov was also a prodigy-genius that many thought could beat Fischer.

True to form, Fischer laid down an exhaustive and largely crazy set of demands for the Karpov match (among them that anyone entering the room of play had to remove any hats or head covering). But the sticking points of his list came down to three conditions that were in direct contradiction of FIDE rules - that draws would not count, that there would be no limit to the number of games played, and that the champion retained his title in the event of a 9:9 tie. It was the third of these three conditions that could not be met, because it gave an enormous advantage to Fischer (he only needed nine wins to keep his title, while Karpov needed a 10-8 result rather than merely being the first to nine). Because of the clear one-sidedness of this demand, many have since postulated that Fischer was not so much crazy at the time as he was afraid of Karpov.

Rather than concede this point, Fischer resigned as world champion in a telegram to FIDE president Max Euwe in June of 1974, writing that "the match conditions I proposed were non-negotiable." Karpov was finally given the crown by default on this day 32 years ago. Having won the title in this fashion would later haunt Karpov, as he was criticized by his adversaries for being "a paper champion." But in 1978 he won the world title outright in a thrilling and bizarre world championship match with Viktor Korchnoi.

No Mas TV Guide - 4/3

Liverpool v. PSV Eindhoven
ESPN2, 2:30 p.m.

Live coverage of the first leg of this Champions League matchup - after disposing of Arsenal, PSV looks for another Premier League scalp, while Liverpool is coming off a 4-1 defeat of the Gunners themselves (including a hat trick from Peter Crouch) and looking all in all in fine form.

Bayern Munich v. AC Milan
ESPN Classic, 5 p.m.

Classic shows tomorrow's other Champions League quarterfinal first leg on tape. Bayern looks for revenge after being ousted last year by Milan.

The Karate Kid
ABCFam, 8 p.m.

Karate come from China, sixteenth century, called te, "hand." Hundred year later, Miyagi ancestor bring to Okinawa, call *kara*-te, "empty hand."

Aaron Davis v. Mark Breland, 1990
ESPN Classic, 9 p.m.

Breland, the Golden Gloves and Olympic prodigy who never quite lived up to his pedigree as a pro, lost his WBA welterweight belt to Davis in this fight on a ninth-round KO.

UFC Unleashed
Spike, 9 p.m.
Some lightweight love to gear us up for Thursday's Ultimate Fight Night with Alex Karalexis vs. Jason Von Flue, Aaron Riley vs. Spencer Fisher and Melvin Guillard vs. Josh Neer.

ECW
Sci-Fi, 10 p.m.

A little Wrestlemania rematch never hurt anybody: ECW Originals vs. the New Breed in an Extreme Rules Match.

Monday, April 02, 2007

Reborn


Man, I don't know about all youse out there, but Large here has had one bitch of a winter. Lot of anxiety about money (and the lack thereof), lot of being away from my lady, lot of work and no play has made Large feel quite frequently, well, Small.

But look, things are on the upswing, and on that score, is there anything more welcome, more reassuring, more apt to expunge your every cynical urge than freakin flippin Opening Day?

At the Bank today, Large and Mama Large had a damn near perfect Opening Day 2007 (that's us on the right), all but for the Phils actually winning the game, but hey... the Phils never win on Opening Day, and Smoltz pitched a gem, and it is just one game and... okay, it didn't thrill me, no doubt, but it wasn't exactly the buzzkill that it might have been.

The weather was pristine. The pre-game festivities were short and to the point and briefly awesome, when the Navy parachute-team came hurtling into the outfield at top speed. Once the game started, everybody was drunk and in good spirits and overwhelmingly Phillies-oriented. In fact, I didn't hear a single Eagles cheer on the whole afternoon, and the only Eagles jersey I saw all day was a BDawk a couple of rows in front of me. (I did, however, take note of a very fly White Sox Carlton Fisk throwback in my section, which I dug, but which I also had to wonder about.)

So yes, we blew the game in the tenth and failed to knock in runners on second and third with no outs at a key moment and in general gave Howard Eskin plenty to rage about on WIP, all of which sound and fury we had no choice but to listen to because the traffic getting home was ungodly.

But no matter, friends. Fightin's look like a force to be reckoned with (Utley batting behind Howard, you feel me?), and more importantly baseball is back, the weather is turning fine, and oh goddamn everything is all right.

Well That Certainly Sucked

At least somebody enjoyed their evening.

So, Saturday night probably could have been a bit better. Just try to forget those things I said about this being the perfect Final Four; perhaps there is no such thing. The national semifinal has become as big a perpetual disappointment as the US Ryder Cup Team and the US Davis Cup Team combined.

Recently we've seen teams dominated, we've seen them out of rhythm, and we've seen them clank shots from all over the gym. So what in the name of James Naismith is wrong? In previous years it could be argued that the Final Four was held back by one or two teams that just couldn't compete at that high a level. This year there's no excuse. We had four fantastic teams and zero entertaining games. So who's at fault?

1. The refs

I was traveling all day yesterday so I didn't get to see a lot of the reaction to the game but I imagine this was touched on (at the very least). They were simply awful. It's not that they favored any team in particular; instead they spread out the horrible calls (and non-calls) so that everyone could suffer. Both Hibbert and Oden were significantly hampered and it destroyed the potential for a competitive and hard-fought game. How can we enjoy a battle of the big men when the refs are blowing the whistle every time somebody pops out with a screen or a hedge? Frankly I thought Oden should have picked up two additional fouls in the second half. That insane horizontal dunk attempt sure looked like a charge to me. From the one replay I've seen it looked like the defender had established position before the seven footer pulled off his Clark Kent disguise. The most important play of the game might have been a very late no-call that could have shifted the balance of the game. Oden seemed to clearly hook Hibbert's right arm when they were going up for a rebound. Instead of picking up the huge foul Oden got the rebound and Ohio State padded their lead.

Don't even get me started on what the other crew did to Afflalo. Yeah, Brewer was playing dominating defense as always but it was the whistles that truly handcuffed the first team All American. I know the charge/block call can be subjective but it seems like they screwed it up more than half the time.

2. The NCAA

How many billions of TV dollars will it take to get these fuckers to bypass the extra revenue of a dome? Domes ruin basketball, it's just that simple. The site lines suck and that means lots of missed jump shots. The cavernous nature of the buildings screw up the TV broadcast and the atmosphere at the game. The camera angles are all skewed and the lack of noise just kills all the passion. That's just not college basketball. Hell, it isn't even NBA basketball! I hope it's all worth it to sell another 15,000 seats you bloodsucking pieces of shit.

Hopefully tonight's finale will salvage the event (it wouldn't be the first time). Regardless, the Final Four remains an unfortunately anticlimactic ending to an otherwise glorious event.

Now I've got to go get myself ready for some serious Seder action. Big ups to CBS for starting the game at 9:21 pm EST. I had no idea Sumner Redstone was Jewish, I guess that's why he changed his name from Rothstein.

Go Gators!

P.S. If by some miracle (I'm looking in your direction Elijah!) I get out of this Seder with time to spare I'll offer up some thoughts on tonight's contest.

Goodness Gracious Sakes Alive



NO MAS TV REVIEW


UCLA Dynasty

HBO, 7 p.m.
1 hour documentary






For all you hardcore UCLA fans out there who are feeling a little letdown by your boys' performance on Saturday against Florida, tune into HBO tonight at 7 p.m. and head back to the glory years of Bruin basketball with HBO's latest sports doc, The UCLA Dynasty. As HBO docs go, I have to say I find this one pretty thin, but as with all their material, it's well-made and looks fantastic. Gail Goodrich and Walt Hazzard in the backcourt, Alcindor as a frosh in the freshman/varsity game, John Wooden home movies - just for the footage alone, this will be a treat for any true Bruin basketball fan.

But all the great footage in the world can't hide the main problem with this thing, which is that they've oriented it around a truly flimsy premise - that UCLA basketball in its dynasty era was highly influenced by the turbulence of the 60's, such that the teams became a reflection of the time. This premise is inarguable, but only interesting if you crave explanation of the blatantly obvious. I mean, isn't every team, every person for that matter, a reflection of the time period they live in? Next they'll do a doc on how the LJ UNLV team was heavily influenced by the emergence of gangsta rap.

As an organizing principle, the whole 60's thing wouldn't be so bad, except that it limits the show to some really banal observations. Because the legitimate connections between the 60's counterculture and UCLA basketball are meager - Alcindor participated in the boycott of the '68 Olympics, the 1970 championship team sent an anti-war letter to Nixon, Bill Walton went to protests and wore his hair long - we're left with a show that goes back and forth between two narratives and doesn't really do either of them justice. We get a cursory treatment of the Wooden era and an even more cursory treatment of the upheaval of the 60's, with every now and then someone like Ray Manzarek appearing on the screen to say, apropos of nothing, "In your FACE! break on through TO THE OTHER SIDE BABY! I'm a back door man!" or Penelope Spheeris bragging about how when she was at UCLA they smoked pot out in the open man and they like totally dared anyone to try and stop them.

Oh it's all so wack. They should have just stuck to the basketball. When they do, believe me, it makes a lot more sense. Sidney Wicks is funny and looks about the same as he did in his playing days only now he's bald. And towards the end there's a lot of good Wooden stuff, about his equivalent of swearing ("'Goodness gracious sakes alive' just sent chills down your spine... if he said that you knew it was serious...") and the fact that he started every season's training camp the same way - by teaching his players how to put their socks on properly. This is the kind of detail that I could have done with a lot more of. Meanwhile, I could have done with a LOT less of Ray Manzarek and Bill Walton. Those two should have a ladder match someday soon for the Intercontinental Most Self-Important "I Am the True 60's Wild Man" Blowhard Belt. Walton is just... well check it out. You'll see.

K.O.W. - The Pride of Wales

Joe Calzaghe, The Pride of Wales, fights this Saturday in Cardiff against Peter Manfredo Jr., a.k.a. The Pride of Providence, which may give you an idea of how little Providence has to be proud of these days. Calzaghe, the southpaw Welshman, is more known for his lightning-fast combinations than he is for his punching power, but I was You-Tubing around the other night and came across this clip and immediately deemed it Knockout of the Week material. This is Calzaghe's second professional fight, against one Paul "Stinger" Mason of Sheffield, who appears to have absolutely no idea what he's doing in the ring. The Pride of Wales, as you will see, was all of 21 years old in this bout, and looks all of about 12. Mostly I love this clip because of the intimacy of the vibe, the small-scale British boxing scene complete with Wimbledonian commentary. But don't let the atmosphere fool you. When it comes to knockout time, Cardiff's own delivers big, sends our Stinger hurtling into his corner like one of the ridiculous KO's in the montage at the beginning of Rocky III.

No Mas TV Guide - 4/2

MUST WATCH NO MAS TV
Opening Dizzo of the Baseball Sizzo
Everywhere, All Day
Nationally, ESPN has Yanks/ D-Rays at 1 p.m. and Red Sox/Royals at 4, and the deuce has Cubs/Reds at 2 and Orioles/Twins at 7 (Orioles/Twins is a national game?), but c'mon. Watch your local game, you loser. Having "to go to work" is no excuse. Large himself will be at the Phils home opener with Mama Large to see game one of the Fightin's championship campaign (you can catch that shit on TBS at 1 if you are so inclined - I'll be the dude in the Ryan Howard t-shirt). Expect a full report later tonight.

NCAA Final
CBS, 9 p.m.

Florida v. Ohio State. If Florida wins, then there's nothing to talk about really, but if Ohio State wins, after the game all the basketball and football players from both sides are going to meet in an epic steel-cage battle royale to decide which school actually rules the year 2007 forever. If it comes down to that, I got money on Ohio State, cause my man Oden looks like he could take out like six motherfuckers without working up a sweat. And the Troy Smith/Chris Leak smackdown? Ninja please. That's like Bobby Lashley against Franchise.

BEST OF THE REST
Masters Highlights
The Golf Channel, 6 p.m.

Get yourself all revved up for Masters week by watching this recap of last year's Masters, where Lefty won his second jacket in decidedly less exciting fashion than when he won his first.

Joe Frazier v. Jimmy Ellis, 1970
ESPN Classic, 8 p.m., 12 a.m.

Ali's former sparring partner and his future nemesis battle it out for the Champ's vacated title. Ole Jimmy Ellis hangs in there pretty good for a few rounds, actually. But oh how those Frazier left hooks made it late real early in there.

WWE Raw
USA, 9 p.m.

Things to look out for following an entertaining Wrestlemania: John Cena is still your WWE Champion, Mr. Kennedy should now be referred to as Mr. Money in the bank and Vince McMahon is now one bald-ass billionaire.

Jimmy Kimmel Live
ABC, 12:05 a.m.
Melo's on with Kimmel, just, you know... making it do what it do.

Sunday, April 01, 2007

Let's Do It Again

I'm shocked as I peruse the morning articles about last night's Final Four games that I'm not reading more about the astonishing fact that this year's NCAA final is a rematch of the college football national championship game. I mean, sure, people are mentioning it here and there, but to me it deserves a little more than a mention. As soon as it was clear last night that Florida had the game in the bag, I started telling my girlfriend that I didn't even have to look it up, that I knew that no two teams had ever vied for both the football and basketball national championships in a single calendar year.

My girlfriend wasn't as interested in that as you might have thought. But it's her loss, because: 1. it's true, and 2. it's freaky-deeky. Of course, college football has only had a national championship game since the 1998 season, but that doesn't really matter - you can look back easily throughout history and see what the national championship game would have looked like. Hell, you can look at the top four teams in the year-end A.P. poll and still find that no two of them were in the basketball NCAA final that year.

Of course, it's Sunday morning, and I don't feel like doing that. So I'm going to go with an unscientific method, but one that I believe will still prove my point beyond a shadow of a doubt. I'm just going to go down the list of NCAA basketball title games over the years and eyeball the shit. It's that easy.

As far as the BCS era goes, only last year's basketball final and the 2000 final involved schools with elite football programs, and I think we're all aware that Florida and UCLA did not play in the BCS title game last year, and Florida and Michigan State did not play in that game in 2000.

In the 90's, the only remote possibility is UCLA/Arkansas in '95, and neither of those schools were in the A.P. top ten in football in '95. There is not a single viable candidate in the 80's, and in the 70's, only UCLA/Florida State from '72 raises the brow, but then one remembers that Florida State sucked then.

On to the 60's, a decade that I can't just look at and know right off the top of my head. I see two legitimate candidates - UCLA/Michigan in '65, and Ohio State/Cal in '60. But, of course, no and no - the Bruins were fifth in the A.P. football poll in '65, but Michigan wasn't in the top 20, and as for 1960, Ohio State was 8th and Cal was nowhere.

In the 50's and 40's there's absolutely nothing worth even investigating, unless Kentucky or Oklahoma A&M had some great football dynasties that I don't know about. Of course the first NCAA basketball final was in 1939, featuring Ohio State coincidentally, Ohio State and Oregon, and in case you were wondering, no.

So there you have it. As if you didn't know this already, Florida and Ohio State are the only two schools in history to play for both the college football and college basketball championships in a single year. And Florida has a chance to become the first school ever to hold both titles concurrently, which would be some serious bragging rights indeed.